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Corina Marti - Winter (2020)

Corina Marti - Winter (2020)

BAND/ARTIST: Corina Marti

  • Title: Winter
  • Year Of Release: 2020
  • Label: Ayros
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 61:29 min
  • Total Size: 277 MB
  • WebSite:
Tracklist:

1. Portigaler (After Guillaume Du Fay Or Me Veult Bien Esperance Mentir)
2. Redeuntes In Idem Mi De Eadem Mensura
3. Ave Stella Matutina
4. Ein Buer Gein Holtze
5. Se La Phase Pale (After Guillaume Du Fay Se La Face Ay Pale)
6. Redeuntes In Fa
7. Redeuntes In Ut
8. Magnificat Octani Toni
9. Sequuntur Redeuntes In Idem
10. En Soustenant Vostre Querelle
11. Praeambulum Super F
12. Annavasanna (Upon Anon. Une Foys Avant Que Morir)
13. Der Winter Will Hin Wichen
14. Christus Surrexit Mala Nostra Texit...
15. Bohu Svemu Krali Nebeskemu
16. Ich Sah Ein Bild In Blauwer Weyt
17. Gross Senen
18. A Vous Sans Aultre
19. Verlangen Tut Mich Krencken
20. Ich Sachs Eyns Mols Den Lichten Morgensterne
21. Adyen Matres Belle (Upon Gilles De Bins Dit Binchois Adieu Mes Tres Belles Amours)
22. Redeuntes In La
23. Parleregart/Ad Huc Semel (After Guillaume Du Fay Par Le Regart De Vos Beaulx Yeulx)
24. Qui Vult Messite (After Gilles De Bins Dit Binchois Qui Veut Mesdire)
25. Praeambulum Super Sol


The major part of the unique and rare repertoire presented on this album is culled from three important manuscripts, all copied in the second half of the fifteenth century: the Buxheim organ book (Bux, ca. 1470), the Lochamer song book (Loch, ca. 1460), and the Glogauer partbooks (or Zagan partbooks, to use the title favoured in some recent studies). All three of the books are treasure troves of delightful and unexpected discoveries. Among the composers presented in the French section of this recording are some of the most eminent and well-known musicians of the fifteenth century: Guillaume Du Fay, Gilles Binchois, Antoine Busnois.

The works are interspersed with Buxheimer's free instrumental improvisations, redeuntes and preambula. The former consists of a highly ornamented upper voice flowing against a sustained (or repeated) note in the lower, whereas the latter are essentially fantasia-like pieces divided into several parts with contrasting rhythms and textures. Although the rendition here is purely instrumental, words are constantly there at a subliminal level, creating yet another semantic and sonic layer imperceptible, but always present in the background.

Artists: Corina Marti - Recorder Marie Nishiyama - Harp Roger Helou Organ


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  • gemofroe
  •  wrote in 18:33
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Thanks a lot