Corina Marti - Johannes de Lublin Tablature: Keyboard Music from Renaissance Poland (2018)
BAND/ARTIST: Corina Marti
- Title: Johannes de Lublin Tablature: Keyboard Music from Renaissance Poland
- Year Of Release: 2018
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:14:25
- Total Size: 508 mb
- WebSite: Album Preview
Tracklist
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01. Preambulum in G Major
02. Surrexit dominus valete luctus
03. Passamezzo antico/Proporcia Jeszcze Marczynye
04. Deus qui sedes super thronum
05. Zaklolam szÿa tharnem
06. Preambulum in E Major
07. Absolon
08. Corea
09. Poznanie
10. Francigenum
11. D'ung desplaisir
12. Corea (2)
13. Corea (3)
14. Preambulum in A Major per h
15. Date siceram merentibusnir
16. Preambulum super d
17. Bona
18. Vescholla
19. Ad novem saltus
20. Haÿduczkÿ
21. Vita in lingo moritur
22. Pressa
23. Preambulum in D Major
24. Schephczyk ÿdzÿe po ulÿczÿ schÿdelka noschacz
25. Corea (4)
26. Preambulum super F Major
27. Ave jerarchia
28. Colenda severini
29. Anglicum
30. Preambulum in D Major (2)
31. Dulce memorie
32. Plus mille regres
33. Aliud preambulum
34. Rex
35. Tribulatio et angustia
36. Corea italica
37. Conradus
38. Preambulum in C Major
39. Sicut lilium inter spinas
The 'tablature of Jan of Lublin', as this significant collection is commonly known, belonged to the monastery of Canons Regular in the Polish city of Krasìnik near Lublin, and was bound in 1540. The owner and primary scribe was this Jan, or Johannes, of whom very little is known or can be surmised, but the contents of his book are a treasure trove of compositions and musical instruction illustrating what keyboardists of the region in the 16th century would have learned and played, including counterpoint, composition, organ-tuning, liturgical music and — perhaps richest of all — intabulations (arrangements) for keyboard of polyphonic vocal music from across Europe and original compositions for keyboard including 'preambula' (improvisatory preludes) and dances under the generic title 'corea' or with more specific names, several of them Polish. These latter Polish dances give the very international Jan of Lublin collection strong ties to its Polish origins, shedding light on the local musical tradition and its vigorous artistic interaction with Greater Europe. Internationally acclaimed harpsichord and recorder virtuoso Corina Marti has grouped selections from the Tablature into a recital programme in five sections, reflecting both the great variety and juxtaposition of various types of music in the volume, and the richness offered by this place and moment in music history. Marti's ongoing research into aspects of the repertoire and the reconstruction of late-medieval and early-renaissance keyboard instruments and recorders has contributed substantially to the present-day revival of these instruments.
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01. Preambulum in G Major
02. Surrexit dominus valete luctus
03. Passamezzo antico/Proporcia Jeszcze Marczynye
04. Deus qui sedes super thronum
05. Zaklolam szÿa tharnem
06. Preambulum in E Major
07. Absolon
08. Corea
09. Poznanie
10. Francigenum
11. D'ung desplaisir
12. Corea (2)
13. Corea (3)
14. Preambulum in A Major per h
15. Date siceram merentibusnir
16. Preambulum super d
17. Bona
18. Vescholla
19. Ad novem saltus
20. Haÿduczkÿ
21. Vita in lingo moritur
22. Pressa
23. Preambulum in D Major
24. Schephczyk ÿdzÿe po ulÿczÿ schÿdelka noschacz
25. Corea (4)
26. Preambulum super F Major
27. Ave jerarchia
28. Colenda severini
29. Anglicum
30. Preambulum in D Major (2)
31. Dulce memorie
32. Plus mille regres
33. Aliud preambulum
34. Rex
35. Tribulatio et angustia
36. Corea italica
37. Conradus
38. Preambulum in C Major
39. Sicut lilium inter spinas
The 'tablature of Jan of Lublin', as this significant collection is commonly known, belonged to the monastery of Canons Regular in the Polish city of Krasìnik near Lublin, and was bound in 1540. The owner and primary scribe was this Jan, or Johannes, of whom very little is known or can be surmised, but the contents of his book are a treasure trove of compositions and musical instruction illustrating what keyboardists of the region in the 16th century would have learned and played, including counterpoint, composition, organ-tuning, liturgical music and — perhaps richest of all — intabulations (arrangements) for keyboard of polyphonic vocal music from across Europe and original compositions for keyboard including 'preambula' (improvisatory preludes) and dances under the generic title 'corea' or with more specific names, several of them Polish. These latter Polish dances give the very international Jan of Lublin collection strong ties to its Polish origins, shedding light on the local musical tradition and its vigorous artistic interaction with Greater Europe. Internationally acclaimed harpsichord and recorder virtuoso Corina Marti has grouped selections from the Tablature into a recital programme in five sections, reflecting both the great variety and juxtaposition of various types of music in the volume, and the richness offered by this place and moment in music history. Marti's ongoing research into aspects of the repertoire and the reconstruction of late-medieval and early-renaissance keyboard instruments and recorders has contributed substantially to the present-day revival of these instruments.
Year 2018 | Classical | FLAC / APE
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