Thomas Beecham - Franck / Bizet: Symphonies (1959) [2017 SACD Definition Serie]
![Thomas Beecham - Franck / Bizet: Symphonies (1959) [2017 SACD Definition Serie]](https://www.dibpic.com/uploads/posts/2020-01/1580033881_folder.jpg)
BAND/ARTIST: Thomas Beecham
- Title: Franck / Bizet: Symphonies
- Year Of Release: 1959 [2017]
- Label: Tower Records [TDSA-55]
- Genre: Classical
- Quality: DSD64 image (*.iso) | FLAC (24bit/88,2 kHz)
- Total Time: 01:07:25
- Total Size: 1,8 GB / 1,1 GB (+3%rec.)
- WebSite: Album Preview
It is a combination of two famous symphonies of the famous masterpiece Bizet and the famous Frank from the last EMI era of Beecham, which remains in the recording history. The world's first SACD recording of the last session!
One of the last session recordings of a series of stereo recordings recorded in Paris from October to December 1959 by Beauchamp, Frank's symphony was combined with the best and renowned Bizet's symphony. Coupling a masterpiece recorded in the history of recording. A masterpiece that faithfully reproduces the famous performances of the French orchestra at the time, which left a strong tone. The world's first SACD. For this reprint, mastering was performed separately for the SACD layer and the CD layer using a master that was digitized at 96kHz / 24bit from the original master in the home country. Beecham continued to introduce classical music extensively through his long commanding work. In particular, his love for composers and operas in his country is deep, and his contribution to the music world by investing his own money is well known. Beauchamp has recorded numerous recordings since the war, and has recorded a large number of recordings on EMI for the last few years. Some of them have been re-recorded in stereo from songs recorded only one or two years ago in monaural. In particular, a series of recordings in Paris from October to December 1959, despite the earliest stereos, were indeed jewels, in which the distinctive command of Beecham and the unique tone of French orchestra at the time were perfectly matched. Such a performance was left. Among them, Bizet's Symphony, which is called the best, is still a masterpiece with many fans. And Frank's recording, performed almost simultaneously with Lalo's recording in a series of recordings, was the gem of the end of Beecham. However, he himself was disgusted with the recording during this time, and it is said that he refused all subsequent recordings. Soon after his retirement, he died in March 1986, but these strangely last recordings are packed with the art of Beecham who has the same affection in his work. These masterpieces that remain in the history of recording are SACDs that can reproduce the fine shadows and the sense of air more precisely, so I guess you can fully enjoy the art that covers the details of the beech that was left behind by the master.
*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
César Franck:
1-3. Symphony in D minor, FWV 48
Georges Bizet:
4-7. Symphony No. 1 in C major, WD 33
Personnel:
Orchestre National de la Radiodiffusion Française
Thomas Beecham (conductor)
![Thomas Beecham - Franck / Bizet: Symphonies (1959) [2017 SACD Definition Serie]](https://www.dibpic.com/uploads/posts/2020-01/1580033809_back.jpg)
One of the last session recordings of a series of stereo recordings recorded in Paris from October to December 1959 by Beauchamp, Frank's symphony was combined with the best and renowned Bizet's symphony. Coupling a masterpiece recorded in the history of recording. A masterpiece that faithfully reproduces the famous performances of the French orchestra at the time, which left a strong tone. The world's first SACD. For this reprint, mastering was performed separately for the SACD layer and the CD layer using a master that was digitized at 96kHz / 24bit from the original master in the home country. Beecham continued to introduce classical music extensively through his long commanding work. In particular, his love for composers and operas in his country is deep, and his contribution to the music world by investing his own money is well known. Beauchamp has recorded numerous recordings since the war, and has recorded a large number of recordings on EMI for the last few years. Some of them have been re-recorded in stereo from songs recorded only one or two years ago in monaural. In particular, a series of recordings in Paris from October to December 1959, despite the earliest stereos, were indeed jewels, in which the distinctive command of Beecham and the unique tone of French orchestra at the time were perfectly matched. Such a performance was left. Among them, Bizet's Symphony, which is called the best, is still a masterpiece with many fans. And Frank's recording, performed almost simultaneously with Lalo's recording in a series of recordings, was the gem of the end of Beecham. However, he himself was disgusted with the recording during this time, and it is said that he refused all subsequent recordings. Soon after his retirement, he died in March 1986, but these strangely last recordings are packed with the art of Beecham who has the same affection in his work. These masterpieces that remain in the history of recording are SACDs that can reproduce the fine shadows and the sense of air more precisely, so I guess you can fully enjoy the art that covers the details of the beech that was left behind by the master.
*As it is a machine translation, the result may not provide an accurate description.
Please use it only as a reference.
Tracks:
César Franck:
1-3. Symphony in D minor, FWV 48
Georges Bizet:
4-7. Symphony No. 1 in C major, WD 33
Personnel:
Orchestre National de la Radiodiffusion Française
Thomas Beecham (conductor)
Year 2017 | Classical | Oldies | FLAC / APE | HD & Vinyl
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