Kwes. - Ilp. (2013) flac
BAND/ARTIST: Kwes.
- Title: Ilp.
- Year Of Release: 2013
- Label: Warp Records
- Genre: Electronic, Rock, Funk/Soul, Experimental
- Quality: 320 kbps / FLAC (tracks)
- Total Time: 00:42:55
- Total Size: 99.2 MB / 231,42 MB
- WebSite: Album Preview
Tracklist:
[5:14] 01. Kwes. - Purplehands
[4:03] 02. Kwes. - 36
[3:46] 03. Kwes. - Rollerblades
[8:02] 04. Kwes. - Cablecar
[4:37] 05. Kwes. - Flower
[3:29] 06. Kwes. - Hives
[4:23] 07. Kwes. - Broke
[2:42] 08. Kwes. - Chagall
[2:28] 09. Kwes. - Parakeet
[4:10] 10. Kwes. - B_shf_l
**********
AllMusic Review by Fred Thomas
South East London producer/songwriter kwes. grew his reputation as a producer through a series of collaborations with indie bands like the xx, Hot Chip, and Damon Albarn, as well as a few EPs and one-off tracks leaked online. Debut album ilp. shows a solid representation of the producer's versatility, strength, and flexible sense of experimentation, with ten tracks that spill into different territory without ever losing the plot or their inner-connectivity. The album opens with a host of its most pop-friendly tracks, going from the controlled chaos of "Purplehands" into the brilliantly icy and painfully lovelorn standout track "36." kwes. taps into the same nostalgic, adoring melancholia that James Blake has perfected on these tracks, singing softly sorrowful vocals bathed in moody reverb over minimal but distinctively digital backdrops. His beats make their impression felt without ever taking up too much space, and the songs slowly form and dissolve again in a way that's meticulously controlled but composed with ease and fluidity. There's a melting quality to even an almost saccharine pop tune like "Rollerblades," and as the album continues, the experimental bent of kwes.' sun-warped sounds gets further and further out to sea. By fourth track "Cablecar," he's abandoned typical song structures for farther-reaching possibilities, dousing his vocals in delay and letting the eight-minute track fade in and out of focus, running through moments of silence, noise, disorientation, and catharsis. The album's second half gets slower, more reserved, and more into the sensitive and vulnerable aspects of his personality. The brittle, minimal "Broke" finds its subject drifting through a foggy emotional landscape, subsonic bass hits, and fuzzy textures supporting lyrics of destitution, weariness, and loneliness. The pacing and sequencing of ilp. sets a mood perfectly, inviting the listener to shuffle along with kwes. through his romantic, reflective world. It's exciting and unique music, not falling neatly in with any of his dubstep/singer/songwriter peers or the large number of indie-leaning electronic producers. kwes. prefers to patiently, softly tell his own story, drifting in and out of stellar moments of lucid pop and hallucinogenic dream-like clouds of sound.
--- SEE ALL MY PUBLICATIONS ---
-- REQUESTS FOR LINK RECOVERY --
-- YOU CAN'T FIND THE RIGHT ALBUM? WRITE, WE'LL SEE!! --
-- specify a direct link to the release --
--- PLEASE DO NOT UPLOAD ELSEWHERE ---
[5:14] 01. Kwes. - Purplehands
[4:03] 02. Kwes. - 36
[3:46] 03. Kwes. - Rollerblades
[8:02] 04. Kwes. - Cablecar
[4:37] 05. Kwes. - Flower
[3:29] 06. Kwes. - Hives
[4:23] 07. Kwes. - Broke
[2:42] 08. Kwes. - Chagall
[2:28] 09. Kwes. - Parakeet
[4:10] 10. Kwes. - B_shf_l
**********
AllMusic Review by Fred Thomas
South East London producer/songwriter kwes. grew his reputation as a producer through a series of collaborations with indie bands like the xx, Hot Chip, and Damon Albarn, as well as a few EPs and one-off tracks leaked online. Debut album ilp. shows a solid representation of the producer's versatility, strength, and flexible sense of experimentation, with ten tracks that spill into different territory without ever losing the plot or their inner-connectivity. The album opens with a host of its most pop-friendly tracks, going from the controlled chaos of "Purplehands" into the brilliantly icy and painfully lovelorn standout track "36." kwes. taps into the same nostalgic, adoring melancholia that James Blake has perfected on these tracks, singing softly sorrowful vocals bathed in moody reverb over minimal but distinctively digital backdrops. His beats make their impression felt without ever taking up too much space, and the songs slowly form and dissolve again in a way that's meticulously controlled but composed with ease and fluidity. There's a melting quality to even an almost saccharine pop tune like "Rollerblades," and as the album continues, the experimental bent of kwes.' sun-warped sounds gets further and further out to sea. By fourth track "Cablecar," he's abandoned typical song structures for farther-reaching possibilities, dousing his vocals in delay and letting the eight-minute track fade in and out of focus, running through moments of silence, noise, disorientation, and catharsis. The album's second half gets slower, more reserved, and more into the sensitive and vulnerable aspects of his personality. The brittle, minimal "Broke" finds its subject drifting through a foggy emotional landscape, subsonic bass hits, and fuzzy textures supporting lyrics of destitution, weariness, and loneliness. The pacing and sequencing of ilp. sets a mood perfectly, inviting the listener to shuffle along with kwes. through his romantic, reflective world. It's exciting and unique music, not falling neatly in with any of his dubstep/singer/songwriter peers or the large number of indie-leaning electronic producers. kwes. prefers to patiently, softly tell his own story, drifting in and out of stellar moments of lucid pop and hallucinogenic dream-like clouds of sound.
--- SEE ALL MY PUBLICATIONS ---
-- REQUESTS FOR LINK RECOVERY --
-- YOU CAN'T FIND THE RIGHT ALBUM? WRITE, WE'LL SEE!! --
-- specify a direct link to the release --
--- PLEASE DO NOT UPLOAD ELSEWHERE ---
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