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Oscar Shumsky - Kreisler: Violin Music (2002)

Oscar Shumsky - Kreisler: Violin Music (2002)

BAND/ARTIST: Oscar Shumsky

  • Title: Kreisler: Violin Music
  • Year Of Release: 2002
  • Label: Nimbus
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 04:09:04
  • Total Size: 1.3 Gb
  • WebSite:
Tracklist:

CD1
Viennese:
1. Australian Imperial Hymn (Violin Alone) [2:54]
2. Caprice Viennois [3:51]
3. Liebesfreud [3:24]
4. Liebesleid [3:48]
5. Schön Rosmarin [1:57]
6. Viennese Rhapsodic Fantasietta [8:18]
7. Works “in the style of”:
8. Praeludium and Allegro (Pugnani) [5:50]
9. Allegretto (Boccherini) [3:33]
10. Allegretto (Porpora) [4:07]
11. La Chasse (Cartier) [2:01]
12. Grave (W.F. Bach) [3:39]
13. Sicilienne et Rigaudon (Francoeur) [4:18]
14. Tempo di Menuetto (Pugnani) [3:44]
15. Dvořák/Kreisler:-Humoresque [3:23]
16. Slavonic Dance No.1 in G Minor [3:23]
17. Slavonic Dance No.2 in E Minor [4:59]
18. Slavonic Dance No.3 in G Major [4:43]
19. Indian Lament [4:24]
20. Slavonic Fantasy on ‘Songs My Mother Taught Me’ [4:43]

CD2
Original:
1. La Gitana [2:56]
2. Cavatina [3:30]
3. Toy Soldiers’ March [2:02]
4. Recitative and Scherzo-Caprice (violin alone) [5:14]
5. Shepherd’s Madrigal [4:46]
6. Gypsy Caprice [5:08]
Tartini/Corelli:
8. Variations on a Theme by Corelli (Tartini/Kreisler) [3:17]
9. Fugue (Tartini/Kreisler) [3:38]
10. Sarabande and Allegretto (Corelli/Kreisler) [4:09]
11. La Folia (Corelli/Kreisler) [10:40]
12. Tartini: Concerto in the Style of Vivaldi:
13. Allegro energico ma non troppo [5:15]
14. Andante doloroso [4:09]
15. Allegro molto [2:51]
16. Devil’s Trill Sonata (Tartini/Kreisler) [14:11]

CD3
Kreisler:
1. Tambourin Chinois [3:50]
2. Tchaikovsky/Kreisler:
3. Andante cantabile [5:59]
4. Humoresque [2:52]
5. Chant sans paroles [3:09]
6. Scherzo [3:58]
Traditional:
8. Londonderry Air (“Danny Boy”) [4:34]
9. Works “in the style of”:
10. Chansons Louis XIII et Pavane (Couperin) [3:53]
11. Scherzo (Dittersdorf) [3:22]
12. La Precieuse (Couperin) [3:17]
13. Andantino (Martini) [4:05]
14. Tambourin (Leclair) [2:09]
15. Aubade Provençale (Couperin) [2:31]
16. Minuett (Porpora) [3:58]

CD4
Classical:
1. Impromptu (Schubert/Kreisler) [5:28]
2. Ballet Music from Rosamunde (Schubert/Kreisler) [1:58]
3. Moment Musical (Schubert/Kreisler) [1:57]
4. Larghetto (Weber) [2:20]
5. Hungarian Rondo (Haydn) [3:19]
6. Melodie – “Orpheus” (Gluck) [3:07]
7. Rondo – “Haffner” Serenade [Divertimento No.17] (Mozart) [7:13]
Romantic:
8. Hungarian Dance (Brahms) [4:02]
9. Romance (Schumann) [4:31]
10. Song Without Words (Mendelssohn) [2:57]
Spanish:
11. Malaguena (Albéniz) [3:52]
12. Tango (Albéniz) [2:14]
13. Spanish Dance (Granados) [3:54]
14. Danse Espagnole from La vida breve (Falla) [3:25]
15. Spanish Dance (Granados) [3:54]

Performers:
Oscar Shumsky (violin)
Milton Kaye (piano) (CDs 1-2); William Wolfram (piano) (CDs 3-4)

Two names virtually synonymous with the violin in the twentieth century are Fritz Kreisler and Oscar Shumsky. The former was a notable performer in his own right, appearing as soloist in front of most of the world's most prominent orchestras. Today, however, Kreisler primarily lives on through his extensive compositional output, particularly that for the violin. This vast body of work can generally be categorized as being nationalistic, imitative of eighteenth century composers, or arrangements. Violinist Oscar Shumsky set out to record the complete violin works of Kreisler, but after realizing just how much music that encompassed decided on the program contained on this four-disc reissue on the Nimbus label. Given Shumsky's close professional relationship with Kreisler, there are few other violinists who would be as well suited for this project. Shumsky, in the same league with Stern, Heifetz, and Menuhin, was perhaps less celebrated in his own time as some of his fellow luminaries. We can now recognize, however, that Shumsky's playing was not only just as technically proficient, but maybe even a bit more personal and warmer. The warmth and intimacy of the tone transform the works of Kreisler -- which all too often can be dismissed as mere show pieces -- into satisfying, fulfilling works. From start to finish in this indispensible four-disc set, listeners are treated to exemplary sound quality, magnificent virtuosity, and wonderfully varied stylized playing. The liner notes, written in part by Shumsky, are nicely detailed and informative, making for an invaluable addition to this indispensible collection.





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