Aleksey Semenenko - French Treasures (2017)
BAND/ARTIST: Aleksey Semenenko
- Title: French Treasures
- Year Of Release: 2017
- Label: Ars Produktion
- Genre: Classical, Chamber Music
- Quality: flac lossless +Booklet
- Total Time: 00:57:14
- Total Size: 245 mb
- WebSite: Album Preview
Tracklist
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01. Violin Sonata, FP 119: I. Allegro con fuoco
02. Violin Sonata, FP 119: II. Intermezzo. Très lent et calme
03. Violin Sonata, FP 119: III. Presto tragico
04. Poème, Op. 25 (Arr. for Violin & Piano)
05. La plus que lente, L. 121 (Arr. L. Roques for Violin & Piano)
06. Suite bergamasque, L. 75: III. Clair de lune (Arr. A. Roelens for Violin & Piano)
07. Prélude à l'après-midi d'un faune, L. 86 (Arr. J. Heifetz for Violin & Piano)
08. 6 Études, Op. 52: No. 6, Caprice d'après l'étude en forme de valse (Arr. E. Ysaÿe for Violin & Piano)
One of the most delightful combinations in chamber music is the musical interplay between a keyboard instrument and a melody instrument, where the percussive nature of the keyboard is juxtaposed with the permanent tonal presence of a wind or string instrument. This record features works for piano solo and violin, as well as arrangements of original works for piano and orchestra. The characteristics of orchestration are reversed in so far as an existing score for piano or orchestra is adapted for the piano and the violin. Naturally, most of the melodic material was ported to the violin and offers plenty of opportunities for bravura displays by the soloist Aleksey Semenenko, particularly if the arrangement was made by a violin virtuoso. Aleksey Semenenko, born in 1988 in Odessa, Ukraine, began his violin studies at the age of six at the Stolyarsky School. He made his concert debut the following year, performing Vivaldi’s Violin Concerto in A Minor together with the Odessa Philharmonic Orchestra. He completed his concert diploma with Zakhar Bron at the University of Music in Cologne and is currently enrolled in the chamber music class of Harald Schoneweg. He has been praised for his “stunning technique and intonation, verve, wit, and beautiful phrasing,” (The Boston Musical Intelligencer), as well as consistently demonstrating “an unparalleled level of refined musicianship and stage presence” (The Strad).
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01. Violin Sonata, FP 119: I. Allegro con fuoco
02. Violin Sonata, FP 119: II. Intermezzo. Très lent et calme
03. Violin Sonata, FP 119: III. Presto tragico
04. Poème, Op. 25 (Arr. for Violin & Piano)
05. La plus que lente, L. 121 (Arr. L. Roques for Violin & Piano)
06. Suite bergamasque, L. 75: III. Clair de lune (Arr. A. Roelens for Violin & Piano)
07. Prélude à l'après-midi d'un faune, L. 86 (Arr. J. Heifetz for Violin & Piano)
08. 6 Études, Op. 52: No. 6, Caprice d'après l'étude en forme de valse (Arr. E. Ysaÿe for Violin & Piano)
One of the most delightful combinations in chamber music is the musical interplay between a keyboard instrument and a melody instrument, where the percussive nature of the keyboard is juxtaposed with the permanent tonal presence of a wind or string instrument. This record features works for piano solo and violin, as well as arrangements of original works for piano and orchestra. The characteristics of orchestration are reversed in so far as an existing score for piano or orchestra is adapted for the piano and the violin. Naturally, most of the melodic material was ported to the violin and offers plenty of opportunities for bravura displays by the soloist Aleksey Semenenko, particularly if the arrangement was made by a violin virtuoso. Aleksey Semenenko, born in 1988 in Odessa, Ukraine, began his violin studies at the age of six at the Stolyarsky School. He made his concert debut the following year, performing Vivaldi’s Violin Concerto in A Minor together with the Odessa Philharmonic Orchestra. He completed his concert diploma with Zakhar Bron at the University of Music in Cologne and is currently enrolled in the chamber music class of Harald Schoneweg. He has been praised for his “stunning technique and intonation, verve, wit, and beautiful phrasing,” (The Boston Musical Intelligencer), as well as consistently demonstrating “an unparalleled level of refined musicianship and stage presence” (The Strad).
Year 2017 | Classical | FLAC / APE
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