Daniela Dolci, Musica Fiorita - Caldara: Requiem (2014)
BAND/ARTIST: Daniela Dolci, Musica Fiorita
- Title: Caldara: Requiem
- Year Of Release: 2014
- Label: Pan Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:04:29
- Total Size: 314 mb
- WebSite: Album Preview
Tracklist
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01. Requiem: Andante (I)
02. Requiem: Te decet. Hymnus Largo
03. Requiem: Andante (II)
04. Requiem: Kyrie eleison. Andante (I)
05. Requiem: Christe eleison. Andante
06. Requiem: Kyrie eleison. Andante (II)
07. Sonata a 3 in E Minor, Op. 1, No. 5: I. Grave
08. Sonata a 3 in E Minor, Op. 1, No. 5: II. Vivace
09. Sonata a 3 in E Minor, Op. 1, No. 5: III. Adagio
10. Sonata a 3 in E Minor, Op. 1, No. 5: IV. Vivace
11. Requiem: Dies Irae. Adagio, Quantus Tremor
12. Requiem: Tuba mirum. Andante
13. Requiem: Mors stupebit. Adagio
14. Requiem: Judex Ergo
15. Requiem: Rex tremende. Largo
16. Requiem: Recordare
17. Requiem: Ingemisco tamquam Reus
18. Requiem: Confutatis. Presto
19. Requiem: Voca me cum Benedictis
20. Requiem: Oro supplex. Adagio
21. Requiem: Lacrymosa. Adagio
22. Requiem: Judicandus. Largo
23. Requiem: Pie Jesu
24. Requiem: Andante
25. Requiem: Amen
26. Cello Sonata No. 15 in A Major: I. Largo
27. Cello Sonata No. 15 in A Major: II. Allegro
28. Cello Sonata No. 15 in A Major: III. Aria non molto Allegro
29. Cello Sonata No. 15 in A Major: IV. Allegro
30. Missa Dolorosa: Sanctus
31. Missa Dolorosa: Benedictus
32. Missa Dolorosa: Agnus Dei
Antonio Caldara belongs to the great generation of musicians of the Venetian late Baroque period, born around 1670 in which he, himself, and Antonio Lotti excelled in the area of vocal music; Albinoni and Vivaldi in their respective instrumental oeuvres. With an utterly inexhaustible imagination and a profoundly Italian cantabile nature, he also achieved the highest degree of representation of emotions, melodic sweetness, sophisticated dissonance and an operatic element in his sacred works. It is no wonder, therefore, that the Viennese court kapellmeister Johann Joseph Fux, Caldara's colleague at the Habsburg court, called him a musician "of great virtù and capacity".
When exactly and for what occasion Caldara composed his Requiem is unclear. The text of the requiem mass, at any rate, inspired him to create music of strong character reflecting the gloomy, near-death atmosphere of the text. Particularly characteristic is the dark colouring of the instrumental ensemble. Only in the Tuba mirum does Caldara call for two trumpets who proclaim the Last Judgement. The manuscript of Caldara's Requiem, which has been handed down in an incomplete state, is preserved in Prague National Library. This CD is completed by appropriate chamber music by the composer and excerpts from his late 'Missa dolorosa'.
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01. Requiem: Andante (I)
02. Requiem: Te decet. Hymnus Largo
03. Requiem: Andante (II)
04. Requiem: Kyrie eleison. Andante (I)
05. Requiem: Christe eleison. Andante
06. Requiem: Kyrie eleison. Andante (II)
07. Sonata a 3 in E Minor, Op. 1, No. 5: I. Grave
08. Sonata a 3 in E Minor, Op. 1, No. 5: II. Vivace
09. Sonata a 3 in E Minor, Op. 1, No. 5: III. Adagio
10. Sonata a 3 in E Minor, Op. 1, No. 5: IV. Vivace
11. Requiem: Dies Irae. Adagio, Quantus Tremor
12. Requiem: Tuba mirum. Andante
13. Requiem: Mors stupebit. Adagio
14. Requiem: Judex Ergo
15. Requiem: Rex tremende. Largo
16. Requiem: Recordare
17. Requiem: Ingemisco tamquam Reus
18. Requiem: Confutatis. Presto
19. Requiem: Voca me cum Benedictis
20. Requiem: Oro supplex. Adagio
21. Requiem: Lacrymosa. Adagio
22. Requiem: Judicandus. Largo
23. Requiem: Pie Jesu
24. Requiem: Andante
25. Requiem: Amen
26. Cello Sonata No. 15 in A Major: I. Largo
27. Cello Sonata No. 15 in A Major: II. Allegro
28. Cello Sonata No. 15 in A Major: III. Aria non molto Allegro
29. Cello Sonata No. 15 in A Major: IV. Allegro
30. Missa Dolorosa: Sanctus
31. Missa Dolorosa: Benedictus
32. Missa Dolorosa: Agnus Dei
Antonio Caldara belongs to the great generation of musicians of the Venetian late Baroque period, born around 1670 in which he, himself, and Antonio Lotti excelled in the area of vocal music; Albinoni and Vivaldi in their respective instrumental oeuvres. With an utterly inexhaustible imagination and a profoundly Italian cantabile nature, he also achieved the highest degree of representation of emotions, melodic sweetness, sophisticated dissonance and an operatic element in his sacred works. It is no wonder, therefore, that the Viennese court kapellmeister Johann Joseph Fux, Caldara's colleague at the Habsburg court, called him a musician "of great virtù and capacity".
When exactly and for what occasion Caldara composed his Requiem is unclear. The text of the requiem mass, at any rate, inspired him to create music of strong character reflecting the gloomy, near-death atmosphere of the text. Particularly characteristic is the dark colouring of the instrumental ensemble. Only in the Tuba mirum does Caldara call for two trumpets who proclaim the Last Judgement. The manuscript of Caldara's Requiem, which has been handed down in an incomplete state, is preserved in Prague National Library. This CD is completed by appropriate chamber music by the composer and excerpts from his late 'Missa dolorosa'.
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