Musica Fiorita, Daniela Dolci - Alessandro Scarlatti: Rosinda ed Emireno (2014)
BAND/ARTIST: Musica Fiorita, Daniela Dolci, Alice Borciani, Alex Potter
- Title: Alessandro Scarlatti: Rosinda ed Emireno
- Year Of Release: 2014
- Label: Pan Classics
- Genre: Classical
- Quality: flac lossless +Booklet
- Total Time: 01:00:43
- Total Size: 263 mb
- WebSite: Album Preview
Tracklist
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01. Sonata, Op. 8, No. 5, "La Rosetta"
02. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Al silentio notturno non m'accheta il martoro, ne
03. L'Emireno, o vero Il consiglio dell'ombra: Aria. Non pianger solo dolce usignuolo
04. Sonata, Op. 8, No. 3, "La Mosta"
05. L'Emireno, o vero Il consiglio dell'ombra: Aria. Se il mio bel sole cieco mi vuole
06. L'Emireno, o vero Il consiglio dell'ombra: Duet. Gia sai che pianta e quella
07. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Rammentati mio bene ch'io son figlia a Morasso
08. 18 Trio Sonatas, Op. 2: No. 2, La spilimberga
09. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Infelice Rosinda, genitori inclementi, Emireno
10. Aria, "Va scherzando"
11. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Ch'io di te mi ricordi, cor mio, strana richiesta de la
12. L'Emireno, o vero Il consiglio dell'ombra: Aria. Labbra gradite, so che a me dite
13. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Ah' se del mio possesso io son caduto
14. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Una bellezza amante, dell' Egitto diadema
15. L'Emireno, o vero Il consiglio dell'ombra: Aria. Fieri numi, io non dovrei
16. Sonata, Op. 8, No. 2, "La Pia"
17. L'Emireno, o vero Il consiglio dell'ombra: Recitative. No, mio bene adorato resta a goder cio che ti dona il fato
18. L'Emireno, o vero Il consiglio dell'ombra: Aria. Si, si fedel ti sarò, no, cor mio, non temer
19. L'Emireno, o vero Il consiglio dell'ombra: Aria. Delitia e la mia pena felice e la catena
"In 2009, I came across an interesting catalogue entry in the Austrian National Library. It was the opera 'Rosinda ed Emiremo' by Giacomo Perti with obbligato cornett arias. Since this instrument has always played a major role on many of our programmes, I was immediately electrified by this finding. The music turned out to be highly interesting – sweet, sonorous melodies with dialogues between the voice and cornett, a wonderful musical rarity. I soon put together a Bolognese concert programme on which the most beautiful arias from the opera were combined with instrumental sonatas from Giovanni Legrenzi’s Op. 8. The music went together very well and could be so readily combined because Legrenzi had dedicated his Op. 8 to Perti’s uncle, Lorenzo Perti. In addition, we played an aria from Giacomo Perti’s opera 'Penelope la Casta' in which the cornett has a highly virtuoso part. After the concert and the CD recording, I was contacted by the musicologist Rodolfo Zitellini, who specialises in Perti. He drew my attention to an opera by Alessandro Scarlatti entitled 'L’Emiremo ovvero il consiglio dell’ombra', based on the same libretto as Perti’s 'Rosinda ed Emiremo'. It was quite a surprise when we realised that not only were the libretti the same, but that the two operas – each aria, each recitative – were absolutely identical! I asked Rodolfo Zitellini to take on this task and, thanks to his painstaking research, we know today that Scarlatti composed the opera, not Perti. We are most delighted over the solution to this almost criminological puzzle and grateful for this new knowledge. One way or the other, it is clear that the music is magnificent, and it has been a worthwhile endeavour to wrest it from the darkness of the archive." Daniela Dolci
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01. Sonata, Op. 8, No. 5, "La Rosetta"
02. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Al silentio notturno non m'accheta il martoro, ne
03. L'Emireno, o vero Il consiglio dell'ombra: Aria. Non pianger solo dolce usignuolo
04. Sonata, Op. 8, No. 3, "La Mosta"
05. L'Emireno, o vero Il consiglio dell'ombra: Aria. Se il mio bel sole cieco mi vuole
06. L'Emireno, o vero Il consiglio dell'ombra: Duet. Gia sai che pianta e quella
07. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Rammentati mio bene ch'io son figlia a Morasso
08. 18 Trio Sonatas, Op. 2: No. 2, La spilimberga
09. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Infelice Rosinda, genitori inclementi, Emireno
10. Aria, "Va scherzando"
11. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Ch'io di te mi ricordi, cor mio, strana richiesta de la
12. L'Emireno, o vero Il consiglio dell'ombra: Aria. Labbra gradite, so che a me dite
13. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Ah' se del mio possesso io son caduto
14. L'Emireno, o vero Il consiglio dell'ombra: Recitative. Una bellezza amante, dell' Egitto diadema
15. L'Emireno, o vero Il consiglio dell'ombra: Aria. Fieri numi, io non dovrei
16. Sonata, Op. 8, No. 2, "La Pia"
17. L'Emireno, o vero Il consiglio dell'ombra: Recitative. No, mio bene adorato resta a goder cio che ti dona il fato
18. L'Emireno, o vero Il consiglio dell'ombra: Aria. Si, si fedel ti sarò, no, cor mio, non temer
19. L'Emireno, o vero Il consiglio dell'ombra: Aria. Delitia e la mia pena felice e la catena
"In 2009, I came across an interesting catalogue entry in the Austrian National Library. It was the opera 'Rosinda ed Emiremo' by Giacomo Perti with obbligato cornett arias. Since this instrument has always played a major role on many of our programmes, I was immediately electrified by this finding. The music turned out to be highly interesting – sweet, sonorous melodies with dialogues between the voice and cornett, a wonderful musical rarity. I soon put together a Bolognese concert programme on which the most beautiful arias from the opera were combined with instrumental sonatas from Giovanni Legrenzi’s Op. 8. The music went together very well and could be so readily combined because Legrenzi had dedicated his Op. 8 to Perti’s uncle, Lorenzo Perti. In addition, we played an aria from Giacomo Perti’s opera 'Penelope la Casta' in which the cornett has a highly virtuoso part. After the concert and the CD recording, I was contacted by the musicologist Rodolfo Zitellini, who specialises in Perti. He drew my attention to an opera by Alessandro Scarlatti entitled 'L’Emiremo ovvero il consiglio dell’ombra', based on the same libretto as Perti’s 'Rosinda ed Emiremo'. It was quite a surprise when we realised that not only were the libretti the same, but that the two operas – each aria, each recitative – were absolutely identical! I asked Rodolfo Zitellini to take on this task and, thanks to his painstaking research, we know today that Scarlatti composed the opera, not Perti. We are most delighted over the solution to this almost criminological puzzle and grateful for this new knowledge. One way or the other, it is clear that the music is magnificent, and it has been a worthwhile endeavour to wrest it from the darkness of the archive." Daniela Dolci
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