Sir Charles Mackerras - Moussorgsky: Pictures At An Exhibition (2001) [SACD]
BAND/ARTIST: New Philharmonia Orchestra, Sir Charles Mackerras
- Title: Mussorgsky: Pictures at an Exhibition; Prelude to Khovanshchina
- Year Of Release: 2001
- Label: Vanguard Classics
- Genre: Classical
- Quality: DST64 image (*.iso) 2.0 / 5.0
- Total Time: 37:22
- Total Size: 3.11 GB
- WebSite: Album Preview
Tracklist:
Pictures At An Exhibition
01. Promenade
02. Gnomus
03. Promenade
04. Il Vecchio Castello
05. Promenade
06. Tuileries
07. Bydlo
08. Promenade
09. Ballet of Little Chicks in Their Shells
10. The Polish Jews
11. Limoges
12. Catacombae
13. Cum Mortuis in Lingua Mortua
14. The Hut on Hen's Legs
15. The Great Gate of Kiev
16. Prelude To Khovanshchina
Pictures At An Exhibition
01. Promenade
02. Gnomus
03. Promenade
04. Il Vecchio Castello
05. Promenade
06. Tuileries
07. Bydlo
08. Promenade
09. Ballet of Little Chicks in Their Shells
10. The Polish Jews
11. Limoges
12. Catacombae
13. Cum Mortuis in Lingua Mortua
14. The Hut on Hen's Legs
15. The Great Gate of Kiev
16. Prelude To Khovanshchina
Most audiophiles, when they think of classical records, treasure the true classic labels: RCA, Mercury, Everest, Decca and Vanguard. Thinking in terms of the Mt. Rushmore of classical labels, Vanguard holds a place of preeminence on that peak. These are gorgeous recordings. And now, remastered from the original analog tapes (and when available, from the original 3-track masters!) in the stunning clarity and life-like vividness of DSD, these Vanguard Classics files will be a cornerstone of any classical collection.
Mussorgsky’s Pictures at an Exhibition and Khovanshchina Prelude were recorded on eight tracks, placing the listener at the center of the orchestra, with strings (left), horns, flutes, clarinets, oboes, bassoons, trumpets and harps arrayed left to right on the front three channels and the timpani/percussion, strings (right), trombones, tuba, bass drum/percussion arrayed left to right on the rear channels.
Mussorgsky’s Pictures at an Exhibition and Khovanshchina Prelude were recorded on eight tracks, placing the listener at the center of the orchestra, with strings (left), horns, flutes, clarinets, oboes, bassoons, trumpets and harps arrayed left to right on the front three channels and the timpani/percussion, strings (right), trombones, tuba, bass drum/percussion arrayed left to right on the rear channels.
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