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Nuria Rial, Lawrence Zazzo - Handel: Duetti Amorosi (2008)

Nuria Rial, Lawrence Zazzo - Handel: Duetti Amorosi (2008)
  • Title: Handel: Duetti Amorosi
  • Year Of Release: 2008
  • Label: Deutsche Harmonia Mundi
  • Genre: Classical, Vocal
  • Quality: FLAC (image+.cue,log,scans)
  • Total Time: 60:39
  • Total Size: 379 Mb
  • WebSite:
Tracklist:

01. Caro amico amplesso - 03:03
02. Romilda infida - 00:20
03. Troppo oltraggo la mia fede - 02:36
04. Quivi tra questi solitari orrori - 02:16
05. Ah, sì mottò - 06:20
06. Alma mia, dolce ristoro - 05:03
07. Ma come amar? - 05:42
08. Ritorna, o caro e dolce mio tesoro - 04:19
09. Non ti bastò - 00:47
10. Io t'abbraccio - 07:17
11. Ouvertüre - 03:33
12. Fuggi, mio bene - 00:57
13. Ul fuggir, cara mia vita - 02:58
14. Ritorna nel core vezzosa - 05:07
15. Menuetto - 01:09
16. Parte Agilea, per venerar la Dea - 00:20
17. Ti credo, si, ben' mio - 02:27
18. Commanda dunque ò bella - 00:43
19. Ah! Cruda gelosia! - 04:55
20. Dunque all'effetto mio - 00:48
21. Addio! Mio caro bene - 03:13

Performers:
Nuria Rial (soprano)
Lawrence Zazzo (countertenor)
Kammerorchester Basel
Laurence Cummings (conductor)

Spanish soprano Núria Rial and American counter tenor Lawrence Zazzo join forces in an outstanding selection of duets and scenes from Handel operas. For most of the operas, they have included recitatives, arias, and even overtures and instrumental interludes to provide the context for the duets. The result is wonderfully effective in giving the listener a deeper understanding of the drama and the characters, as well as marvelous additional music. Rial's and Zazzo's voices are ideally matched -- absolutely secure, natural, and unforced and tonally pure with flawless intonation and brilliant coloratura. Their voices are also powerful; there's no sweet sentimentality here, but genuine passion. With conductor Lawrence Cummings, they emphasize the varieties of emotions expressed in the duets, from the flashing anger of a lovers' quarrel in the scene from Serse to the melting tenderness of "Io t'abbracio," from Rodelinda, and, especially, "Addio! Mio caro bene" from Teseo. They are fully persuasive in conveying the varieties of passion the characters are experiencing, and the Kammerorchester Basel provides a nuanced accompaniment that matches the singers' expressiveness. Deutsche Harmonia Mundi's sound is vibrant, clean, and intimate. Strongly recommended for fans of Baroque opera, or any fans of opera who are susceptible to the beauty of the commingled sound of soprano and counter tenor.





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