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Nuria Rial, Münchener Kammerorchester, Alexander Liebreich - Mozart: Requiem, K. 626 (2013)

Nuria Rial, Münchener Kammerorchester, Alexander Liebreich - Mozart: Requiem, K. 626 (2013)
  • Title: Mozart: Requiem, K. 626
  • Year Of Release: 2013
  • Label: Sony Classical
  • Genre: Classical
  • Quality: FLAC (tracks)
  • Total Time: 49:36
  • Total Size: 229 mb
  • WebSite:
Tracklist:

01. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: I. Introitus. Requiem aeternam
02. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: II. Kyrie
03. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: III. Sequentia. Dies irae
04. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: III. Sequentia. Tuba mirum
05. Requiem in D Minor, K. 626: III. Sequentia. Rex tremendae
06. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: III. Sequentia. Recordare
07. Requiem in D Minor, K. 626: III. Sequentia. Confutatis
08. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: III. Sequentia. Lacrimosa
09. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: III. Sequentia. Amen
10. Requiem in D Minor, K. 626: IV. Offertorium: Domine Jesu
11. Requiem in D Minor, K. 626: IV. Offertorium. Hostias
12. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: V. Sanctus
13. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: VI. Benedictus
14. Requiem in D Minor, K. 626: Requiem in D Minor, K. 626: VII. Agnus Dei
15. Requiem In D Minor, K. 626: VIII. Communio. Lux Aeterna
16. Requiem In D Minor, K. 626: Requiem In D Minor, K. 626: VIII. Communio. Cum Sanctis Tuis
17. Ave verum corpus, K. 618

Performers:
Nuria Rial (soprano)
Marie-Claude Chappuis (alto)
Christoph Prégardien (tenor)
Franz-Josef Selig (bass)
Michael Gläser (chorus master)
Chor des Bayerischen Rundfunks
Münchener Kammerorchester
Alexander Liebreich

Mozart's Requiem is a memorable experience in almost any performance, but no other that I know is more moving or as fully satisfying as Giulini's recording from 1979. The sound and singing are excellent and the tempos seem to me ideal, neither as brisk as period performance versions nor as broad as most earlier recordings or even later ones like those of Bernstein or Giulini himself in his 1991 rerecording of the work. The performance is, by turns, passionate, devotional, and beautifully lyrical. It is a performance where everything comes together.





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  • User offline
  • olga1001
  •  wrote in 21:54
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    • 0
Excellent in Levin version.
Just a pity their accent sometimes bothers me.
Thanks
  • User offline
  • platico
  •  wrote in 02:10
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    • 0
gracias...