Carolyn Sampson, The King's Consort & Robert King - Abbandonata Handel's Italian Cantatas (2018) [Hi-Res]
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BAND/ARTIST: Carolyn Sampson, The King's Consort & Robert King
- Title: Abbandonata Handel's Italian Cantatas
- Year Of Release: 2018
- Label: VIVAT
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:15:05
- Total Size: 396 mb / 1.4 gb
- WebSite: Album Preview
Tracklist
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01. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": I. Dietro l'orme fugaci
02. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": II. Ah! Crudele, e pur ten vai
03. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": III. Per te mi struggo, infido
04. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": IV. O voi, dell'incostante
05. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": V. Venti, fermate, si
06. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": VI. Ma che parlo, che dico?
07. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": VII. Siciliana. In tanti affanni miei
08. Tra le fiamme, HWV 170: I. Tra le fiamme
09. Tra le fiamme, HWV 170: II. Dedalo già le fortunate penne
10. Tra le fiamme, HWV 170: III. Pien di nuovo e bel diletto
11. Tra le fiamme, HWV 170: IV. Si, si purtroppo è vero
12. Tra le fiamme, HWV 170: V. Voli per l'aria
13. Tra le fiamme, HWV 170: VI. L'uomo che nacque per salire
14. Tra le fiamme, HWV 170: VII. Tra le fiamme
15. Figlio d'alte speranze, HWV 113: I. Figlio d'alte speranze
16. Figlio d'alte speranze, HWV 113: II. Troppo costa
17. Figlio d'alte speranze, HWV 113: III. Era conforto il suo penar
18. Figlio d'alte speranze, HWV 113: IV. Sia guida, sia stella
19. Figlio d'alte speranze, HWV 113: V. In così dire
20. Figlio d'alte speranze, HWV 113: VI. Brillava protetto
21. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": I. Dunque sarà pur vero
22. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": II. Orrida, oscura, l'etra si renda
23. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": III. Ma pria che d'empia morte
24. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": IV. Renda cenere il tiranno
25. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": V. Sì, sì del gran tiranno
26. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": VI. Come, o Dio!
27. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": VII. Si, si s'uccida
28. Dunque Sara Pur Vero, Hwv 110 "Agrippina Condotta A Morire": VIII. Cada Lacero E Svenato
29. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": IX. Se infelice al mondo vissi
30. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": X. Trema l'ingrato figlio
31. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": XI. Su lacerate il seno
32. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": XII. Ecco, a morte già corro
Acclaimed soprano Carolyn Sampson, partnered by Robert King and The Kings Consort, with whom she has been strongly associated throughout her professional career, turns her talents to Handels two most dramatic cantatas, linked by the theme of abandoned women. During his stay in Italy from 1706-10 the young Handels eyes and ears were opened wide. Hearing Italian music played by Italian musicians in Italian palazzos, churches and theatres must have been jaw-dropping. Nowhere are those influences more vividly demonstrated than in his early Italian cantatas.
In Armida Abbandonata the heroine tries, and fails, to abandon the love that has abandoned her. Storms, passion, monsters, yearning, heartache, anguish and finally resignation are all portrayed in this strongest of cantatas. Even more powerful emotions are conjured up in Agrippina condotta a morire. The mother of the crazed emperor Nero is ruthless, ambitious, scheming, domineering, violent and beautiful. Realising that she has been betrayed by her own son, her emotions swing through disbelief, injustice, fury, resentment, grief, betrayal, resilience, pride, self-pity, humiliation, thwarted vengeance and finally come to resignation. Handel pushes all the boundaries, showing techniques that were to be incorporated into his works for decades to come in music of astonishing originality. Carolyn Sampson powerfully captures the drama in full-blooded, committed performances.
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01. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": I. Dietro l'orme fugaci
02. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": II. Ah! Crudele, e pur ten vai
03. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": III. Per te mi struggo, infido
04. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": IV. O voi, dell'incostante
05. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": V. Venti, fermate, si
06. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": VI. Ma che parlo, che dico?
07. Dietro l'orme fugaci, HWV 105 "Armida abbandonata": VII. Siciliana. In tanti affanni miei
08. Tra le fiamme, HWV 170: I. Tra le fiamme
09. Tra le fiamme, HWV 170: II. Dedalo già le fortunate penne
10. Tra le fiamme, HWV 170: III. Pien di nuovo e bel diletto
11. Tra le fiamme, HWV 170: IV. Si, si purtroppo è vero
12. Tra le fiamme, HWV 170: V. Voli per l'aria
13. Tra le fiamme, HWV 170: VI. L'uomo che nacque per salire
14. Tra le fiamme, HWV 170: VII. Tra le fiamme
15. Figlio d'alte speranze, HWV 113: I. Figlio d'alte speranze
16. Figlio d'alte speranze, HWV 113: II. Troppo costa
17. Figlio d'alte speranze, HWV 113: III. Era conforto il suo penar
18. Figlio d'alte speranze, HWV 113: IV. Sia guida, sia stella
19. Figlio d'alte speranze, HWV 113: V. In così dire
20. Figlio d'alte speranze, HWV 113: VI. Brillava protetto
21. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": I. Dunque sarà pur vero
22. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": II. Orrida, oscura, l'etra si renda
23. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": III. Ma pria che d'empia morte
24. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": IV. Renda cenere il tiranno
25. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": V. Sì, sì del gran tiranno
26. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": VI. Come, o Dio!
27. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": VII. Si, si s'uccida
28. Dunque Sara Pur Vero, Hwv 110 "Agrippina Condotta A Morire": VIII. Cada Lacero E Svenato
29. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": IX. Se infelice al mondo vissi
30. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": X. Trema l'ingrato figlio
31. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": XI. Su lacerate il seno
32. Dunque sara pur vero, HWV 110 "Agrippina condotta a morire": XII. Ecco, a morte già corro
Acclaimed soprano Carolyn Sampson, partnered by Robert King and The Kings Consort, with whom she has been strongly associated throughout her professional career, turns her talents to Handels two most dramatic cantatas, linked by the theme of abandoned women. During his stay in Italy from 1706-10 the young Handels eyes and ears were opened wide. Hearing Italian music played by Italian musicians in Italian palazzos, churches and theatres must have been jaw-dropping. Nowhere are those influences more vividly demonstrated than in his early Italian cantatas.
In Armida Abbandonata the heroine tries, and fails, to abandon the love that has abandoned her. Storms, passion, monsters, yearning, heartache, anguish and finally resignation are all portrayed in this strongest of cantatas. Even more powerful emotions are conjured up in Agrippina condotta a morire. The mother of the crazed emperor Nero is ruthless, ambitious, scheming, domineering, violent and beautiful. Realising that she has been betrayed by her own son, her emotions swing through disbelief, injustice, fury, resentment, grief, betrayal, resilience, pride, self-pity, humiliation, thwarted vengeance and finally come to resignation. Handel pushes all the boundaries, showing techniques that were to be incorporated into his works for decades to come in music of astonishing originality. Carolyn Sampson powerfully captures the drama in full-blooded, committed performances.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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