Cyril Auvity, Céline Scheen, Etienne Bazola - Charpentier: La descente d'Orphée aux enfers, H. 488 (2018) [Hi-Res]
![Cyril Auvity, Céline Scheen, Etienne Bazola - Charpentier: La descente d'Orphée aux enfers, H. 488 (2018) [Hi-Res]](https://img.israbox.com/uploads/posts/2018-10/1539843435_cyril-auvity-celine-scheen-charpentier-la-descente-dorphee-aux-enfers-h_-488-2018-hi-res.jpg)
BAND/ARTIST: Cyril Auvity, Céline Scheen, Etienne Bazola, Floriane Hasler, Ensemble Desmarest & Ronan Khalil
- Title: Charpentier: La descente d'Orphée aux enfers, H. 488
- Year Of Release: 2018
- Label: Glossa
- Genre: Classical, Vocal
- Quality: flac 24bits - 96.0kHz +booklet
- Total Time: 01:00:45
- Total Size: 1.1 gb
- WebSite: Album Preview
Tracklist
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01. La descente d'Orphée aux enfers, H. 488: Overture
02. La descente d'Orphée aux enfers, H. 488, Act I: Inventons mille jeux divers
03. La descente d'Orphée aux enfers, H. 488, Act I: Ruisseau qui dans ce beau séjour
04. La descente d'Orphée aux enfers, H. 488, Act I: Compagnes fidèles
05. La descente d'Orphée aux enfers, H. 488, Act I: Qu'il se croira fortuné
06. La descente d'Orphée aux enfers, H. 488, Act I: Soutiens moi, chère Œnone-Qu'ai-je entendu, que vois-je?
07. La descente d'Orphée aux enfers, H. 488, Act I: Ah! Bergers, c'en est fait
08. La descente d'Orphée aux enfers, H. 488, Act I: Entrée de nymphes et de bergers désespérés
09. La descente d'Orphée aux enfers, H. 488, Act I: Lâche amant
10. La descente d'Orphée aux enfers, H. 488, Act I: Ne tourne point, mon fils
11. La descente d'Orphée aux enfers, H. 488, Act I: Que d'un frivole espoir-Juste sujet de pleurs
12. La descente d'Orphée aux enfers, H. 488, Act II: Prélude-Affreux tourments
13. La descente d'Orphée aux enfers, H. 488, Act II: Prélude-Cessez, fameux coupables
14. La descente d'Orphée aux enfers, H. 488, Act II: Quelle touchante voix
15. La descente d'Orphée aux enfers, H. 488, Act II: Je ne refuse point le secours-Il n'est rien aux enfers
16. La descente d'Orphée aux enfers, H. 488, Act II: Entrée de fantômes
17. La descente d'Orphée aux enfers, H. 488, Act II: Prélude-Que cherche en mon palais
18. La descente d'Orphée aux enfers, H. 488, Act II: Je ne viens point ici-Pauvre amant
19. La descente d'Orphée aux enfers, H. 488, Act II: Euridice n'est plus
20. La descente d'Orphée aux enfers, H. 488, Act II: Le destin est contraire-Ah! Puisqu'avant le temps
21. La descente d'Orphée aux enfers, H. 488, Act II: Tu ne la perdras point, hélas!
22. La descente d'Orphée aux enfers, H. 488, Act II: Quel charme impérieux-Courage Orphée
23. La descente d'Orphée aux enfers, H. 488, Act II: Souviens-toi du larcin
24. La descente d'Orphée aux enfers, H. 488, Act II: Je cède, je me rends-Amour, brûlant amour
25. La descente d'Orphée aux enfers, H. 488, Act II: Vous partez donc, Orphée
Cyril Auvity heads the cast in a new recording of Marc-Antoine Charpentier’s La Descente d’Orphée aux enfers in a production being released by Glossa. Auvity is the lovelorn Orpheus who ventures, with his lyre, into the Underworld to plead with Pluto (Etienne Bazola) for the return of his Eurydice (Céline Scheen), struck down in her prime by a snakebite, being encouraged in his efforts by Proserpine, the wife of the ruler of Hades (Floriane Hasler).
This is a two-act chamber opera, written in 1686, and it is not known whether Charpentier ever composed any more music for the piece (the drama stops at a tantalizing moment in the well-known story). Even still, the composer appears to have invested substantial inspiration into the work, which will have been performed in front of the composer’s patron, Mademoiselle de Guise by a group of singers working within the limitations imposed by Jean- Baptiste Lully’s “musical monopoly” of the time.
For this recording, keyboard-player Ronan Khalil directs his Ensemble Desmarest. The demanding lead role of this entertainment continues Auvity’s strong current presence in French Baroque music-making – as well as his connection with Glossa. His Orpheus follows his previous Charpentier Stances du Cid release on the label, as well as appearances in operas by Campra, Destouches and Lully. Marc Trautmann both informs and entertains in his accompanying booklet essay.
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01. La descente d'Orphée aux enfers, H. 488: Overture
02. La descente d'Orphée aux enfers, H. 488, Act I: Inventons mille jeux divers
03. La descente d'Orphée aux enfers, H. 488, Act I: Ruisseau qui dans ce beau séjour
04. La descente d'Orphée aux enfers, H. 488, Act I: Compagnes fidèles
05. La descente d'Orphée aux enfers, H. 488, Act I: Qu'il se croira fortuné
06. La descente d'Orphée aux enfers, H. 488, Act I: Soutiens moi, chère Œnone-Qu'ai-je entendu, que vois-je?
07. La descente d'Orphée aux enfers, H. 488, Act I: Ah! Bergers, c'en est fait
08. La descente d'Orphée aux enfers, H. 488, Act I: Entrée de nymphes et de bergers désespérés
09. La descente d'Orphée aux enfers, H. 488, Act I: Lâche amant
10. La descente d'Orphée aux enfers, H. 488, Act I: Ne tourne point, mon fils
11. La descente d'Orphée aux enfers, H. 488, Act I: Que d'un frivole espoir-Juste sujet de pleurs
12. La descente d'Orphée aux enfers, H. 488, Act II: Prélude-Affreux tourments
13. La descente d'Orphée aux enfers, H. 488, Act II: Prélude-Cessez, fameux coupables
14. La descente d'Orphée aux enfers, H. 488, Act II: Quelle touchante voix
15. La descente d'Orphée aux enfers, H. 488, Act II: Je ne refuse point le secours-Il n'est rien aux enfers
16. La descente d'Orphée aux enfers, H. 488, Act II: Entrée de fantômes
17. La descente d'Orphée aux enfers, H. 488, Act II: Prélude-Que cherche en mon palais
18. La descente d'Orphée aux enfers, H. 488, Act II: Je ne viens point ici-Pauvre amant
19. La descente d'Orphée aux enfers, H. 488, Act II: Euridice n'est plus
20. La descente d'Orphée aux enfers, H. 488, Act II: Le destin est contraire-Ah! Puisqu'avant le temps
21. La descente d'Orphée aux enfers, H. 488, Act II: Tu ne la perdras point, hélas!
22. La descente d'Orphée aux enfers, H. 488, Act II: Quel charme impérieux-Courage Orphée
23. La descente d'Orphée aux enfers, H. 488, Act II: Souviens-toi du larcin
24. La descente d'Orphée aux enfers, H. 488, Act II: Je cède, je me rends-Amour, brûlant amour
25. La descente d'Orphée aux enfers, H. 488, Act II: Vous partez donc, Orphée
Cyril Auvity heads the cast in a new recording of Marc-Antoine Charpentier’s La Descente d’Orphée aux enfers in a production being released by Glossa. Auvity is the lovelorn Orpheus who ventures, with his lyre, into the Underworld to plead with Pluto (Etienne Bazola) for the return of his Eurydice (Céline Scheen), struck down in her prime by a snakebite, being encouraged in his efforts by Proserpine, the wife of the ruler of Hades (Floriane Hasler).
This is a two-act chamber opera, written in 1686, and it is not known whether Charpentier ever composed any more music for the piece (the drama stops at a tantalizing moment in the well-known story). Even still, the composer appears to have invested substantial inspiration into the work, which will have been performed in front of the composer’s patron, Mademoiselle de Guise by a group of singers working within the limitations imposed by Jean- Baptiste Lully’s “musical monopoly” of the time.
For this recording, keyboard-player Ronan Khalil directs his Ensemble Desmarest. The demanding lead role of this entertainment continues Auvity’s strong current presence in French Baroque music-making – as well as his connection with Glossa. His Orpheus follows his previous Charpentier Stances du Cid release on the label, as well as appearances in operas by Campra, Destouches and Lully. Marc Trautmann both informs and entertains in his accompanying booklet essay.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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