Christophe Rousset, Les Talens Lyriques - Lully: Alceste (2017) [Hi-Res]
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BAND/ARTIST: Christophe Rousset, Les Talens Lyriques, Judith Van Wanroij, Edwin Crossley-Mercer, Emiliano Gonzales Toro, Bre Williams, Etienne Bazola, Bénédicte Tauran, Lucía Martín-Cartón, Enguerrand de Hys, Chœur de chambre Namur
- Title: Lully: Alceste
- Year Of Release: 2017
- Label: Aparté
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +Booklet
- Total Time: 02:30:58
- Total Size: 787 mb / 2.79 gb
- WebSite: Album Preview
Tracklist
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CD1
01. Alceste, LWV 50, Prologue: Ouverture
02. Alceste, LWV 50, Prologue: Le héros que j'attends
03. Alceste, LWV 50, Prologue: Bruit de guerre
04. Alceste, LWV 50, Prologue: Rondeau pour la Gloire
05. Alceste, LWV 50, Prologue: Hélas! superbe Gloire, hélas!
06. Alceste, LWV 50, Prologue: Qu'il est doux d'accorder ensemble
07. Alceste, LWV 50, Prologue: L'Art d'accord avec la Nature
08. Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves
09. Alceste, LWV 50, Prologue: L'onde se presse
10. Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves et les Nymphes
11. Alceste, LWV 50, Prologue: Que tout retentisse
12. Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves et les Nymphes
13. Alceste, LWV 50, Prologue: Quel cœur sauvage
14. Alceste, LWV 50, Prologue: Revenez Plaisirs exilés
15. Alceste, LWV 50, Act I, Scene 1: Ouverture, Reprise
16. Alceste, LWV 50, Act I, Scene 1: Vivez, vivez, heureux époux
17. Alceste, LWV 50, Act I, Scene 2: L'Amour a bien des maux
18. Alceste, LWV 50, Act I, Scene 3: Lychas, j'ai deux mots à te dire
19. Alceste, LWV 50, Act I, Scene 4: Dans ce beau jour, quelle humeur sombre
20. Alceste, LWV 50, Act I, Scene 5: Straton, donne ordre qu'on s'apprête
21. Alceste, LWV 50, Act I, Scene 6: Vivez, vivez, heureux époux
22. Alceste, LWV 50, Act I, Scene 7: Air pour les matelots
23. Alceste, LWV 50, Act I, Scene 8: Époux infortunés, redoute ma colère
24. Alceste, LWV 50, Act I, Scene 9: Le ciel protège les héros
25. Alceste, LWV 50, Act II, Scene 1: Alceste ne vient point
26. Alceste, LWV 50, Act II, Scene 2: Allons, allons, la plainte est vaine
27. Alceste, LWV 50, Act II, Scene 3: Marchez, marchez, marchez
28. Alceste, LWV 50, Act II, Scene 4: Marchez, marchez, marchez
29. Alceste, LWV 50, Act II, Scene 5: Courage, enfants, je suis à vous
30. Alceste, LWV 50, Act II, Scene 6: Rendez à votre fils cette aimable princesse
31. Alceste, LWV 50, Act II, Scene 7: Cherchons Admète promptement
32. Alceste, LWV 50, Act II, Scene 8: Ô dieux! quel spectacle funeste
33. Alceste, LWV 50, Act II, Scene 9: La lumière aujourd'hui te doit être ravie
CD2
01. Alceste, LWV 50, Act III, Scene 1: Ah! pourquoi nous séparez-vous?
02. Alceste, LWV 50, Act III, Scene 2: Voyons encore mon fils, allons, hâtons nos pas
03. Alceste, LWV 50, Act III, Scene 3: Ô trop heureux Admète
04. Alceste, LWV 50, Act III, Scene 4: Alceste est morte
05. Alceste, LWV 50, Act III, Scene 5: La Mort, la Mort barbare
06. Alceste, LWV 50, Act III, Scene 6: Sans Alceste, sans ses appas
07. Alceste, LWV 50, Act III, Scene 7: Tu me vois arrêté sur le point de partir
08. Alceste, LWV 50, Act III, Scene 8: Le dieu dont tu tiens la naissance
09. Alceste, LWV 50, Act IV, Scene 1: Il faut passer tôt ou tard
10. Alceste, LWV 50, Act IV, Scene 2: Sortez, Ombres, faites-moi place
11. Alceste, LWV 50, Act IV, Scene 3: Reçois le juste prix de ton amour fidèle
12. Alceste, LWV 50, Act IV, Scene 4: Quittez, quittez les Jeux, songez à vous défendre
13. Alceste, LWV 50, Act IV, Scene 5: Insolent, jusqu'ici braves-tu mon courroux?
14. Alceste, LWV 50, Act V, Scene 1:Alcide est vainqueur du trépas
15. Alceste, LWV 50, Act V, Scene 2: Ne m'ôteras-tu point la chaîne qui m'accable
16. Alceste, LWV 50, Act V, Scene 3: Vois, Céphise, vois qui de nous
17. Alceste, LWV 50, Act V, Scene 4: Pour une si belle victoire
18. Alceste, LWV 50, Act V, Scene 5: Les Muses et les Jeux s'empressent de descendre
19. Alceste, LWV 50, Act V, Scene 6: Chantons, chantons, faisons entendre
Christophe Rousset is one of the finest and most exciting harpsichordists, and as a conductor is a leader in the late 20th century revival of French Baroque music.
After studying piano as a boy, he became deeply interested in the harpsichord at the age of 13. He studied with Huguette Dreyfus at the Schola Cantorum in Paris and, from 1980 to 1983, with Bob van Asperen at the Royal Conservatory of the Hague. He won a special certificate of distinction at the Schola Cantorum and, in 1983, the first prize at the International Harpsichord Competition in Bruges.
He began a professional career, in which he rose quickly in the ranks of the world's harpsichordists. He soon appeared at some of the most prestigious early music festivals, including those of Aix-en-Provence, Saintes, Veaune, Utrecht, La Roque d'Anthéron, and Les Printemps des Arts de Nantes. He recorded for the Decca record label and its early music imprint L'Oiseau-Lyre. His recording of the Piéces de clavecin of Rameau won the 1992 Gramophone Award for Best Baroque Non-Vocal Release and the Belgian Cecilia Prize.
During this time as a specialist in Baroque harpsichord, he often performed the harpsichord continuo parts in ensemble music. It was natural that Rousset's harpsichord appearances with such established authentic instrument ensembles as La Petite Bande, Musica Antique de Cologne, the Academy of Ancient Music, Il Seminario Musicale, and Les Arts Florissants led him to an interest in leading a Baroque ensemble. In 1991, he founded such a group, which he named Les Talens Lyriques. The group was primarily interested in reviving French Baroque music and exploring the connections between the distinct national styles of France and other major European nations. An important introduction of Les Talens came in 1993 at the Festival de Beaune, when they performed Scipione by Handel. They have also played ballets and operas of Cimarosa, Berutti, de Mondonville. They recorded the soundtrack for the movie Farinelli, which had extraordinary sales for an early music classical release, selling well over 600,000 copies worldwide.
In 2000, Rousset conducted Mozart's Mitridate at the Opéra National de Lyon. In 2004 he was honored by the French government as Officier des Arts et Lettres and Chevalier dans l’Ordre National du Mérite.
Rousset has continued to record as a solo harpsichordist, often exploring the rich fund of French Baroque harpsichord music beyond Rameau and Couperin. The explosion of interest in Baroque opera in the 2010s has stimulated a busy schedule of performances and recordings of operas with Rousset as director; he has recorded, mostly for the Aparte and Ediciones Singulares labels, such novelties as Lully's Amadis (2014), Antonio Salieri's Les Danaïdes (2015), and, in 2017, Etienne-Nicolas Méhul's early Romantic Uthal. By that time, Rousset ranked as one of the most prolific performers of Baroque repertory on the European scene. He is noteworthy as a teacher and mentor, with countless "graduates" from Les Talens Lyriques populating European early music orchestras and stages.
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CD1
01. Alceste, LWV 50, Prologue: Ouverture
02. Alceste, LWV 50, Prologue: Le héros que j'attends
03. Alceste, LWV 50, Prologue: Bruit de guerre
04. Alceste, LWV 50, Prologue: Rondeau pour la Gloire
05. Alceste, LWV 50, Prologue: Hélas! superbe Gloire, hélas!
06. Alceste, LWV 50, Prologue: Qu'il est doux d'accorder ensemble
07. Alceste, LWV 50, Prologue: L'Art d'accord avec la Nature
08. Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves
09. Alceste, LWV 50, Prologue: L'onde se presse
10. Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves et les Nymphes
11. Alceste, LWV 50, Prologue: Que tout retentisse
12. Alceste, LWV 50, Prologue: Air pour les divinités des Fleuves et les Nymphes
13. Alceste, LWV 50, Prologue: Quel cœur sauvage
14. Alceste, LWV 50, Prologue: Revenez Plaisirs exilés
15. Alceste, LWV 50, Act I, Scene 1: Ouverture, Reprise
16. Alceste, LWV 50, Act I, Scene 1: Vivez, vivez, heureux époux
17. Alceste, LWV 50, Act I, Scene 2: L'Amour a bien des maux
18. Alceste, LWV 50, Act I, Scene 3: Lychas, j'ai deux mots à te dire
19. Alceste, LWV 50, Act I, Scene 4: Dans ce beau jour, quelle humeur sombre
20. Alceste, LWV 50, Act I, Scene 5: Straton, donne ordre qu'on s'apprête
21. Alceste, LWV 50, Act I, Scene 6: Vivez, vivez, heureux époux
22. Alceste, LWV 50, Act I, Scene 7: Air pour les matelots
23. Alceste, LWV 50, Act I, Scene 8: Époux infortunés, redoute ma colère
24. Alceste, LWV 50, Act I, Scene 9: Le ciel protège les héros
25. Alceste, LWV 50, Act II, Scene 1: Alceste ne vient point
26. Alceste, LWV 50, Act II, Scene 2: Allons, allons, la plainte est vaine
27. Alceste, LWV 50, Act II, Scene 3: Marchez, marchez, marchez
28. Alceste, LWV 50, Act II, Scene 4: Marchez, marchez, marchez
29. Alceste, LWV 50, Act II, Scene 5: Courage, enfants, je suis à vous
30. Alceste, LWV 50, Act II, Scene 6: Rendez à votre fils cette aimable princesse
31. Alceste, LWV 50, Act II, Scene 7: Cherchons Admète promptement
32. Alceste, LWV 50, Act II, Scene 8: Ô dieux! quel spectacle funeste
33. Alceste, LWV 50, Act II, Scene 9: La lumière aujourd'hui te doit être ravie
CD2
01. Alceste, LWV 50, Act III, Scene 1: Ah! pourquoi nous séparez-vous?
02. Alceste, LWV 50, Act III, Scene 2: Voyons encore mon fils, allons, hâtons nos pas
03. Alceste, LWV 50, Act III, Scene 3: Ô trop heureux Admète
04. Alceste, LWV 50, Act III, Scene 4: Alceste est morte
05. Alceste, LWV 50, Act III, Scene 5: La Mort, la Mort barbare
06. Alceste, LWV 50, Act III, Scene 6: Sans Alceste, sans ses appas
07. Alceste, LWV 50, Act III, Scene 7: Tu me vois arrêté sur le point de partir
08. Alceste, LWV 50, Act III, Scene 8: Le dieu dont tu tiens la naissance
09. Alceste, LWV 50, Act IV, Scene 1: Il faut passer tôt ou tard
10. Alceste, LWV 50, Act IV, Scene 2: Sortez, Ombres, faites-moi place
11. Alceste, LWV 50, Act IV, Scene 3: Reçois le juste prix de ton amour fidèle
12. Alceste, LWV 50, Act IV, Scene 4: Quittez, quittez les Jeux, songez à vous défendre
13. Alceste, LWV 50, Act IV, Scene 5: Insolent, jusqu'ici braves-tu mon courroux?
14. Alceste, LWV 50, Act V, Scene 1:Alcide est vainqueur du trépas
15. Alceste, LWV 50, Act V, Scene 2: Ne m'ôteras-tu point la chaîne qui m'accable
16. Alceste, LWV 50, Act V, Scene 3: Vois, Céphise, vois qui de nous
17. Alceste, LWV 50, Act V, Scene 4: Pour une si belle victoire
18. Alceste, LWV 50, Act V, Scene 5: Les Muses et les Jeux s'empressent de descendre
19. Alceste, LWV 50, Act V, Scene 6: Chantons, chantons, faisons entendre
Christophe Rousset is one of the finest and most exciting harpsichordists, and as a conductor is a leader in the late 20th century revival of French Baroque music.
After studying piano as a boy, he became deeply interested in the harpsichord at the age of 13. He studied with Huguette Dreyfus at the Schola Cantorum in Paris and, from 1980 to 1983, with Bob van Asperen at the Royal Conservatory of the Hague. He won a special certificate of distinction at the Schola Cantorum and, in 1983, the first prize at the International Harpsichord Competition in Bruges.
He began a professional career, in which he rose quickly in the ranks of the world's harpsichordists. He soon appeared at some of the most prestigious early music festivals, including those of Aix-en-Provence, Saintes, Veaune, Utrecht, La Roque d'Anthéron, and Les Printemps des Arts de Nantes. He recorded for the Decca record label and its early music imprint L'Oiseau-Lyre. His recording of the Piéces de clavecin of Rameau won the 1992 Gramophone Award for Best Baroque Non-Vocal Release and the Belgian Cecilia Prize.
During this time as a specialist in Baroque harpsichord, he often performed the harpsichord continuo parts in ensemble music. It was natural that Rousset's harpsichord appearances with such established authentic instrument ensembles as La Petite Bande, Musica Antique de Cologne, the Academy of Ancient Music, Il Seminario Musicale, and Les Arts Florissants led him to an interest in leading a Baroque ensemble. In 1991, he founded such a group, which he named Les Talens Lyriques. The group was primarily interested in reviving French Baroque music and exploring the connections between the distinct national styles of France and other major European nations. An important introduction of Les Talens came in 1993 at the Festival de Beaune, when they performed Scipione by Handel. They have also played ballets and operas of Cimarosa, Berutti, de Mondonville. They recorded the soundtrack for the movie Farinelli, which had extraordinary sales for an early music classical release, selling well over 600,000 copies worldwide.
In 2000, Rousset conducted Mozart's Mitridate at the Opéra National de Lyon. In 2004 he was honored by the French government as Officier des Arts et Lettres and Chevalier dans l’Ordre National du Mérite.
Rousset has continued to record as a solo harpsichordist, often exploring the rich fund of French Baroque harpsichord music beyond Rameau and Couperin. The explosion of interest in Baroque opera in the 2010s has stimulated a busy schedule of performances and recordings of operas with Rousset as director; he has recorded, mostly for the Aparte and Ediciones Singulares labels, such novelties as Lully's Amadis (2014), Antonio Salieri's Les Danaïdes (2015), and, in 2017, Etienne-Nicolas Méhul's early Romantic Uthal. By that time, Rousset ranked as one of the most prolific performers of Baroque repertory on the European scene. He is noteworthy as a teacher and mentor, with countless "graduates" from Les Talens Lyriques populating European early music orchestras and stages.
Year 2017 | Classical | FLAC / APE | HD & Vinyl
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