Liana Gourdjia, Matan Porat - Charles Ives: Sonates pour violon et piano (2018) [Hi-Res]
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BAND/ARTIST: Liana Gourdjia, Matan Porat
- Title: Charles Ives: Sonates pour violon et piano
- Year Of Release: 2018
- Label: Printemps des Arts de Monte-Carlo
- Genre: Classical
- Quality: flac lossless / flac 24bits - 96.0kHz +booklet
- Total Time: 01:13:14
- Total Size: 288 mb / 1.2 gb
- WebSite: Album Preview
Tracklist
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01. Sonate pour violon et piano No. 3: I. Adagio
02. Sonate pour violon et piano No. 3: II. Largo d'après les Ragtime Pieces
03. Sonate pour violon et piano No. 3: III. Adagio cantabile d'après un prélude pour orgue de 1901
04. Sonate pour violon et piano No. 1: I. Andante-Allegro
05. Sonate pour violon et piano No. 1: II. Largo cantabile
06. Sonate pour violon et piano No. 1: III. Allegro
07. Sonate pour violon et piano No. 2: I. Autumn. Adagio maestoso-Allegro moderato
08. Sonate pour violon et piano No. 2: II. In the Barn. Presto-Allegro moderato
09. Sonate pour violon et piano No. 2: III. The Revival. Largo-Allegretto
10. Sonate pour violon et piano No. 4: I. Allegro
11. Sonate pour violon et piano No. 4: II. Largo sur le thème Yes, Jesus Loves Me
12. Sonate pour violon et piano No. 4: III. Allegro sur le thème Shall We Gather at the River
Claiming to be “free to write music which nobody has to play”, the American composer Charles Ives (1874-1954) prided himself on being dependent on no one and on creating a deliberately outlandish language. Perfectly attuned to this free-spirited music, Russian violinist Liana Gourdjia brings supple lyricism and Israeli pianist Matan Porat the security of powerful technique. Less well known than his huge symphonies, the Sonatas of Charles Ives combine fragility and inspirational power. Putting them together on one recording – like a private journal of the composer’s life – makes it possible to appreciate their full originality. Liana Gourdjia and Matan Porat will play these Sonatas in concert on March 28, 2019, as part of the Festival du Printemps des Arts de Monte-Carlo.
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01. Sonate pour violon et piano No. 3: I. Adagio
02. Sonate pour violon et piano No. 3: II. Largo d'après les Ragtime Pieces
03. Sonate pour violon et piano No. 3: III. Adagio cantabile d'après un prélude pour orgue de 1901
04. Sonate pour violon et piano No. 1: I. Andante-Allegro
05. Sonate pour violon et piano No. 1: II. Largo cantabile
06. Sonate pour violon et piano No. 1: III. Allegro
07. Sonate pour violon et piano No. 2: I. Autumn. Adagio maestoso-Allegro moderato
08. Sonate pour violon et piano No. 2: II. In the Barn. Presto-Allegro moderato
09. Sonate pour violon et piano No. 2: III. The Revival. Largo-Allegretto
10. Sonate pour violon et piano No. 4: I. Allegro
11. Sonate pour violon et piano No. 4: II. Largo sur le thème Yes, Jesus Loves Me
12. Sonate pour violon et piano No. 4: III. Allegro sur le thème Shall We Gather at the River
Claiming to be “free to write music which nobody has to play”, the American composer Charles Ives (1874-1954) prided himself on being dependent on no one and on creating a deliberately outlandish language. Perfectly attuned to this free-spirited music, Russian violinist Liana Gourdjia brings supple lyricism and Israeli pianist Matan Porat the security of powerful technique. Less well known than his huge symphonies, the Sonatas of Charles Ives combine fragility and inspirational power. Putting them together on one recording – like a private journal of the composer’s life – makes it possible to appreciate their full originality. Liana Gourdjia and Matan Porat will play these Sonatas in concert on March 28, 2019, as part of the Festival du Printemps des Arts de Monte-Carlo.
Year 2018 | Classical | FLAC / APE | HD & Vinyl
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