Il Dolce Conforto & Romina Basso - Salterio italiano (2018)
BAND/ARTIST: Il Dolce Conforto & Romina Basso
- Title: Salterio italiano
- Year Of Release: 2018
- Label: Christophorus
- Genre: Classical
- Quality: flac lossless
- Total Time: 01:02:19
- Total Size: 279 mb
- WebSite: Album Preview
Tracklist
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01. Psaltery Sonata: I. Allegro
02. Psaltery Sonata: II. Andante
03. Psaltery Sonata: III. Allegro con spirito
04. Motet: I. Introduzione. Andante posato
05. Motet: II. Ex tractatu Sancti Augustini
06. Motet: III. Recitativo. Protexisti me Deus
07. Motet: IV. Iam ipsum. Allegro ma non presto
08. Motet: V. Recitativo. Multi martyres
09. Motet: VI. Ibi melius. Vivace
10. Motet: VII. Recitativo. Protectus est
11. Motet: VIII. Parum Ergo Erat. Allegro
12. Sinfonia: I. —
13. Sinfonia: II. Grave
14. Sinfonia: III. Allegro
15. Lezione quarta: I. Introduzione. Allegro
16. Lezione quarta: II. Ex tractatu Sancti Augustini. Tempo giusto
17. Lezione quarta: III. Protexisti me Deus. Larghetto
18. Lezione quarta: IV. Multi martyres. Allegro
19. Lezione quarta: V. Protectus est. Andantino
20. Lezione quarta: VI. Recitativo. Filius Die
21. Lezione quarta: VII. Parum ergo erat. Larghetto
22. Psaltery Sonata: I. Allegretto
23. Psaltery Sonata: II Larghetto
24. Psaltery Sonata: III. Allegro
The young Austrian salterio virtuoso Franziska Fleischanderl presents on her second album Italian music for salterio from Venice to Naples. The salterio enjoyed great popularity in aristocratic circles in 18th century Italy and was heard in church, at the theatre and at court. In spite of its noble past, the Italian salterio today is almost unknown. But hundreds of compositions for virtuosos and laymen demonstrate the interest of the upper classes in this instrument. The composer’s names of this selection are nearly all totally unknown, but their music is composed fresh and inventive in the upcoming Rococo style. The playing practice is based on research by Franziska Fleischanderl on the Italian salterio in the 18th century: owing to its construction, the salterio allows for two completely different playing techniques which were both used equally. The strings can either be plucked (pizzicato) or struck with two mallets (battuto). On this release, original Italian salterio music was recorded for the first time on an original instrument using both playing techniques in equal measure, moreover while played upon using the first faithful replicas of Italian salterio mallets worldwide.
---------
01. Psaltery Sonata: I. Allegro
02. Psaltery Sonata: II. Andante
03. Psaltery Sonata: III. Allegro con spirito
04. Motet: I. Introduzione. Andante posato
05. Motet: II. Ex tractatu Sancti Augustini
06. Motet: III. Recitativo. Protexisti me Deus
07. Motet: IV. Iam ipsum. Allegro ma non presto
08. Motet: V. Recitativo. Multi martyres
09. Motet: VI. Ibi melius. Vivace
10. Motet: VII. Recitativo. Protectus est
11. Motet: VIII. Parum Ergo Erat. Allegro
12. Sinfonia: I. —
13. Sinfonia: II. Grave
14. Sinfonia: III. Allegro
15. Lezione quarta: I. Introduzione. Allegro
16. Lezione quarta: II. Ex tractatu Sancti Augustini. Tempo giusto
17. Lezione quarta: III. Protexisti me Deus. Larghetto
18. Lezione quarta: IV. Multi martyres. Allegro
19. Lezione quarta: V. Protectus est. Andantino
20. Lezione quarta: VI. Recitativo. Filius Die
21. Lezione quarta: VII. Parum ergo erat. Larghetto
22. Psaltery Sonata: I. Allegretto
23. Psaltery Sonata: II Larghetto
24. Psaltery Sonata: III. Allegro
The young Austrian salterio virtuoso Franziska Fleischanderl presents on her second album Italian music for salterio from Venice to Naples. The salterio enjoyed great popularity in aristocratic circles in 18th century Italy and was heard in church, at the theatre and at court. In spite of its noble past, the Italian salterio today is almost unknown. But hundreds of compositions for virtuosos and laymen demonstrate the interest of the upper classes in this instrument. The composer’s names of this selection are nearly all totally unknown, but their music is composed fresh and inventive in the upcoming Rococo style. The playing practice is based on research by Franziska Fleischanderl on the Italian salterio in the 18th century: owing to its construction, the salterio allows for two completely different playing techniques which were both used equally. The strings can either be plucked (pizzicato) or struck with two mallets (battuto). On this release, original Italian salterio music was recorded for the first time on an original instrument using both playing techniques in equal measure, moreover while played upon using the first faithful replicas of Italian salterio mallets worldwide.
Year 2018 | Classical | FLAC / APE
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