Orchestra Filarmonica Italiana - Smareglia: La falena (2018)
BAND/ARTIST: Orchestra Filarmonica Italiana, Marco Fracassi, Giuseppe Veneziano, Coro la Camerata di Cremona, Giovanna Barbetti, Denia Mazzola Gavazzeni, Armando Likaj, Fluvio Ottelli, Rosario di Mauro
- Title: Smareglia: La falena
- Year Of Release: 2018
- Label: Bongiovanni
- Genre: Classical
- Quality: flac lossless
- Total Time: 02:10:59
- Total Size: 573 mb
- WebSite: Album Preview
Tracklist
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CD1
01. La falena, Act I: Introduction
02. La falena, Act I: Uscì dal bosco un cavallier
03. La falena, Act I: Stringo sul seno il fiore
04. La falena, Act I: Remo lento, che parola di lamento
05. La falena, Act I: Il diavolo ha messo in bocca
06. La falena, Act I: Ho quest'oggi cacciato per i poveri
07. La falena, Act I: Performer!
08. La falena, Act I: O re, signor degli uomini
09. La falena, Act I: A la mia voce il sonno
10. La falena, Act I: Svanita ella è
11. La falena, Act I: O Signore
12. La falena, Act II: Introduction
13. La falena, Act II: Balzato è dal giaciglio
14. La falena, Act II: Desto son io... Ella!... Ella è qui!...
CD2
01. La falena, Act II: Te... te voglio, di te la giovinezza
02. La falena, Act II: Davver’ sei bella!
03. La falena, Act II: Se tu conosci il Dio misericorde
04. La falena, Act II: Questo vino dell'anfore mie
05. La falena, Act II: Ve come sono impuro
06. La falena, Act III: Introduction
07. La falena, Act III: La verità vi narro
08. La falena, Act III: Quanto è vissuto Morio
09. La falena, Act III: Senti!... Tutti mi chiamano
10. La falena, Act III: È l’alba...
11. La falena, Act III: È una falena
12. La falena, Act III: Santa mattina
13. La falena, Act III: O mia angelica vergine
Antonio Smareglia was born in Pola in the Istria region in 1854 and after his early studies in Vienna, (he was of course a citizen of the Hapsburg empire), like the composer Catalani from Lucca he moved to Milan, where he had the support of Franco Faccio and Arrigo Boito, and soon made a fairly successful debut at La Scala. La Falena was premiered in Venice on September 6, 1897 and proved not only in step with the literature and painting of the time but also anticipated coming trends in opera: Pelléas et Mélisande would not appear until 1902, Salome not until 1905. Even Illica & Mascagni’s Iris with its floral-inspired symbolism was not staged until 1898. The truly new and most original element of La Falena is the extraordinary presence of the orchestra and its life-giving language, which is all modulation and excursions into rare key signatures, leading many experts to dub Smareglia a Wagnerian. This was not simply because of the three evocative preludes but also Smareglia’s use of the orchestra. With timbres ranging from harsh and violent to delicate and refined, the Leit-Motiv technique applied throughout as the orchestra provides the structure that holds the opera up rather than merely the accompaniment for this or that musical number.
---------
CD1
01. La falena, Act I: Introduction
02. La falena, Act I: Uscì dal bosco un cavallier
03. La falena, Act I: Stringo sul seno il fiore
04. La falena, Act I: Remo lento, che parola di lamento
05. La falena, Act I: Il diavolo ha messo in bocca
06. La falena, Act I: Ho quest'oggi cacciato per i poveri
07. La falena, Act I: Performer!
08. La falena, Act I: O re, signor degli uomini
09. La falena, Act I: A la mia voce il sonno
10. La falena, Act I: Svanita ella è
11. La falena, Act I: O Signore
12. La falena, Act II: Introduction
13. La falena, Act II: Balzato è dal giaciglio
14. La falena, Act II: Desto son io... Ella!... Ella è qui!...
CD2
01. La falena, Act II: Te... te voglio, di te la giovinezza
02. La falena, Act II: Davver’ sei bella!
03. La falena, Act II: Se tu conosci il Dio misericorde
04. La falena, Act II: Questo vino dell'anfore mie
05. La falena, Act II: Ve come sono impuro
06. La falena, Act III: Introduction
07. La falena, Act III: La verità vi narro
08. La falena, Act III: Quanto è vissuto Morio
09. La falena, Act III: Senti!... Tutti mi chiamano
10. La falena, Act III: È l’alba...
11. La falena, Act III: È una falena
12. La falena, Act III: Santa mattina
13. La falena, Act III: O mia angelica vergine
Antonio Smareglia was born in Pola in the Istria region in 1854 and after his early studies in Vienna, (he was of course a citizen of the Hapsburg empire), like the composer Catalani from Lucca he moved to Milan, where he had the support of Franco Faccio and Arrigo Boito, and soon made a fairly successful debut at La Scala. La Falena was premiered in Venice on September 6, 1897 and proved not only in step with the literature and painting of the time but also anticipated coming trends in opera: Pelléas et Mélisande would not appear until 1902, Salome not until 1905. Even Illica & Mascagni’s Iris with its floral-inspired symbolism was not staged until 1898. The truly new and most original element of La Falena is the extraordinary presence of the orchestra and its life-giving language, which is all modulation and excursions into rare key signatures, leading many experts to dub Smareglia a Wagnerian. This was not simply because of the three evocative preludes but also Smareglia’s use of the orchestra. With timbres ranging from harsh and violent to delicate and refined, the Leit-Motiv technique applied throughout as the orchestra provides the structure that holds the opera up rather than merely the accompaniment for this or that musical number.
Year 2018 | Classical | FLAC / APE
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