Tony McPhee & Friends - Me And The Devil / I Asked For Water, She Gave Me Gasoline (1998)
BAND/ARTIST: Tony McPhee & Friends
- Title: Me And The Devil / I Asked For Water, She Gave Me Gasoline
- Year Of Release: 1998
- Label: BGO Records
- Genre: Psychedelic, Blues Rock
- Quality: Flac (tracks, .cue, log)
- Total Time: 51:51 + 57:21
- Total Size: 716 Mb (scans)
- WebSite: Album Preview
Tracklist:
Me And The Devil:
01. Rollin' And Tumblin'
02. Duckin' And Dodgin'
03. Death Letter
04. Elevator Woman
05. Make Me A Pallat
06. Heartstruck Sorrow
07. When You Got A Good Friend
08. Me And The Devil
09. You Better Mind
10. Hard Time Killing Floor
11. Same Thing On My Mind
12. Broke Down Engine
13. Arkansas Woman
14. No More Doggin'
15. Buy You A Diamond Ring
I Asked For Water, She Gave Me Gasoline:
01. Oh Death
02. She's Gone
03. Factory Blues
04. Boogie Woman
05. Nervous
06. Crazy With The Blues
07. Lord I Feel Tired
08. Gasoline
09. Rock Me
10. London's Got The Blues
11. Love's In Vain
12. Dust My Blues
13. Built My Hopes Too High
14. Don't Pass The Hat Around
15. When My Woman Is With Me
16. I'm So Tired
These two compilations, paired up here on a double-CD set, were just among the many to come out in the late '60s dedicated to British blues. And every single one seemed to feature the remarkable Jo-Ann Kelly (simply one of the best blues singers of any time and place, who sadly died in 1990) and Tony McPhee, who'd go on to greater fame and fortune and guitarist and leader of the Groundhogs. They were among the leading lights of the scene, and the ones who rose above (even if, ridiculously, Kelly didn't think her voice had matured). But the richness of the scene can be heard from the presence of artists like Andy Fernbach, Simon & Steve, and Dave Kelly, brother to Jo-Ann. John Lewis -- who'd re-emerge after the heady days of punk as Jona Lewie and score a couple of U.K. novelty hit singles -- Brett Marvin and the Thunderbolts (best described as a jug band, one which, like Lewie, earned a pair of British hits), and those who vanished without trace, like Jim Pitts and Graham Hines. The very best of them channel the spirit of the Mississippi Delta in their singing and playing -- to hear Kelly and McPhee together on "Oh Death" is a spiritual experience -- but the first of the two CDs actually seems to have more depth about it, while the second is content to settle for throwaways like "Crazy With the Blues" or Lewis's "London's Got the Blues," which don't seem to do anyone any favors. The first disc, produced by Mike Batt (of Wombles fame) has more sonic depth, while McPhee's work behind the board on the second is thin -- which is surprising, given the fact that some of the tracks, like "She's Gone" by the John Mayall-sounding Andy Fernbach Connexion, feature full electric bands. As snapshots of a time and place, these compilations are invaluable; they let us reflect on the fact that British blues isn't an oxymoron, and that, for a while at least, the quality approached that of Chicago, Memphis, or even Clarksdale.
Blues | Oldies | Rock | FLAC / APE
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