Kianí del Valle, Ziúr - De Brujas y Fantasmas (Original Soundtrack for Kianí del Valle Solo Dance Performance) (2026)
BAND/ARTIST: Kianí del Valle, Ziúr
- Title: De Brujas y Fantasmas (Original Soundtrack for Kianí del Valle Solo Dance Performance)
- Year Of Release: 2026
- Label: Kuboraum Editions
- Genre: Experimental, Electronic, Dark Ambient, Soundtrack
- Quality: FLAC 16/44100; MP3 320
- Total Time: 00:38:02
- Total Size: 244 MB
- WebSite: Album Preview
Mexican dancer, choreographer and director Kianí del Valle, together with Berlin-based producer Ziúr, created the solo dance performance “De Brujas y Fantasmas” (“Of Witches and Ghosts”) and its soundtrack, released by Kuboraum Editions. The project explores the figure of the witch in Latin American and European cultures, a symbol that has long provoked fear and fascination at once. Del Valle draws on two figures: La Llorona, the weeping ghost of folklore whose cries bring misfortune and death, and the Mexican shaman and poet María Sabina, who used entheogenic mushrooms in ritual to dissolve the barrier between the physical world and the spirit realm. A third reference point is Mary Wigman, a pioneer of “New German Dance”: del Valle reinterprets the choreography of Wigman’s 1926 “Witch Dance” (Hexentanz), finding echoes of Sabina’s philosophy in it and inviting audiences to reconsider what they think they know about marginalized women.
The performance was presented at the opening of the 61st Venice Biennale in the program WE TRAVEL TO KNOW OUR OWN GEOGRAPHY, curated by Kuboraum, and is set to be staged on September 11 at Berlin’s Hamburger Bahnhof during Berlin Art Week. Ziúr’s music follows the dancer’s movements. On “La Llorona De Noche,” distorted kick drums are interspersed with eerie spirit traces, followed by ritual chimes and growling synth drones. “Luna Negra” is six minutes of freeform percussion and serrated oscillations. On “Hexentanz,” groaning synthesizers fall in line with a jerking, unstable rhythm, suggesting that a century later women’s roles are still misunderstood. On “Hueso De Humo,” del Valle’s own voice emerges for the first time, woven into a tapestry of pulsing glitches and billowing drones. The result presents the ghost and the witch as guardians of hidden culture: women on the margins of society who, despite persecution, have preserved esoteric knowledge, stories, sounds and movements for millennia.
Tracklist:
01-01 Ziúr - La Llorona De Noche [7:29]
01-02 Ziúr - Luna Negra [6:11]
01-03 Ziúr - Hechizo Metamorfo [7:27]
01-04 Ziúr - Hexentanz [7:07]
01-05 Ziúr, Kianí del Valle - Hueso De Humo [5:22]
01-06 Ziúr - Luna Llena [4:27]
The performance was presented at the opening of the 61st Venice Biennale in the program WE TRAVEL TO KNOW OUR OWN GEOGRAPHY, curated by Kuboraum, and is set to be staged on September 11 at Berlin’s Hamburger Bahnhof during Berlin Art Week. Ziúr’s music follows the dancer’s movements. On “La Llorona De Noche,” distorted kick drums are interspersed with eerie spirit traces, followed by ritual chimes and growling synth drones. “Luna Negra” is six minutes of freeform percussion and serrated oscillations. On “Hexentanz,” groaning synthesizers fall in line with a jerking, unstable rhythm, suggesting that a century later women’s roles are still misunderstood. On “Hueso De Humo,” del Valle’s own voice emerges for the first time, woven into a tapestry of pulsing glitches and billowing drones. The result presents the ghost and the witch as guardians of hidden culture: women on the margins of society who, despite persecution, have preserved esoteric knowledge, stories, sounds and movements for millennia.
Tracklist:
01-01 Ziúr - La Llorona De Noche [7:29]
01-02 Ziúr - Luna Negra [6:11]
01-03 Ziúr - Hechizo Metamorfo [7:27]
01-04 Ziúr - Hexentanz [7:07]
01-05 Ziúr, Kianí del Valle - Hueso De Humo [5:22]
01-06 Ziúr - Luna Llena [4:27]
| Soundtracks | Ambient | FLAC / APE
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