Victor Garcia Garcia - Improvised Bach (2026) [Hi-Res]
BAND/ARTIST: Victor Garcia Garcia
- Title: Improvised Bach
- Year Of Release: 2026
- Label: Challenge Classics
- Genre: Classical
- Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
- Total Time: 01:09:32
- Total Size: 307 MB / 1.21 GB
- WebSite: Album Preview
Tracklist:
1. Improvised Prelude in E Minor, after J. S. Bach's Prelude in E Minor (1:40)
2. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): I. Allemanda (5:55)
3. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): II. Double (3:35)
4. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): III. Corrente (3:06)
5. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): IV. Double - Presto (4:22)
6. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): V. Sarabande (4:27)
7. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): VI. Double (3:18)
8. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): VII. Tempo di Borea (2:17)
9. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): VIII. Double (2:30)
10. Suite No. 1 in G Major for cello, BWV 1007: I. Prélude (2:24)
11. Suite No. 1 in G Major for cello, BWV 1007: II. Allemande (4:47)
12. Improvised Double – Allemande, after J. S. Bach's Suite No. 1 in G Major for Cello, BWV 1007/2 (5:55)
13. Suite No. 3 in C Mmajor for cello, BWV 1009: III. Courante (2:52)
14. Improvised Double – Courante, after J. S. Bach's Suite No. 3 in C Major for cello, BWV 1009/3 (2:51)
15. Suite No. 4 in E-Flat Major for cello, BWV 1010: IV. Sarabande (3:48)
16. Improvised Double – Sarabande, after J. S. Bach's Suite No. 4 in E-flat Major for cello, BWV 1010/4 (3:22)
17. Suite No. 3 in C Major for cello, BWV 1009: V. Bourrées I - II - Improvised da capo (4:27)
18. Suite No. 2 in D Minor for cello, BWV 1008: IV. Menuett I - II - Improvised da capo (3:32)
19. Improvised Double – Gigue, after J. S. Bach's Suite No. 2 in D Minor for cello, BWV 1008/7 (2:09)
20. Suite No. 2 in D Minor for cello, BWV 1008: VII. Gigue (2:26)
1. Improvised Prelude in E Minor, after J. S. Bach's Prelude in E Minor (1:40)
2. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): I. Allemanda (5:55)
3. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): II. Double (3:35)
4. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): III. Corrente (3:06)
5. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): IV. Double - Presto (4:22)
6. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): V. Sarabande (4:27)
7. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): VI. Double (3:18)
8. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): VII. Tempo di Borea (2:17)
9. Partita No. 1 for violin, BWV 1002 (Transcr. for Cello by Víctor García García): VIII. Double (2:30)
10. Suite No. 1 in G Major for cello, BWV 1007: I. Prélude (2:24)
11. Suite No. 1 in G Major for cello, BWV 1007: II. Allemande (4:47)
12. Improvised Double – Allemande, after J. S. Bach's Suite No. 1 in G Major for Cello, BWV 1007/2 (5:55)
13. Suite No. 3 in C Mmajor for cello, BWV 1009: III. Courante (2:52)
14. Improvised Double – Courante, after J. S. Bach's Suite No. 3 in C Major for cello, BWV 1009/3 (2:51)
15. Suite No. 4 in E-Flat Major for cello, BWV 1010: IV. Sarabande (3:48)
16. Improvised Double – Sarabande, after J. S. Bach's Suite No. 4 in E-flat Major for cello, BWV 1010/4 (3:22)
17. Suite No. 3 in C Major for cello, BWV 1009: V. Bourrées I - II - Improvised da capo (4:27)
18. Suite No. 2 in D Minor for cello, BWV 1008: IV. Menuett I - II - Improvised da capo (3:32)
19. Improvised Double – Gigue, after J. S. Bach's Suite No. 2 in D Minor for cello, BWV 1008/7 (2:09)
20. Suite No. 2 in D Minor for cello, BWV 1008: VII. Gigue (2:26)
With Improvised Bach, cellist Vctor Garca Garca invites listeners into the living, breathing world of Johann Sebastian Bach, where composition, performance and improvisation were once inseparable arts. Centred around Bachs Partita No. 1 for Solo Violin performed here in a rare historical cello transcriptionthe album reimagines the composers music through newly improvised preludes, doubles and ornamented repeats, all rooted in Bach's original harmonic language while revealing fresh expressive possibilities.
In 2024 Victor was awarded First Prize at the Bach International Competition in Leipzig. He is a Professor of Historical Cello at the HKU Utrecht Conservatorium and also in Scotland's St. Andrews University. Research is an important part of his work besides his musicianship. Rather than treating Bachs masterpieces as untouchable monuments, Victor Garca Garca approaches them as a vibrant musical language that continues to evolve in performance.
Drawing inspiration from eighteenth-century improvisational practice, each improvised piece becomes a musical dialogue across three centuries, capturing the spontaneity of the moment while remaining deeply faithful to Bachs style. The result is a compelling recording gives listeners the opportunity to hear familiar works with renewed curiosity, imagination and wonder.
In 2024 Victor was awarded First Prize at the Bach International Competition in Leipzig. He is a Professor of Historical Cello at the HKU Utrecht Conservatorium and also in Scotland's St. Andrews University. Research is an important part of his work besides his musicianship. Rather than treating Bachs masterpieces as untouchable monuments, Victor Garca Garca approaches them as a vibrant musical language that continues to evolve in performance.
Drawing inspiration from eighteenth-century improvisational practice, each improvised piece becomes a musical dialogue across three centuries, capturing the spontaneity of the moment while remaining deeply faithful to Bachs style. The result is a compelling recording gives listeners the opportunity to hear familiar works with renewed curiosity, imagination and wonder.
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