Ensemble Kheops - Der Wind (2026) [Hi-Res]
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BAND/ARTIST: Ensemble Kheops
- Title: Der Wind
- Year Of Release: 2026
- Label: Cypres
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 192.0kHz
- Total Time: 01:07:16
- Total Size: 276 mb / 2.02 gb
- WebSite: Album Preview
Tracklist
01. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: I. Mäßig schnell
02. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: II. Anmutig bewegt
03. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: III. Andante
04. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: IV. Allegro vivace
05. Der Wind, d'après un poème de Grete Wiesenthal pour violon, clarinette, cor, violoncelle et piano
06. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: I. Andante
07. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: II. Scherzo. Allegro
08. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: III. Adagio mesto
09. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: IV. Finale. Allegro con brio
This programme forms a continuity with the album Brahms | Berg | Zemlinsky (released by Cypres – CYP8610), one that was distinguished notably by a Gramophone Choice. It continues the same reflection on the Vienna of the late nineteenth century and the passage towards modernity by exploring the ties uniting Johannes Brahms, Carl Frühling and Franz Schreker.
These three works — the Trio with horn of Brahms, the Trio op. 40 of Frühling and the Quintet Der Wind of Schreker — form a fascinating journey through Austro-German music, illustrating with force the evolution of a mature romanticism into Viennese modernity.
The first great axis of convergence lies in their unique, deliberately ‘hybrid’ instrumentations. Each composer rejects the standard formations, such as the string quartet or the classical wind quintet, in order expressly to create an aural texture that combines the strings, the piano and the wind instruments. We are witnesses to a subtle transmission of the tone-colours: Brahms’s horn first brings a wooded, dark dimension that Frühling then replaces with the clarinet in velvety fusion with the cello. Lastly, Schreker brings together clarinet, horn, strings and piano within the same piece, achieving an unexpected synthesis of these acoustic worlds.
Founded in 2006, the Ensemble Kheops has progressively asserted itself as one of the most outstanding chamber music groups in Belgium. With its variable formation, it has forged an artistic identity that is based on curiosity, high standards and a dialogue between repertories, epochs and disciplines. This first instalment of a triptych celebrating its twentieth anniversary marks an important stage on this route, the result of two decades of musical exploration undertaken with the same high standards regarding both the choice of the performers and the conception of each of its projects.
01. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: I. Mäßig schnell
02. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: II. Anmutig bewegt
03. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: III. Andante
04. Trio pour clarinette, violoncelle et piano en la mineur, Op. 40: IV. Allegro vivace
05. Der Wind, d'après un poème de Grete Wiesenthal pour violon, clarinette, cor, violoncelle et piano
06. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: I. Andante
07. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: II. Scherzo. Allegro
08. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: III. Adagio mesto
09. Trio pour violon, cor et piano en mi bémol majeur, Op. 40: IV. Finale. Allegro con brio
This programme forms a continuity with the album Brahms | Berg | Zemlinsky (released by Cypres – CYP8610), one that was distinguished notably by a Gramophone Choice. It continues the same reflection on the Vienna of the late nineteenth century and the passage towards modernity by exploring the ties uniting Johannes Brahms, Carl Frühling and Franz Schreker.
These three works — the Trio with horn of Brahms, the Trio op. 40 of Frühling and the Quintet Der Wind of Schreker — form a fascinating journey through Austro-German music, illustrating with force the evolution of a mature romanticism into Viennese modernity.
The first great axis of convergence lies in their unique, deliberately ‘hybrid’ instrumentations. Each composer rejects the standard formations, such as the string quartet or the classical wind quintet, in order expressly to create an aural texture that combines the strings, the piano and the wind instruments. We are witnesses to a subtle transmission of the tone-colours: Brahms’s horn first brings a wooded, dark dimension that Frühling then replaces with the clarinet in velvety fusion with the cello. Lastly, Schreker brings together clarinet, horn, strings and piano within the same piece, achieving an unexpected synthesis of these acoustic worlds.
Founded in 2006, the Ensemble Kheops has progressively asserted itself as one of the most outstanding chamber music groups in Belgium. With its variable formation, it has forged an artistic identity that is based on curiosity, high standards and a dialogue between repertories, epochs and disciplines. This first instalment of a triptych celebrating its twentieth anniversary marks an important stage on this route, the result of two decades of musical exploration undertaken with the same high standards regarding both the choice of the performers and the conception of each of its projects.
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