Teodoro Baù - J. S. Bach: Partitas for Viola da Gamba (2026) [Hi-Res]
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BAND/ARTIST: Teodoro Baù
- Title: J. S. Bach: Partitas for Viola da Gamba
- Year Of Release: 2026
- Label: Arcana
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:23:07
- Total Size: 396 mb / 1.52 gb
- WebSite: Album Preview
Tracklist
01. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): I. Allemanda
02. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): II. Corrente
03. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): III. Sarabanda
04. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): IV. Giga
05. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): V. Ciaccona
06. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): I. Preludio
07. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): II. Loure
08. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): III. Gavotte en rondeaux
09. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): IV. Menuet I
10. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): V. Menuet II
11. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): VI. Bourrée
12. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): VII. Gigue
13. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): I. Allemanda
14. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): II. Double
15. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): III. Corrente
16. Violin Partita No. 1 in B Minor, BWV 1002 [Transcr. for Viola da Gamba by Teodoro Baù]: IV. Double (Presto)
17. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): V. Sarabande
18. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): VI. Double
19. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): VII. Tempo di Borea
20. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): VIII. Double
Johann Sebastian Bach’s Partitas for solo violin BWV 1002, 1004, and 1006 are remarkably visionary works. Within the established framework of the dance suite, Bach pushes the expressive and technical possibilities of the instrument to unprecedented heights. Few works from the period display a comparable level of compositional and instrumental complexity. The practice of adapting violin music for the viola da gamba is well documented from the rise of both instruments through the middle of the eighteenth century, making the transcription of Bach’s Partitas a thoroughly natural undertaking. With its affinity for both polyphony and the jeu d’harmonie, as well as for the dance-suite tradition itself, the viola da gamba provides these works with a new perspective. While nothing in the instrument’s original repertoire matches the density of harmonic and contrapuntal writing that Bach achieves in these Partitas, the pieces take on a new dimension when heard on the viola da gamba. They are transformed without losing their identity, like a familiar landscape seen from a different vantage point: certain details appear in a new light, yet the subject remains the same.
01. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): I. Allemanda
02. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): II. Corrente
03. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): III. Sarabanda
04. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): IV. Giga
05. Violin Partita No. 2 in D Minor, BWV 1004 (Transcr. for Viola da Gamba by Teodoro Baù): V. Ciaccona
06. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): I. Preludio
07. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): II. Loure
08. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): III. Gavotte en rondeaux
09. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): IV. Menuet I
10. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): V. Menuet II
11. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): VI. Bourrée
12. Violin Partita No. 3 in E Major, BWV 1006 (Transcr. for Viola da Gamba by Teodoro Baù): VII. Gigue
13. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): I. Allemanda
14. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): II. Double
15. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): III. Corrente
16. Violin Partita No. 1 in B Minor, BWV 1002 [Transcr. for Viola da Gamba by Teodoro Baù]: IV. Double (Presto)
17. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): V. Sarabande
18. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): VI. Double
19. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): VII. Tempo di Borea
20. Violin Partita No. 1 in B Minor, BWV 1002 (Transcr. for Viola da Gamba by Teodoro Baù): VIII. Double
Johann Sebastian Bach’s Partitas for solo violin BWV 1002, 1004, and 1006 are remarkably visionary works. Within the established framework of the dance suite, Bach pushes the expressive and technical possibilities of the instrument to unprecedented heights. Few works from the period display a comparable level of compositional and instrumental complexity. The practice of adapting violin music for the viola da gamba is well documented from the rise of both instruments through the middle of the eighteenth century, making the transcription of Bach’s Partitas a thoroughly natural undertaking. With its affinity for both polyphony and the jeu d’harmonie, as well as for the dance-suite tradition itself, the viola da gamba provides these works with a new perspective. While nothing in the instrument’s original repertoire matches the density of harmonic and contrapuntal writing that Bach achieves in these Partitas, the pieces take on a new dimension when heard on the viola da gamba. They are transformed without losing their identity, like a familiar landscape seen from a different vantage point: certain details appear in a new light, yet the subject remains the same.
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