Lorenzo Cavasanti, Caroline Boersma, Sergio Ciomei, Tripla Concordias - Mancini: Recorder Concertos & Sonatas (2026)
BAND/ARTIST: Lorenzo Cavasanti, Caroline Boersma, Sergio Ciomei, Tripla Concordias
- Title: Mancini: Recorder Concertos & Sonatas
- Year Of Release: 2026
- Label: Brilliant Classics
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 03:32:56
- Total Size: 1.09 gb
- WebSite: Album Preview
Tracklist
01. Concerto VIII in C Minor: I. Vivace
02. Concerto VIII in C Minor: II. Largo e staccato
03. Concerto VIII in C Minor: III. Fuga - Allegro
04. Concerto VIII in C Minor: IV. Largo
05. Concerto VIII in C Minor: V. Allegro
06. Concerto V in G Major: I. Allegro
07. Concerto V in G Major: II. Largo
08. Concerto V in G Major: III. Fuga - Allegro
09. Concerto V in G Major: IV. Larghetto
10. Concerto V in G Major: V. Allegro (2)
11. Concerto XIX in E Minor: I. Allegrissimo
12. Concerto XIX in E Minor: II. Larghetto
13. Concerto XIX in E Minor: III. Fuga
14. Concerto XIX in E Minor: IV. Moderato
15. Concerto XIX in E Minor: V. Allegro
16. Concerto XX in C Minor: I. Comodo
17. Concerto XX in C Minor: II. Fuga - Allegro
18. Concerto XX in C Minor: III. Lento
19. Concerto XX in C Minor: IV. Comodo (2)
20. Concerto XVIII in F Major: I. Largo
21. Concerto XVIII in F Major: II. Fuga
22. Concerto XVIII in F Major: III. A tempo Giusto
23. Concerto XVIII in F Major: IV. Allegro
24. Concerto XIV in G Minor: I. Comodo
25. Concerto XIV in G Minor: II. Fuga - Allegro
26. Concerto XIV in G Minor: III. Larghetto
27. Concerto XIV in G Minor: IV. Allegro
28. Concerto X in B-Flat Major: I. Larghetto
29. Concerto X in B-Flat Major: II. Allegro
30. Concerto X in B-Flat Major: III. Largo
31. Concerto X in B-Flat Major: IV. Allegro (2)
32. Concerto I in C Minor: I. Moderato
33. Concerto I in C Minor: II. Grave
34. Concerto I in C Minor: III. Moderato (2)
35. Concerto I in C Minor: IV. Allegro
36. Concerto XIII in G Minor: Largo
37. Concerto XIII in G Minor: Fuga
38. Concerto XIII in G Minor: Largo (2)
39. Concerto XIII in G Minor: Spiritoso
40. Concerto XVI in F Major: Affettuoso
41. Concerto XVI in F Major: Fuga
42. Concerto XVI in F Major: Un poco Andante
43. Concerto XVI in F Major: Allegro
44. Concerto VI in D Minor: Amoroso
45. Concerto VI in D Minor: Allegro
46. Concerto VI in D Minor: Largo
47. Concerto VI in D Minor: Allegro (2)
48. Concerto XVII in A Minor: Allegro
49. Concerto XVII in A Minor: Andante
50. Concerto XVII in A Minor: Spiritoso
51. Concerto XVII in A Minor: Largo
52. Concerto XVII in A Minor: Allegro (2)
53. 12 Recorder Sonatas, Sonata No. 9 in F Minor: I. No Tempo Indication
54. 12 Recorder Sonatas, Sonata No. 9 in F Minor: II. Allegro
55. 12 Recorder Sonatas, Sonata No. 9 in F Minor: III. Largo
56. 12 Recorder Sonatas, Sonata No. 9 in F Minor: IV. Allegro
57. 12 Recorder Sonatas, Sonata No. 7 in C Major: I. Spiritoso - Largo
58. 12 Recorder Sonatas, Sonata No. 7 in C Major: II. Allegro
59. 12 Recorder Sonatas, Sonata No. 7 in C Major: III. Largo
60. 12 Recorder Sonatas, Sonata No. 7 in C Major: IV. Allegro
61. 12 Recorder Sonatas, Sonata No. 2 in E Minor: I. Andante
62. 12 Recorder Sonatas, Sonata No. 2 in E Minor: II. Allegro
63. 12 Recorder Sonatas, Sonata No. 2 in E Minor: III. Largo
64. 12 Recorder Sonatas, Sonata No. 2 in E Minor: IV. Allegro
65. 12 Recorder Sonatas, Sonata No. 5 in D Major: I. Allegro - Largo
66. 12 Recorder Sonatas, Sonata No. 5 in D Major: II. Allegro
67. 12 Recorder Sonatas, Sonata No. 5 in D Major: III. Largo
68. 12 Recorder Sonatas, Sonata No. 5 in D Major: IV. Allegro
69. 12 Recorder Sonatas, Sonata No. 4 in A Minor: I. Spiritoso - Largo
70. 12 Recorder Sonatas, Sonata No. 4 in A Minor: II. Allegro
71. 12 Recorder Sonatas, Sonata No. 4 in A Minor: III. Largo
72. 12 Recorder Sonatas, Sonata No. 4 in A Minor: IV. Allegro spiccato
73. 12 Recorder Sonatas, Sonata No. 3 in C Minor: I. Largo affettuoso
74. 12 Recorder Sonatas, Sonata No. 3 in C Minor: II. Allegro
75. 12 Recorder Sonatas, Sonata No. 3 in C Minor: III. Largo
76. 12 Recorder Sonatas, Sonata No. 3 in C Minor: IV. Allegro
77. 12 Recorder Sonatas, Sonata No. 11 in G Minor: I. Un poco andante
78. 12 Recorder Sonatas, Sonata No. 11 in G Minor: II. Allegro
79. 12 Recorder Sonatas, Sonata No. 11 in G Minor: III. Largo
80. 12 Recorder Sonatas, Sonata No. 11 in G Minor: IV. Allegro
81. 12 Recorder Sonatas, Sonata No. 12 in G Major: I. Allegro - Largo
82. 12 Recorder Sonatas, Sonata No. 12 in G Major: II. Allegro
83. 12 Recorder Sonatas, Sonata No. 12 in G Major: III. Andante
84. 12 Recorder Sonatas, Sonata No. 12 in G Major: IV. Allegro
85. 12 Recorder Sonatas, Sonata No. 10 in B Minor: I. Largo
86. 12 Recorder Sonatas, Sonata No. 10 in B Minor: II. Allegro
87. 12 Recorder Sonatas, Sonata No. 10 in B Minor: III. Largo
88. 12 Recorder Sonatas, Sonata No. 10 in B Minor: IV. Allegro
89. 12 Recorder Sonatas, Sonata No. 1 in D Minor: I. Amoroso
90. 12 Recorder Sonatas, Sonata No. 1 in D Minor: II. Allegro
91. 12 Recorder Sonatas, Sonata No. 1 in D Minor: III. Largo
92. 12 Recorder Sonatas, Sonata No. 1 in D Minor: IV. Allegro
93. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: I. Largo
94. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: II. Allegro
95. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: III. Largo
96. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: IV. Allegro
97. 12 Recorder Sonatas, Sonata No. 8 in G Minor: I. Largo
98. 12 Recorder Sonatas, Sonata No. 8 in G Minor: II. Allegro
99. 12 Recorder Sonatas, Sonata No. 8 in G Minor: III. No Tempo Indication
100. 12 Recorder Sonatas, Sonata No. 8 in G Minor: IV. Allegro
Francesco Mancini (1672–1732) was an Italian Baroque composer and organist, whose career was closely associated with Naples, one of the most vibrant musical centers of the early eighteenth century. A pupil of Francesco Provenzale, Mancini rose to prominence within the Neapolitan court and church music establishments, ultimately succeeding Alessandro Scarlatti as maestro di cappella at the royal chapel in 1725. Although he composed extensively for the stage and sacred venues—producing operas, cantatas, and oratorios—his instrumental music, particularly his works for the flute, reveals his deep understanding of melody, virtuosity, and expressive nuance.
Mancini’s Sonate per flauto e cembalo (Sonatas for Flute and Harpsichord), published in London around 1724, represent some of the earliest Italian compositions dedicated specifically to the transverse flute, an instrument gaining popularity across Europe at the time. These sonatas blend the lyrical warmth typical of the Neapolitan school with virtuosic passagework that highlights both technical brilliance and expressive depth. The writing often alternates between elegant, songlike slow movements and rhythmically animated fast movements, showing Mancini’s mastery of balance between vocal-style phrasing and instrumental agility.
Equally notable are his Concerti per flauto, which demonstrate an inventive approach to orchestral color and solo writing. The flute concertos combine Italianate brilliance with a sensitivity to the instrument’s timbre, employing graceful melodic lines, clear structures, and engaging dialogue between soloist and ensemble. Mancini’s concertos, alongside those of contemporaries such as Vivaldi and Pergolesi, contributed to establishing the flute as a leading solo instrument in eighteenth-century concert life.
Played by Lorenzo Cavasanti and Corina Marti, and the Capella Tiberina (Paolo Perrone, concertmaster) and the Ensemble Tripla Concordia.
01. Concerto VIII in C Minor: I. Vivace
02. Concerto VIII in C Minor: II. Largo e staccato
03. Concerto VIII in C Minor: III. Fuga - Allegro
04. Concerto VIII in C Minor: IV. Largo
05. Concerto VIII in C Minor: V. Allegro
06. Concerto V in G Major: I. Allegro
07. Concerto V in G Major: II. Largo
08. Concerto V in G Major: III. Fuga - Allegro
09. Concerto V in G Major: IV. Larghetto
10. Concerto V in G Major: V. Allegro (2)
11. Concerto XIX in E Minor: I. Allegrissimo
12. Concerto XIX in E Minor: II. Larghetto
13. Concerto XIX in E Minor: III. Fuga
14. Concerto XIX in E Minor: IV. Moderato
15. Concerto XIX in E Minor: V. Allegro
16. Concerto XX in C Minor: I. Comodo
17. Concerto XX in C Minor: II. Fuga - Allegro
18. Concerto XX in C Minor: III. Lento
19. Concerto XX in C Minor: IV. Comodo (2)
20. Concerto XVIII in F Major: I. Largo
21. Concerto XVIII in F Major: II. Fuga
22. Concerto XVIII in F Major: III. A tempo Giusto
23. Concerto XVIII in F Major: IV. Allegro
24. Concerto XIV in G Minor: I. Comodo
25. Concerto XIV in G Minor: II. Fuga - Allegro
26. Concerto XIV in G Minor: III. Larghetto
27. Concerto XIV in G Minor: IV. Allegro
28. Concerto X in B-Flat Major: I. Larghetto
29. Concerto X in B-Flat Major: II. Allegro
30. Concerto X in B-Flat Major: III. Largo
31. Concerto X in B-Flat Major: IV. Allegro (2)
32. Concerto I in C Minor: I. Moderato
33. Concerto I in C Minor: II. Grave
34. Concerto I in C Minor: III. Moderato (2)
35. Concerto I in C Minor: IV. Allegro
36. Concerto XIII in G Minor: Largo
37. Concerto XIII in G Minor: Fuga
38. Concerto XIII in G Minor: Largo (2)
39. Concerto XIII in G Minor: Spiritoso
40. Concerto XVI in F Major: Affettuoso
41. Concerto XVI in F Major: Fuga
42. Concerto XVI in F Major: Un poco Andante
43. Concerto XVI in F Major: Allegro
44. Concerto VI in D Minor: Amoroso
45. Concerto VI in D Minor: Allegro
46. Concerto VI in D Minor: Largo
47. Concerto VI in D Minor: Allegro (2)
48. Concerto XVII in A Minor: Allegro
49. Concerto XVII in A Minor: Andante
50. Concerto XVII in A Minor: Spiritoso
51. Concerto XVII in A Minor: Largo
52. Concerto XVII in A Minor: Allegro (2)
53. 12 Recorder Sonatas, Sonata No. 9 in F Minor: I. No Tempo Indication
54. 12 Recorder Sonatas, Sonata No. 9 in F Minor: II. Allegro
55. 12 Recorder Sonatas, Sonata No. 9 in F Minor: III. Largo
56. 12 Recorder Sonatas, Sonata No. 9 in F Minor: IV. Allegro
57. 12 Recorder Sonatas, Sonata No. 7 in C Major: I. Spiritoso - Largo
58. 12 Recorder Sonatas, Sonata No. 7 in C Major: II. Allegro
59. 12 Recorder Sonatas, Sonata No. 7 in C Major: III. Largo
60. 12 Recorder Sonatas, Sonata No. 7 in C Major: IV. Allegro
61. 12 Recorder Sonatas, Sonata No. 2 in E Minor: I. Andante
62. 12 Recorder Sonatas, Sonata No. 2 in E Minor: II. Allegro
63. 12 Recorder Sonatas, Sonata No. 2 in E Minor: III. Largo
64. 12 Recorder Sonatas, Sonata No. 2 in E Minor: IV. Allegro
65. 12 Recorder Sonatas, Sonata No. 5 in D Major: I. Allegro - Largo
66. 12 Recorder Sonatas, Sonata No. 5 in D Major: II. Allegro
67. 12 Recorder Sonatas, Sonata No. 5 in D Major: III. Largo
68. 12 Recorder Sonatas, Sonata No. 5 in D Major: IV. Allegro
69. 12 Recorder Sonatas, Sonata No. 4 in A Minor: I. Spiritoso - Largo
70. 12 Recorder Sonatas, Sonata No. 4 in A Minor: II. Allegro
71. 12 Recorder Sonatas, Sonata No. 4 in A Minor: III. Largo
72. 12 Recorder Sonatas, Sonata No. 4 in A Minor: IV. Allegro spiccato
73. 12 Recorder Sonatas, Sonata No. 3 in C Minor: I. Largo affettuoso
74. 12 Recorder Sonatas, Sonata No. 3 in C Minor: II. Allegro
75. 12 Recorder Sonatas, Sonata No. 3 in C Minor: III. Largo
76. 12 Recorder Sonatas, Sonata No. 3 in C Minor: IV. Allegro
77. 12 Recorder Sonatas, Sonata No. 11 in G Minor: I. Un poco andante
78. 12 Recorder Sonatas, Sonata No. 11 in G Minor: II. Allegro
79. 12 Recorder Sonatas, Sonata No. 11 in G Minor: III. Largo
80. 12 Recorder Sonatas, Sonata No. 11 in G Minor: IV. Allegro
81. 12 Recorder Sonatas, Sonata No. 12 in G Major: I. Allegro - Largo
82. 12 Recorder Sonatas, Sonata No. 12 in G Major: II. Allegro
83. 12 Recorder Sonatas, Sonata No. 12 in G Major: III. Andante
84. 12 Recorder Sonatas, Sonata No. 12 in G Major: IV. Allegro
85. 12 Recorder Sonatas, Sonata No. 10 in B Minor: I. Largo
86. 12 Recorder Sonatas, Sonata No. 10 in B Minor: II. Allegro
87. 12 Recorder Sonatas, Sonata No. 10 in B Minor: III. Largo
88. 12 Recorder Sonatas, Sonata No. 10 in B Minor: IV. Allegro
89. 12 Recorder Sonatas, Sonata No. 1 in D Minor: I. Amoroso
90. 12 Recorder Sonatas, Sonata No. 1 in D Minor: II. Allegro
91. 12 Recorder Sonatas, Sonata No. 1 in D Minor: III. Largo
92. 12 Recorder Sonatas, Sonata No. 1 in D Minor: IV. Allegro
93. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: I. Largo
94. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: II. Allegro
95. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: III. Largo
96. 12 Recorder Sonatas, Sonata No. 6 in B-Flat Major: IV. Allegro
97. 12 Recorder Sonatas, Sonata No. 8 in G Minor: I. Largo
98. 12 Recorder Sonatas, Sonata No. 8 in G Minor: II. Allegro
99. 12 Recorder Sonatas, Sonata No. 8 in G Minor: III. No Tempo Indication
100. 12 Recorder Sonatas, Sonata No. 8 in G Minor: IV. Allegro
Francesco Mancini (1672–1732) was an Italian Baroque composer and organist, whose career was closely associated with Naples, one of the most vibrant musical centers of the early eighteenth century. A pupil of Francesco Provenzale, Mancini rose to prominence within the Neapolitan court and church music establishments, ultimately succeeding Alessandro Scarlatti as maestro di cappella at the royal chapel in 1725. Although he composed extensively for the stage and sacred venues—producing operas, cantatas, and oratorios—his instrumental music, particularly his works for the flute, reveals his deep understanding of melody, virtuosity, and expressive nuance.
Mancini’s Sonate per flauto e cembalo (Sonatas for Flute and Harpsichord), published in London around 1724, represent some of the earliest Italian compositions dedicated specifically to the transverse flute, an instrument gaining popularity across Europe at the time. These sonatas blend the lyrical warmth typical of the Neapolitan school with virtuosic passagework that highlights both technical brilliance and expressive depth. The writing often alternates between elegant, songlike slow movements and rhythmically animated fast movements, showing Mancini’s mastery of balance between vocal-style phrasing and instrumental agility.
Equally notable are his Concerti per flauto, which demonstrate an inventive approach to orchestral color and solo writing. The flute concertos combine Italianate brilliance with a sensitivity to the instrument’s timbre, employing graceful melodic lines, clear structures, and engaging dialogue between soloist and ensemble. Mancini’s concertos, alongside those of contemporaries such as Vivaldi and Pergolesi, contributed to establishing the flute as a leading solo instrument in eighteenth-century concert life.
Played by Lorenzo Cavasanti and Corina Marti, and the Capella Tiberina (Paolo Perrone, concertmaster) and the Ensemble Tripla Concordia.
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