Fretwork, Mark Padmore & Nigel North - Celestiall Witchcraft - The Private Music of Henry & Charles, Princes of Wales (2026)
BAND/ARTIST: Fretwork, Mark Padmore, Nigel North
- Title: Celestiall Witchcraft - The Private Music of Henry & Charles, Princes of Wales
- Year Of Release: 2026
- Label: Warner Classics
- Genre: Classical
- Quality: FLAC (tracks)
- Total Time: 01:11:30
- Total Size: 379 MB
- WebSite: Album Preview
Tracklist:
1. Fantasia a 6, VdGS 5 (3:27)
2. Fantasia a 6, VdGS 5 (3:11)
3. Ayres: No. 21, So Beautie on the Waters Stood (1:31)
4. Pavan a 5 No. 3 "Sharp Pavin" (5:13)
5. In Nomine Through All Parts (5:01)
6. Fantasia a 3, VdGS 2GB "For the Great Dooble Bass" (3:51)
7. Fantasia a 3, VdGS 3GB (4:09)
8. Ayres: No. 7, So, So Leave off This Last Lamenting Kisse (2:58)
9. Il terzo libro de madrigali: No. 2, O come è gran martire (Transcr. Lawes for Viol Consort) (2:14)
10. Fantasia for 5 Viols, RC 34 "Chi pue mirarvi" (3:21)
11. The Royal Consort: Set No. 7: I. First Aire (2:27)
12. The Royal Consort: Set No. 7: II. First Alman (1:51)
13. The Royal Consort: Set No. 7: III. Second Alman (1:10)
14. The Royal Consort: Set No. 7: IV. Second Aire (1:28)
15. The Royal Consort: Set No. 7: V. Corant (1:48)
16. The Royal Consort: Set No. 7: VI. Saraband (0:59)
17. Fantasia a 5, VdGS 19: Pt. 1 "Ardo, sì" (2:03)
18. Fantasia a 5, VdGS 19: Pt. 2 "Ardi et gela" (2:08)
19. Songs of Mourning: No. 6, To the Most Disconsolate Great Brittaine. "When Pale Famine" (2:58)
20. Pavin First, VdGS 563 (4:49)
21. Almain, VdGS 564 (1:37)
22. Latral: Parte prima (After Monteverdi's "Vattene pur, crudel") (1:43)
23. Latral: Parte seconda (After Monteverdi's "Vattene pur, crudel") (1:52)
24. Fantazia First, VdGS 567 (2:45)
25. Serabrand, VdGS 569 (1:19)
26. Songs of Mourning: No. 3, To the Most High and Mighty Prince Charles. "Fortune and Glory" (2:06)
27. Fantasia a 6, VdGS 6 (3:47)
1. Fantasia a 6, VdGS 5 (3:27)
2. Fantasia a 6, VdGS 5 (3:11)
3. Ayres: No. 21, So Beautie on the Waters Stood (1:31)
4. Pavan a 5 No. 3 "Sharp Pavin" (5:13)
5. In Nomine Through All Parts (5:01)
6. Fantasia a 3, VdGS 2GB "For the Great Dooble Bass" (3:51)
7. Fantasia a 3, VdGS 3GB (4:09)
8. Ayres: No. 7, So, So Leave off This Last Lamenting Kisse (2:58)
9. Il terzo libro de madrigali: No. 2, O come è gran martire (Transcr. Lawes for Viol Consort) (2:14)
10. Fantasia for 5 Viols, RC 34 "Chi pue mirarvi" (3:21)
11. The Royal Consort: Set No. 7: I. First Aire (2:27)
12. The Royal Consort: Set No. 7: II. First Alman (1:51)
13. The Royal Consort: Set No. 7: III. Second Alman (1:10)
14. The Royal Consort: Set No. 7: IV. Second Aire (1:28)
15. The Royal Consort: Set No. 7: V. Corant (1:48)
16. The Royal Consort: Set No. 7: VI. Saraband (0:59)
17. Fantasia a 5, VdGS 19: Pt. 1 "Ardo, sì" (2:03)
18. Fantasia a 5, VdGS 19: Pt. 2 "Ardi et gela" (2:08)
19. Songs of Mourning: No. 6, To the Most Disconsolate Great Brittaine. "When Pale Famine" (2:58)
20. Pavin First, VdGS 563 (4:49)
21. Almain, VdGS 564 (1:37)
22. Latral: Parte prima (After Monteverdi's "Vattene pur, crudel") (1:43)
23. Latral: Parte seconda (After Monteverdi's "Vattene pur, crudel") (1:52)
24. Fantazia First, VdGS 567 (2:45)
25. Serabrand, VdGS 569 (1:19)
26. Songs of Mourning: No. 3, To the Most High and Mighty Prince Charles. "Fortune and Glory" (2:06)
27. Fantasia a 6, VdGS 6 (3:47)
2026 brings a wealth of anniversaries celebrating the golden age of English Renaissance music. As we mark the 450th anniversary of Thomas Weelkes’s birth on October 25th, we also commemorate the 400th anniversary of John Coprario’s death (exact date unknown).
Weelkes was first and foremost a master madrigalist, as famous for his rhythmic and harmonic daring as he was infamous for his proverbial drunkenness.
Born John Cooper, Coprario adopted his Italianate pseudonym out of a fondness for all things Italian; he left behind a magnificent body of works for viol consort where his contrapuntal genius shines, as well as a select collection of vocal laments dedicated to the prominent figures of his day.
The brilliance of these two masters, alongside contemporaries from the rich Elizabethan tradition (Gibbons, Hume, Lupo…), is showcased across two exquisite albums: the first presents a vibrant anthology joining Thomas Binkley’s Studio der frühen Musik with the Concentus Musicus Wien (featuring Nikolaus Harnoncourt himself on viola da gamba) alongside stellar guests such as tenor Nigel Rogers. The second, performed by the acclaimed ensemble Fretwork, is largely dedicated to early 17th-century consort music, complemented by tenor Mark Padmore and Nigel North on the lute.
Weelkes was first and foremost a master madrigalist, as famous for his rhythmic and harmonic daring as he was infamous for his proverbial drunkenness.
Born John Cooper, Coprario adopted his Italianate pseudonym out of a fondness for all things Italian; he left behind a magnificent body of works for viol consort where his contrapuntal genius shines, as well as a select collection of vocal laments dedicated to the prominent figures of his day.
The brilliance of these two masters, alongside contemporaries from the rich Elizabethan tradition (Gibbons, Hume, Lupo…), is showcased across two exquisite albums: the first presents a vibrant anthology joining Thomas Binkley’s Studio der frühen Musik with the Concentus Musicus Wien (featuring Nikolaus Harnoncourt himself on viola da gamba) alongside stellar guests such as tenor Nigel Rogers. The second, performed by the acclaimed ensemble Fretwork, is largely dedicated to early 17th-century consort music, complemented by tenor Mark Padmore and Nigel North on the lute.
| Classical | FLAC / APE
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