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St. Andrews Chamber Orchestra & Bede Williams - Cedric Thorpe Davie: Orchestral Music, Vol. 1 (2026) [Hi-Res]

St. Andrews Chamber Orchestra & Bede Williams - Cedric Thorpe Davie: Orchestral Music, Vol. 1 (2026) [Hi-Res]
  • Title: Cedric Thorpe Davie: Orchestral Music, Vol. 1
  • Year Of Release: 2026
  • Label: Toccata Classics
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
  • Total Time: 01:02:55
  • Total Size: 273 MB / 1.06 GB
  • WebSite:
Tracklist:

1. Davie: Festal Overture (11:46)
2. Davie: Symphony in C Major: I. Allegro moderato (7:32)
3. Davie: Symphony in C Major: II. Adagio (4:50)
4. Davie: Symphony in C Major: III. Allegro non troppo (5:56)
5. Davie: Diversions on a Tune by Dr. Arne: Theme. Allegretto grazioso (0:48)
6. Davie: Diversions on a Tune by Dr. Arne: Var. 1, Grave (1:33)
7. Davie: Diversions on a Tune by Dr. Arne: Var. 2, Andante piacevole (1:24)
8. Davie: Diversions on a Tune by Dr. Arne: Var. 3, Allegro scioltamente (1:08)
9. Davie: Diversions on a Tune by Dr. Arne: Var. 4, Adagio (2:00)
10. Davie: Diversions on a Tune by Dr. Arne: Var. 5, Comodo (1:28)
11. Davie: Diversions on a Tune by Dr. Arne: Var. 6, Tempo guisto (2:19)
12. Davie: Diversions on a Tune by Dr. Arne: Var. 7, Poco lento (1:59)
13. Davie: Diversions on a Tune by Dr. Arne: Var. 8, Allegretto grazioso – (1:09)
14. Davie: Diversions on a Tune by Dr. Arne: Var. 9, Più vivo (2:27)
15. Davie: Solemn Music (3:43)
16. Davie: Fantasia No. 1 on Four Scottish Tunes (13:04)

For the middle decades of the twentieth century Cedric Thorpe Davie (1913-83) was a mainstay of musical life in Britain – and in Scotland in particular – as an administrator, academic, choral director and, especially, composer. His many film scores brought him a wide audience, but the orchestral works he wrote for the concert hall are as good as unknown. The five works heard here, all in their first recordings, reveal craftsmanship of a high order and a natural melodic gift, in a style anchored in the soundworlds of Sibelius and Vaughan Williams – both of whom he knew personally – combined with a Scottish accent that gives this music a unique personal voice.



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