Brother Bird - The Lodge in Miller County (2026) [Hi-Res]
BAND/ARTIST: Brother Bird
- Title: The Lodge in Miller County
- Year Of Release: 2026
- Label: Easy Does It Records
- Genre: Singer-Songwriter
- Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-48kHz FLAC (tracks)
- Total Time: 41:26
- Total Size: 96.5 / 271 / 513 MB
- WebSite: Album Preview
Tracklist:
1. The Lodge in Miller County (2:30)
2. Bride (3:09)
3. Chameleon (3:18)
4. Pariah (4:10)
5. Prodigy (3:38)
6. Dirt (3:48)
7. Evaporate (3:13)
8. Patient (4:38)
9. Supermarket (3:27)
10. Landlord (3:46)
11. Spectacle (1:56)
12. Pessimist (3:57)
1. The Lodge in Miller County (2:30)
2. Bride (3:09)
3. Chameleon (3:18)
4. Pariah (4:10)
5. Prodigy (3:38)
6. Dirt (3:48)
7. Evaporate (3:13)
8. Patient (4:38)
9. Supermarket (3:27)
10. Landlord (3:46)
11. Spectacle (1:56)
12. Pessimist (3:57)
The Lodge in Miller County is a concept album inspired by the poem, Guest House, by Rumi.
Each track is a different character staying at a fictitious lodge in central Missouri (Miller County).
Most of these songs were written the summer of 2023.
I had just turned 29. I was spending a large portion of my days on the phone with divorce lawyers from the comfort of my parent’s basement.
A full select-all-delete software reset. A humbling one.
It was a year filled to the brim with loss and discovery ... and more love than I’d ever experienced in my life. I’m changed forever by it.
I spent so much time on friend’s couches and guest rooms, inhaling every therapy book I could find.
In one of them was Rumi’s poem.
I had become an expert at hiding the “bad” feelings away under lock and key… The idea of welcoming them all in & giving them a voice was a completely foreign concept. It has since acted as an anchor to my literal existence, and the sole catalyst to making this album.
I started making up little characters (guests) each day and writing songs from their point of view. It always ended up being a good mix of fact and fiction, allowing me to say the ugly thing without fully claiming it as my own.
My sophomore record, Another Year, came out March 2024, and I started recording this album immediately with the same collaborator / co-producer, Owen Lewis.
We tracked most of the bones that summer, but these songs required a pretty extensive amount of time.
We were so tunnel-visioned on finishing, and it became clear that - annoyingly - I had to step away, regain perspective.
I spent the following year driving back and forth to ATL and meticulously reworking each track with Jamie Martens & Andy Hull. Re-recording…re-writing…it was messy, frustrating, and tedious, almost surgical. But totally necessary.
A true testament to how much care was poured into these songs. It absolutely took a village.
Each track is a different character staying at a fictitious lodge in central Missouri (Miller County).
Most of these songs were written the summer of 2023.
I had just turned 29. I was spending a large portion of my days on the phone with divorce lawyers from the comfort of my parent’s basement.
A full select-all-delete software reset. A humbling one.
It was a year filled to the brim with loss and discovery ... and more love than I’d ever experienced in my life. I’m changed forever by it.
I spent so much time on friend’s couches and guest rooms, inhaling every therapy book I could find.
In one of them was Rumi’s poem.
I had become an expert at hiding the “bad” feelings away under lock and key… The idea of welcoming them all in & giving them a voice was a completely foreign concept. It has since acted as an anchor to my literal existence, and the sole catalyst to making this album.
I started making up little characters (guests) each day and writing songs from their point of view. It always ended up being a good mix of fact and fiction, allowing me to say the ugly thing without fully claiming it as my own.
My sophomore record, Another Year, came out March 2024, and I started recording this album immediately with the same collaborator / co-producer, Owen Lewis.
We tracked most of the bones that summer, but these songs required a pretty extensive amount of time.
We were so tunnel-visioned on finishing, and it became clear that - annoyingly - I had to step away, regain perspective.
I spent the following year driving back and forth to ATL and meticulously reworking each track with Jamie Martens & Andy Hull. Re-recording…re-writing…it was messy, frustrating, and tedious, almost surgical. But totally necessary.
A true testament to how much care was poured into these songs. It absolutely took a village.
| Folk | Rock | Alternative | Indie | FLAC / APE | Mp3 | HD & Vinyl
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