Tyler Hay, Orchestre Philharmonique de Nice, Marco Guidarini - Field: Piano Concertos, Nocturnes, Piano Sonatas (2026)
BAND/ARTIST: Tyler Hay, Orchestre Philharmonique de Nice, Marco Guidarini
- Title: Field: Piano Concertos, Nocturnes, Piano Sonatas
- Year Of Release: 2026
- Label: Brilliant Classic
- Genre: Classical Piano
- Quality: flac lossless (tracks)
- Total Time: 06:13:20
- Total Size: 2.29 gb
- WebSite: Album Preview
Tracklist
01. Piano Concerto No. 1 in E-Flat Major, H 27: I. Allegro
02. Piano Concerto No. 1 in E-Flat Major, H 27: II. Air Écossais. Adagio Non Troppo
03. Piano Concerto No. 1 in E-Flat Major, H 27: III. Rondo Finale. Allegro Vivace
04. Piano Concerto No. 2 in A-Flat Major, H 31: IV. Allegro Moderato
05. Piano Concerto No. 2 in A-Flat Major, H 31: V. Poco Adagio
06. Piano Concerto No. 2 in A-Flat Major, H 31: Vi. Rondo. Moderato Innocente
07. Piano Concerto No. 3 in E-Flat Major, H 32: I. Allegro Moderato
08. Piano Concerto No. 3 in E-Flat Major, H 32: II. Nocturne No.2 in C Minor, H 25. Moderato E Molto Espressivo
09. Piano Concerto No. 3 in E-Flat Major, H 32: III. Rondo. Tempo Di Polacca
10. Piano Concerto No. 4 in E-Flat Major, H 28: I. Allegro Moderato
11. Piano Concerto No. 4 in E-Flat Major, H 28: II. Siciliano. Un Poco Adagio
12. Piano Concerto No. 4 in E-Flat Major, H 28: III. Rondo. Allegretto
13. Piano Concerto No. 5 in C Major, H 39 'L'incendie Par L'orage': I. Allegro (Moderato)
14. Piano Concerto No. 5 in C Major, H 39 'L'incendie Par L'orage': II. Adagio
15. Piano Concerto No. 5 in C Major, H 39 'L'incendie Par L'orage': III. Rondo. Allegro
16. Piano Concerto No .6 in C Major, H 49: I. Tempo Di Marcia. Allegro Moderato
17. Piano Concerto No .6 in C Major, H 49: II. Larghetto
18. Piano Concerto No .6 in C Major, H 49: III. Rondo. Moderato
19. Piano Concerto No. 7 in C Minor, H 58: I. Allegro Moderato (Maestoso) - Lento - Tempo I
20. Piano Concerto No. 7 in C Minor, H 58: II. Rondo. Allegro Moderato
21. Nocturne No. 1 in E-Flat Major, H 24
22. Nocturne No. 2 in C Minor, H 25
23. Nocturne No. 3 in A-Flat Major, H 26
24. Nocturne No. 4 in A Major, H 36
25. Nocturne No. 5 in B-Flat Major, H 37
26. Nocturne No. 6 in F Major, H 40
27. Nocturne No. 7 in C Major, H 45
28. Nocturne No. 8 in A Major, H 14E
29. Nocturne No. 9 in E-Flat Major, H 30A
30. Nocturne No. 10 in E Minor, H 46
31. Nocturne No. 11 in E-Flat Major, H 56
32. Nocturne No. 12 in G Major, H 58D
33. Nocturne No. 13 in D Minor, H 59
34. Nocturne No. 14 in C Major, H 60
35. Nocturne No. 15 in C Major, H 61
36. Nocturne No. 16 in F Major, H 62
37. Nocturne No. 17 in E Major, H 54
38. Nocturne No. 18 Midi in E Major, H 13K
39. Rondo on Del Caro's Hornpipe, H 2
40. Piano Sonata in E-Flat Major, Op. 1 No. 1: I. Allegro Moderato
41. Piano Sonata in E-Flat Major, Op. 1 No. 1: II. Allegretto Scherzando
42. Yearning Waltz, H 51
43. Piano Sonata in A Major, Op. 1 No. 2: I. Allegro Vivace
44. Piano Sonata in A Major, Op. 1 No. 2: II. Allegro Vivace
45. Variations on a Russian Folksong
46. Piano Sonata in C Minor, Op. 1 No. 3: I. Non Troppo Allegro
47. Piano Sonata in C Minor, Op. 1 No. 3: II. Allegretto Scherzando
48. Andante Inédit, H 64
49. Piano Sonata, Op. 1 No. 4: I. Moderato
50. Piano Sonata, Op. 1 No. 4: II. Moderato
A comprehensive introduction to a foundational figure of early Romantic music: modern recordings of all the concertos and solo piano music by ‘the father of the nocturne’, the Irish pianist and composer John Field.
Frederic Chopin was only the most celebrated of many pianist-composers to pay warm tribute to the musician who, more than any other, invented the genre which became synonymous with musical Romanticism. His exquisite tone-poetry on the page, as well as the brilliant imagination of his playing, proposed a new way of addressing the piano, and responded to the rapid advance in the instrument’s technology during the first decades of the 19th century.
Where Beethoven had sought to stretch and challenge and conquer the piano, Field drew from it a more intimate style which mirrored the cantabile and legato of Italian singing. Born in Dublin in 1782, Field received his earliest lessons in music from Tommaso Giordani, and then continued his studies in London with another Italian immigrant across the Channel, Muzio Clementi. While Field went on to achieve celebrity as a pianist across Europe before settling in St Petersburg, and dying of alcoholism in 1837, he left a legacy of music for his instrument which gradually fell from prominence.
During the last half century, and the early-music revival’s focus on this pivotal era in music history, Field has been re-assessed. This comprehensive collection presents Field as a major figure of early Romanticism: a witty virtuoso in the concertos, a master of form in the sonatas and nocturnes, and above all a mind which could translate impressions into notes, especially from the natural world.
These recordings were enthusiastically welcomed for their detailed precision and sympathy with Field’s idiom. “The performances and recorded sound here are very fine... a lovely, leisurely listening experience.” (Restani’s cycle of the concertos, reviewed by Fanfare). “Tyler Hay relates to John Field's Nocturnes much as Claudio Arrau did to those of Chopin.” (Classics Today).
01. Piano Concerto No. 1 in E-Flat Major, H 27: I. Allegro
02. Piano Concerto No. 1 in E-Flat Major, H 27: II. Air Écossais. Adagio Non Troppo
03. Piano Concerto No. 1 in E-Flat Major, H 27: III. Rondo Finale. Allegro Vivace
04. Piano Concerto No. 2 in A-Flat Major, H 31: IV. Allegro Moderato
05. Piano Concerto No. 2 in A-Flat Major, H 31: V. Poco Adagio
06. Piano Concerto No. 2 in A-Flat Major, H 31: Vi. Rondo. Moderato Innocente
07. Piano Concerto No. 3 in E-Flat Major, H 32: I. Allegro Moderato
08. Piano Concerto No. 3 in E-Flat Major, H 32: II. Nocturne No.2 in C Minor, H 25. Moderato E Molto Espressivo
09. Piano Concerto No. 3 in E-Flat Major, H 32: III. Rondo. Tempo Di Polacca
10. Piano Concerto No. 4 in E-Flat Major, H 28: I. Allegro Moderato
11. Piano Concerto No. 4 in E-Flat Major, H 28: II. Siciliano. Un Poco Adagio
12. Piano Concerto No. 4 in E-Flat Major, H 28: III. Rondo. Allegretto
13. Piano Concerto No. 5 in C Major, H 39 'L'incendie Par L'orage': I. Allegro (Moderato)
14. Piano Concerto No. 5 in C Major, H 39 'L'incendie Par L'orage': II. Adagio
15. Piano Concerto No. 5 in C Major, H 39 'L'incendie Par L'orage': III. Rondo. Allegro
16. Piano Concerto No .6 in C Major, H 49: I. Tempo Di Marcia. Allegro Moderato
17. Piano Concerto No .6 in C Major, H 49: II. Larghetto
18. Piano Concerto No .6 in C Major, H 49: III. Rondo. Moderato
19. Piano Concerto No. 7 in C Minor, H 58: I. Allegro Moderato (Maestoso) - Lento - Tempo I
20. Piano Concerto No. 7 in C Minor, H 58: II. Rondo. Allegro Moderato
21. Nocturne No. 1 in E-Flat Major, H 24
22. Nocturne No. 2 in C Minor, H 25
23. Nocturne No. 3 in A-Flat Major, H 26
24. Nocturne No. 4 in A Major, H 36
25. Nocturne No. 5 in B-Flat Major, H 37
26. Nocturne No. 6 in F Major, H 40
27. Nocturne No. 7 in C Major, H 45
28. Nocturne No. 8 in A Major, H 14E
29. Nocturne No. 9 in E-Flat Major, H 30A
30. Nocturne No. 10 in E Minor, H 46
31. Nocturne No. 11 in E-Flat Major, H 56
32. Nocturne No. 12 in G Major, H 58D
33. Nocturne No. 13 in D Minor, H 59
34. Nocturne No. 14 in C Major, H 60
35. Nocturne No. 15 in C Major, H 61
36. Nocturne No. 16 in F Major, H 62
37. Nocturne No. 17 in E Major, H 54
38. Nocturne No. 18 Midi in E Major, H 13K
39. Rondo on Del Caro's Hornpipe, H 2
40. Piano Sonata in E-Flat Major, Op. 1 No. 1: I. Allegro Moderato
41. Piano Sonata in E-Flat Major, Op. 1 No. 1: II. Allegretto Scherzando
42. Yearning Waltz, H 51
43. Piano Sonata in A Major, Op. 1 No. 2: I. Allegro Vivace
44. Piano Sonata in A Major, Op. 1 No. 2: II. Allegro Vivace
45. Variations on a Russian Folksong
46. Piano Sonata in C Minor, Op. 1 No. 3: I. Non Troppo Allegro
47. Piano Sonata in C Minor, Op. 1 No. 3: II. Allegretto Scherzando
48. Andante Inédit, H 64
49. Piano Sonata, Op. 1 No. 4: I. Moderato
50. Piano Sonata, Op. 1 No. 4: II. Moderato
A comprehensive introduction to a foundational figure of early Romantic music: modern recordings of all the concertos and solo piano music by ‘the father of the nocturne’, the Irish pianist and composer John Field.
Frederic Chopin was only the most celebrated of many pianist-composers to pay warm tribute to the musician who, more than any other, invented the genre which became synonymous with musical Romanticism. His exquisite tone-poetry on the page, as well as the brilliant imagination of his playing, proposed a new way of addressing the piano, and responded to the rapid advance in the instrument’s technology during the first decades of the 19th century.
Where Beethoven had sought to stretch and challenge and conquer the piano, Field drew from it a more intimate style which mirrored the cantabile and legato of Italian singing. Born in Dublin in 1782, Field received his earliest lessons in music from Tommaso Giordani, and then continued his studies in London with another Italian immigrant across the Channel, Muzio Clementi. While Field went on to achieve celebrity as a pianist across Europe before settling in St Petersburg, and dying of alcoholism in 1837, he left a legacy of music for his instrument which gradually fell from prominence.
During the last half century, and the early-music revival’s focus on this pivotal era in music history, Field has been re-assessed. This comprehensive collection presents Field as a major figure of early Romanticism: a witty virtuoso in the concertos, a master of form in the sonatas and nocturnes, and above all a mind which could translate impressions into notes, especially from the natural world.
These recordings were enthusiastically welcomed for their detailed precision and sympathy with Field’s idiom. “The performances and recorded sound here are very fine... a lovely, leisurely listening experience.” (Restani’s cycle of the concertos, reviewed by Fanfare). “Tyler Hay relates to John Field's Nocturnes much as Claudio Arrau did to those of Chopin.” (Classics Today).
| Classical | FLAC / APE
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads