Musica Amphion, Pieter-Jan Belder - Sweelinck Collection: Complete Keyboard Music & Psalms (2026)
BAND/ARTIST: Musica Amphion, Pieter-Jan Belder
- Title: Sweelinck Collection: Complete Keyboard Music & Psalms
- Year Of Release: 2026
- Label: Brilliant Classic
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 10:37:45
- Total Size: 3.03 gb
- WebSite: Album Preview
Tracklist
01. Fantasia Crommatica à 4, SwWV 258
02. Puer nobis nascitur, SwWV 315
03. Allemande (Gratie), SwWV 318
04. Fantasia à 4 Echo, SwWV 260
05. Toccata 9. Toni, SwWV 296
06. Allein zu dir Herr Jesu Christ, SwWV 309
07. Ricercar del nono tono, SwWV 280
08. Die flichtige Nimphæ, SwWV 331
09. Fantasia Ut re mi fa sol la à 4, SwWV 263
10. Fantasia (contraria à 4), SwWV 270
11. Toccata 2di toni, SwWV 292
12. Erbarm dich mein o Herre Gott, SwWV 303
13. Toccata, SwWV 283
14. Fantasie auf die Manier eines Echo, SwWV 275
15. Ich fuhr mich vber Rheine, SwWV 322
16. Toccata à 3, SwWV 289
17. Allein Gott in der Höh sey Ehr, SwWV 299
18. O God, die onse Vader bist, SwWV 308
19. Phantasia à 4, SwWV 273
20. Fantasia mit Bindungen, SwWV 265
21. Wir glauben all an einem Gott, SwWV 316
22. Toccata Quinti Toni in C Major, SwWV 284
23. Fantasia auf die Manier eines Echo in C Major, SwWV 253
24. Toccata Noni Toni in A Major, SwWV 297
25. Christe qui lux es et dies, SwWV 301
26. Soll es sein, SwWV 330
27. Toccata primi toni, SwWV 286
28. Fantasia à 4, SwWV 264
29. Ich ruf zu dir, Herr Jesu Christ, SwWV 305
30. Paduana lachrymæ, SwWV 328
31. Onder een linde groen, SwWV 325
32. Toccata primi toni, SwWV 287
33. Fantasia, SwWV 257
34. Jesus Christus unser Heiland, SwWV 306
35. Pavana Hispanica, SwWV 327
36. Fantasia à 3, SwWV 271
37. Pavana Philippi, SwWV 329
38. Fantasia, SwWV 262
39. 307 Nun freut euch lieben Christen gmein, SwWV 307
40. Toccata, SwWV 288
41. Fantasia à 4, SwWV 266
42. Psalm 23 Myn Godt voedt my als mijn heerder ghepresen, SwWV 310
43. Toccata, SwWV 285
44. Psalm 36 Des boosdoenders wille seer quaedt in F Major, SwWV 311
45. Fantasia (à 4 Echo), SwWV 261
46. Psalm 60 Heer die ons hebt verstooten al, SwWV 312
47. Toccata, SwWV 282
48. Fantasia à 4, SwWV 254
49. Psalm 116 Ick hebb' den Heer lief, want hy heeft verhoort, SwWV 313
50. Von der Fortuna werd ich getrieben, SwWV 320
51. Psalme 140 O myn Godt, wilt my nu bevryden, SwWV 314
52. Fantasia, SwWV 267
53. Mein junges Leben hat ein Endt, SwWV 324
54. Fantasia à 4, SwWV 259
55. Fantasia, SwWV 268
56. Esce Mars, SwWV 321
57. Toccata à 4 Voc., SwWV 298
58. Fantazia, SwWV 272
59. Toccata, SwWV 291
60. Da pacem Domine in diebus nostris, SwWV 302
61. Fantasia, SwWV 255
62. Toccata 2di Toni, SwWV 293
63. Fantasia a. 2, 3 et 4 Vocem, SwWV 274
64. Psalm 150
65. Psalm 33
66. Psalm 53
67. Hodie Christus natus est, SwWV 163
68. Te deum laudamus, SwWV 187
69. Psalm 148
70. Ab Oriente, SwWV 153
71. Oraison Dominicale
72. De profundis, SwWV 170
73. Psalm 98
74. Gaude et laetare, SwWV 168
75. Ecce prandium, SwWV 152
76. Psalm 122
77. Psalm 42
78. Vide, homo, SwWV 167
79. Psalm 43
80. Non omnis qui dicit mihi, SwWV 151
81. In te donini Speravi
82. Qui vult venire post me, SwWV 169
83. Beati paupers, SwWV 156
84. Psalm 108
85. Psalm 23
86. Psalm 137
87. Cantate Domino
88. Psalm 110
89. Regina Coeli
90. Psalm 99
91. Diligam te domine, SwWV 155
92. Psalm 109
93. Tanto tempore vobiscum, SwWV 186
94. Psalm 77
95. Che giova Posseder
96. Yeux qui guidez mon Ame
97. Dolcissiomo ben Mio
98. O domine Jesu Christe
99. Psalm 144
100. Timor domini, SwWV 179
101. Mein Junges Leben Hat Ein End, SwWV 324
102. Qual vive Salamandra
103. Pavaen en gagliarda 10
104. Pavaen en gagliarda 10 (2)
105. Canzona la barca
106. Psalm 1
107. Hexachord fantasia
108. More palatino
109. Pavaen lachrimae
110. Fortune angloise - Malle Sijmen - Slaep, zoete Slaep
111. Madrigal dat ick betovert ben
112. Antequam comedam suspiro
113. Dolor me compellit dicere
114. Cum inferni tenebris
115. Salve regina
A comprehensive, budget-priced introduction to the world of a Dutch master of the early Baroque, in modern and critically acclaimed recordings.
Jan Pieterszoon Sweelinck (1562-1621) stands at the head of the North German school of composers which produced Dieterich Buxtehude and the Bach family. We know next to nothing about the specific circumstances for which he wrote most of his music, as organist at Amsterdam's Oude Kerk from the late 1570s until his death over 40 years later.
Amsterdam during this time was a colourful, cosmopolitan port, full of international influences and religious diversity, and Sweelinck’s keyboard music mirrors this culture. Even more than a contemporary such as William Byrd, Sweelinck delights in dividing and subdividing his melodic material such as chorale hymns, accumulating intensity through rapidly moving variants on a given theme. Faster music sometimes passes by in a virtuoso flourish, and sometimes stretches the musical arc in search of greater expression.
In his complete recording, first released in 2020, Daniele Boccaccio pays careful attention to the details of old fingering techniques; the resultant variety in phrasing and articulation gives new life to figurations that with a more modern legato approach can seem plain. At times, he applies discreet ornamentation to enhance the music's impact and elsewhere lets Sweelinck's notes speak for themselves. Particularly in the fantasias, he captures some of the freshness with which Sweelinck's music must have struck its first listeners.
Sweelinck’s psalm settings were likely written with professional singers in mind, such as the voices of the Netherlands Chamber Choir. The sense of bejewelled light and brilliance is nearly unrivalled in music of the time save in the Venetian school exemplified by the Gabrieli family. When the NCC undertook the major project of recording Sweelinck’s complete psalm settings, they engaged an array of early-music luminaries, each of whom contributes their own refined musical intelligence to the colour and articulation of these pieces. According to Fanfare’s original review, ‘Less expert ensembles need not apply. Let the Netherlands Chamber Choir do it. Very highly recommended.’
01. Fantasia Crommatica à 4, SwWV 258
02. Puer nobis nascitur, SwWV 315
03. Allemande (Gratie), SwWV 318
04. Fantasia à 4 Echo, SwWV 260
05. Toccata 9. Toni, SwWV 296
06. Allein zu dir Herr Jesu Christ, SwWV 309
07. Ricercar del nono tono, SwWV 280
08. Die flichtige Nimphæ, SwWV 331
09. Fantasia Ut re mi fa sol la à 4, SwWV 263
10. Fantasia (contraria à 4), SwWV 270
11. Toccata 2di toni, SwWV 292
12. Erbarm dich mein o Herre Gott, SwWV 303
13. Toccata, SwWV 283
14. Fantasie auf die Manier eines Echo, SwWV 275
15. Ich fuhr mich vber Rheine, SwWV 322
16. Toccata à 3, SwWV 289
17. Allein Gott in der Höh sey Ehr, SwWV 299
18. O God, die onse Vader bist, SwWV 308
19. Phantasia à 4, SwWV 273
20. Fantasia mit Bindungen, SwWV 265
21. Wir glauben all an einem Gott, SwWV 316
22. Toccata Quinti Toni in C Major, SwWV 284
23. Fantasia auf die Manier eines Echo in C Major, SwWV 253
24. Toccata Noni Toni in A Major, SwWV 297
25. Christe qui lux es et dies, SwWV 301
26. Soll es sein, SwWV 330
27. Toccata primi toni, SwWV 286
28. Fantasia à 4, SwWV 264
29. Ich ruf zu dir, Herr Jesu Christ, SwWV 305
30. Paduana lachrymæ, SwWV 328
31. Onder een linde groen, SwWV 325
32. Toccata primi toni, SwWV 287
33. Fantasia, SwWV 257
34. Jesus Christus unser Heiland, SwWV 306
35. Pavana Hispanica, SwWV 327
36. Fantasia à 3, SwWV 271
37. Pavana Philippi, SwWV 329
38. Fantasia, SwWV 262
39. 307 Nun freut euch lieben Christen gmein, SwWV 307
40. Toccata, SwWV 288
41. Fantasia à 4, SwWV 266
42. Psalm 23 Myn Godt voedt my als mijn heerder ghepresen, SwWV 310
43. Toccata, SwWV 285
44. Psalm 36 Des boosdoenders wille seer quaedt in F Major, SwWV 311
45. Fantasia (à 4 Echo), SwWV 261
46. Psalm 60 Heer die ons hebt verstooten al, SwWV 312
47. Toccata, SwWV 282
48. Fantasia à 4, SwWV 254
49. Psalm 116 Ick hebb' den Heer lief, want hy heeft verhoort, SwWV 313
50. Von der Fortuna werd ich getrieben, SwWV 320
51. Psalme 140 O myn Godt, wilt my nu bevryden, SwWV 314
52. Fantasia, SwWV 267
53. Mein junges Leben hat ein Endt, SwWV 324
54. Fantasia à 4, SwWV 259
55. Fantasia, SwWV 268
56. Esce Mars, SwWV 321
57. Toccata à 4 Voc., SwWV 298
58. Fantazia, SwWV 272
59. Toccata, SwWV 291
60. Da pacem Domine in diebus nostris, SwWV 302
61. Fantasia, SwWV 255
62. Toccata 2di Toni, SwWV 293
63. Fantasia a. 2, 3 et 4 Vocem, SwWV 274
64. Psalm 150
65. Psalm 33
66. Psalm 53
67. Hodie Christus natus est, SwWV 163
68. Te deum laudamus, SwWV 187
69. Psalm 148
70. Ab Oriente, SwWV 153
71. Oraison Dominicale
72. De profundis, SwWV 170
73. Psalm 98
74. Gaude et laetare, SwWV 168
75. Ecce prandium, SwWV 152
76. Psalm 122
77. Psalm 42
78. Vide, homo, SwWV 167
79. Psalm 43
80. Non omnis qui dicit mihi, SwWV 151
81. In te donini Speravi
82. Qui vult venire post me, SwWV 169
83. Beati paupers, SwWV 156
84. Psalm 108
85. Psalm 23
86. Psalm 137
87. Cantate Domino
88. Psalm 110
89. Regina Coeli
90. Psalm 99
91. Diligam te domine, SwWV 155
92. Psalm 109
93. Tanto tempore vobiscum, SwWV 186
94. Psalm 77
95. Che giova Posseder
96. Yeux qui guidez mon Ame
97. Dolcissiomo ben Mio
98. O domine Jesu Christe
99. Psalm 144
100. Timor domini, SwWV 179
101. Mein Junges Leben Hat Ein End, SwWV 324
102. Qual vive Salamandra
103. Pavaen en gagliarda 10
104. Pavaen en gagliarda 10 (2)
105. Canzona la barca
106. Psalm 1
107. Hexachord fantasia
108. More palatino
109. Pavaen lachrimae
110. Fortune angloise - Malle Sijmen - Slaep, zoete Slaep
111. Madrigal dat ick betovert ben
112. Antequam comedam suspiro
113. Dolor me compellit dicere
114. Cum inferni tenebris
115. Salve regina
A comprehensive, budget-priced introduction to the world of a Dutch master of the early Baroque, in modern and critically acclaimed recordings.
Jan Pieterszoon Sweelinck (1562-1621) stands at the head of the North German school of composers which produced Dieterich Buxtehude and the Bach family. We know next to nothing about the specific circumstances for which he wrote most of his music, as organist at Amsterdam's Oude Kerk from the late 1570s until his death over 40 years later.
Amsterdam during this time was a colourful, cosmopolitan port, full of international influences and religious diversity, and Sweelinck’s keyboard music mirrors this culture. Even more than a contemporary such as William Byrd, Sweelinck delights in dividing and subdividing his melodic material such as chorale hymns, accumulating intensity through rapidly moving variants on a given theme. Faster music sometimes passes by in a virtuoso flourish, and sometimes stretches the musical arc in search of greater expression.
In his complete recording, first released in 2020, Daniele Boccaccio pays careful attention to the details of old fingering techniques; the resultant variety in phrasing and articulation gives new life to figurations that with a more modern legato approach can seem plain. At times, he applies discreet ornamentation to enhance the music's impact and elsewhere lets Sweelinck's notes speak for themselves. Particularly in the fantasias, he captures some of the freshness with which Sweelinck's music must have struck its first listeners.
Sweelinck’s psalm settings were likely written with professional singers in mind, such as the voices of the Netherlands Chamber Choir. The sense of bejewelled light and brilliance is nearly unrivalled in music of the time save in the Venetian school exemplified by the Gabrieli family. When the NCC undertook the major project of recording Sweelinck’s complete psalm settings, they engaged an array of early-music luminaries, each of whom contributes their own refined musical intelligence to the colour and articulation of these pieces. According to Fanfare’s original review, ‘Less expert ensembles need not apply. Let the Netherlands Chamber Choir do it. Very highly recommended.’
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