Ondness - I Can Only Put So Much Into A Song (2026)
BAND/ARTIST: Ondness
- Title: I Can Only Put So Much Into A Song
- Year Of Release: 2026
- Label: Sucata Tapes
- Genre: Dub, Modern Classical, Ambient
- Quality: 16bit-44,1kHz FLAC
- Total Time: 29:18
- Total Size: 116 mb
- WebSite: Album Preview
Tracklist
1. Tevens 03:54
2. Vento Gelo Valentine 02:42
3. (muito pouco) 02:35
4. Celesting 03:49
5. Blisser 04:13
6. Glideness 03:19
7. (quase nada) 02:26
8. Megadawn II 02:40
9. Tevais 03:37
Bruno Silva returns under his Ondness moniker for his most personal album yet.
Recorded as an homage, a reference map, and a temporal slippage back to a transformative period of Bruno Silva's life, I Can Only Put So Much Into a Song conjures the threshold between his shoegaze-leaning teen years and a young adulthood defined by profound sonic landmarks: Iran’s The Moon Boys (whose cover serves as a key influence), The Microphones’ It Was Hot, We Stayed In The Water, Fennesz’s Endless Summer, and the communal, tape-hiss maelstrom of the New Weird America underground—all underscored by a persistent Black Metal tension.
Taking its title from a lyric in Farrah Abraham’s masterpiece My Teenage Dream Ended, this new humble offering from Ondness drifts into the memory of song as half-remembered recollections, as if beamed from a recurring "now" of unfulfilled possibilities.
1. Tevens 03:54
2. Vento Gelo Valentine 02:42
3. (muito pouco) 02:35
4. Celesting 03:49
5. Blisser 04:13
6. Glideness 03:19
7. (quase nada) 02:26
8. Megadawn II 02:40
9. Tevais 03:37
Bruno Silva returns under his Ondness moniker for his most personal album yet.
Recorded as an homage, a reference map, and a temporal slippage back to a transformative period of Bruno Silva's life, I Can Only Put So Much Into a Song conjures the threshold between his shoegaze-leaning teen years and a young adulthood defined by profound sonic landmarks: Iran’s The Moon Boys (whose cover serves as a key influence), The Microphones’ It Was Hot, We Stayed In The Water, Fennesz’s Endless Summer, and the communal, tape-hiss maelstrom of the New Weird America underground—all underscored by a persistent Black Metal tension.
Taking its title from a lyric in Farrah Abraham’s masterpiece My Teenage Dream Ended, this new humble offering from Ondness drifts into the memory of song as half-remembered recollections, as if beamed from a recurring "now" of unfulfilled possibilities.
| Classical | Electronic | Ambient | FLAC / APE
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