Markus Miesenberger, Christian Haimel - Schubert: Die schöne Müllerin, Op. 25, D. 795 (2026) [Hi-Res]
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BAND/ARTIST: Markus Miesenberger, Christian Haimel
- Title: Schubert: Die schöne Müllerin, Op. 25, D. 795
- Year Of Release: 2026
- Label: Challenge Classics
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz
- Total Time: 00:58:50
- Total Size: 266 / 543 mb
- WebSite: Album Preview
Tracklist
01. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 1, Das Wandern
02. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 2, Wohin?
03. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 3, Halt!
04. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 4, Danksagung an den Bach
05. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 5, Am Feierabend
06. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 6, Der Neugierige
07. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 7, Ungeduld
08. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 8, Morgengruß
09. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 9, Des Müllers Blumen
10. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 10, Tränenregen
11. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 11, Mein!
12. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 12, Pause
13. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 13, Mit dem grünen Lautenbande
14. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 14, Der Jäger
15. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 15, Eifersucht und Stolz
16. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 16, Die liebe Farbe
17. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 17, Die böse Farbe
18. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 18, Trockne Blumen
19. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 19, Der Müller und der Bach
20. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 20, Des Baches Wiegenlied
Franz Schubert’s 'Die schöne Müllerin' receives a deeply personal and strikingly intimate new interpretation in this recording by tenor Markus Miesenberger and guitarist Christian Haimel. Based on Wilhelm Müller’s timeless poems, the cycle follows the emotional journey of a young miller’s apprentice consumed by love, longing, jealousy and despair.
Rather than presenting another traditional version of this beloved masterpiece, the artists return to the sound world of Schubert’s Vienna through the use of a gut-strung Biedermeier guitar, revealing the songs with extraordinary transparency, fragility and emotional immediacy. In this setting, the famous cycle becomes what Miesenberger calls “an authentic reflection of the soul of a broken man,” where voice and guitar move together with breathtaking lightness between hope and heartbreak.
An essential part of this album’s unique atmosphere is the remarkable recording environment itself: in sound engineer and producer Bert van der Wolf’s celebrated High Street Studio in Heerewaarden, the Netherlands. Housed in a church renowned for its natural acoustics, profound silence and immersive sound quality, the studio offered the perfect space to “open new spaces” within Schubert’s music. Combined with Van der Wolf’s visionary engineering and the warmth of historical instrumentation, the recording creates a vivid new sonic perspective - intimate yet modern, pure yet expansive - allowing listeners to experience 'Die schöne Müllerin' with a sense of immediacy and emotional depth rarely heard before.
01. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 1, Das Wandern
02. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 2, Wohin?
03. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 3, Halt!
04. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 4, Danksagung an den Bach
05. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 5, Am Feierabend
06. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 6, Der Neugierige
07. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 7, Ungeduld
08. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 8, Morgengruß
09. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 9, Des Müllers Blumen
10. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 10, Tränenregen
11. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 11, Mein!
12. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 12, Pause
13. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 13, Mit dem grünen Lautenbande
14. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 14, Der Jäger
15. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 15, Eifersucht und Stolz
16. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 16, Die liebe Farbe
17. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 17, Die böse Farbe
18. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 18, Trockne Blumen
19. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 19, Der Müller und der Bach
20. Die schöne Müllerin, Op. 25, D. 795 (Arr. for Guitar by Konrad Ragossnig and John W. Duarte): No. 20, Des Baches Wiegenlied
Franz Schubert’s 'Die schöne Müllerin' receives a deeply personal and strikingly intimate new interpretation in this recording by tenor Markus Miesenberger and guitarist Christian Haimel. Based on Wilhelm Müller’s timeless poems, the cycle follows the emotional journey of a young miller’s apprentice consumed by love, longing, jealousy and despair.
Rather than presenting another traditional version of this beloved masterpiece, the artists return to the sound world of Schubert’s Vienna through the use of a gut-strung Biedermeier guitar, revealing the songs with extraordinary transparency, fragility and emotional immediacy. In this setting, the famous cycle becomes what Miesenberger calls “an authentic reflection of the soul of a broken man,” where voice and guitar move together with breathtaking lightness between hope and heartbreak.
An essential part of this album’s unique atmosphere is the remarkable recording environment itself: in sound engineer and producer Bert van der Wolf’s celebrated High Street Studio in Heerewaarden, the Netherlands. Housed in a church renowned for its natural acoustics, profound silence and immersive sound quality, the studio offered the perfect space to “open new spaces” within Schubert’s music. Combined with Van der Wolf’s visionary engineering and the warmth of historical instrumentation, the recording creates a vivid new sonic perspective - intimate yet modern, pure yet expansive - allowing listeners to experience 'Die schöne Müllerin' with a sense of immediacy and emotional depth rarely heard before.
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