Raphael Wallfisch, John York - Beethoven: The Sonatas & Variations for Cello and Piano (2005)
BAND/ARTIST: Raphael Wallfisch, John York
- Title: Beethoven: The Sonatas & Variations for Cello and Piano
- Year Of Release: 2005
- Label: Nimbus Records
- Genre: Classical
- Quality: flac lossless (tracks)
- Total Time: 02:32:08
- Total Size: 576 mb
- WebSite: Album Preview
Tracklist
01. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Theme - Allegretto
02. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. I
03. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. II
04. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. III
05. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. IV
06. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. V
07. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. VI
08. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. VII
09. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. VIII
10. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. IX
11. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. X
12. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. XI
13. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. XII
14. Cello Sonata in F Major, Op. 5 No. 1: I. Adagio sotenuto
15. Cello Sonata in F Major, Op. 5 No. 1: II. Allegro
16. Cello Sonata in F Major, Op. 5 No. 1: III. Rondo. Allegro vivace
17. Cello Sonata No. 2 in G Minor, Op. 5 No. 2 I. Adagio sostenuto e espressivo
18. Cello Sonata No. 2 in G Minor, Op. 5 No. 2: II. Allegro molto più tosto presto
19. Cello Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. Allegro
20. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Theme. Allegretto
21. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. I
22. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. II
23. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. III
24. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. IV
25. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. V
26. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. VI
27. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. VII
28. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. VIII
29. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. IX
30. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. X
31. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. XI
32. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. XII
33. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Theme. Andante
34. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. I
35. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. II
36. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. III
37. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. IV
38. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. V
39. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. VI
40. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. VII
41. Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
42. Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro moderato
43. Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile
44. Cello Sonata No. 3 in A Major, Op. 69: IV. Allegro vivace
45. Cello Sonata No. 4 in C Major, Op. 102 No. 1: I. Andante
46. Cello Sonata No. 4 in C Major, Op. 102 No. 1: II. Allegro vivace
47. Cello Sonata No. 4 in C Major, Op. 102 No. 1: III. Adagio
48. Cello Sonata No. 4 in C Major, Op. 102 No. 1: IV. Tempo d'Andante - Allegro vivace
49. Cello Sonata No. 5 in D Major, Op. 102 No. 2: I. Allegro con brio
50. Cello Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affeto
51. Cello Sonata No. 5 in D Major, Op. 102 No. 2: III. Allegro fugato
“For me, the five sonatas and three sets of variations for cello and piano have always represented a grand classical arc spanning Beethoven’s entire oeuvre; the pairs of Opus 5 and Opus 102 form the mighty pianos, Opus 69 is the proud keystone, and the variations adorn the capitals ...” John York
01. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Theme - Allegretto
02. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. I
03. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. II
04. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. III
05. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. IV
06. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. V
07. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. VI
08. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. VII
09. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. VIII
10. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. IX
11. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. X
12. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. XI
13. 12 Variations on 'See the Conqu'ring Hero Comes', WoO 45: Variation. XII
14. Cello Sonata in F Major, Op. 5 No. 1: I. Adagio sotenuto
15. Cello Sonata in F Major, Op. 5 No. 1: II. Allegro
16. Cello Sonata in F Major, Op. 5 No. 1: III. Rondo. Allegro vivace
17. Cello Sonata No. 2 in G Minor, Op. 5 No. 2 I. Adagio sostenuto e espressivo
18. Cello Sonata No. 2 in G Minor, Op. 5 No. 2: II. Allegro molto più tosto presto
19. Cello Sonata No. 2 in G Minor, Op. 5 No. 2: III. Rondo. Allegro
20. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Theme. Allegretto
21. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. I
22. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. II
23. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. III
24. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. IV
25. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. V
26. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. VI
27. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. VII
28. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. VIII
29. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. IX
30. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. X
31. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. XI
32. 12 Variations on 'Ein Mädchen oder Weibchen', Op. 66: Variation. XII
33. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Theme. Andante
34. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. I
35. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. II
36. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. III
37. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. IV
38. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. V
39. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. VI
40. 7 Variations on 'Bei Männern, welche Liebe fühlen', WoO 46: Variation. VII
41. Cello Sonata No. 3 in A Major, Op. 69: I. Allegro ma non tanto
42. Cello Sonata No. 3 in A Major, Op. 69: II. Scherzo. Allegro moderato
43. Cello Sonata No. 3 in A Major, Op. 69: III. Adagio cantabile
44. Cello Sonata No. 3 in A Major, Op. 69: IV. Allegro vivace
45. Cello Sonata No. 4 in C Major, Op. 102 No. 1: I. Andante
46. Cello Sonata No. 4 in C Major, Op. 102 No. 1: II. Allegro vivace
47. Cello Sonata No. 4 in C Major, Op. 102 No. 1: III. Adagio
48. Cello Sonata No. 4 in C Major, Op. 102 No. 1: IV. Tempo d'Andante - Allegro vivace
49. Cello Sonata No. 5 in D Major, Op. 102 No. 2: I. Allegro con brio
50. Cello Sonata No. 5 in D Major, Op. 102 No. 2: II. Adagio con molto sentimento d'affeto
51. Cello Sonata No. 5 in D Major, Op. 102 No. 2: III. Allegro fugato
“For me, the five sonatas and three sets of variations for cello and piano have always represented a grand classical arc spanning Beethoven’s entire oeuvre; the pairs of Opus 5 and Opus 102 form the mighty pianos, Opus 69 is the proud keystone, and the variations adorn the capitals ...” John York
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