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Brant Miller - In the Meantime (2026)

Brant Miller - In the Meantime (2026)

BAND/ARTIST: Brant Miller

Tracklist:

01. In The Meantime (3:01)
02. The Great Experiment (3:45)
03. Sometimes You Just Gotta Let It Go (3:22)
04. My Wild Oats Are Sown (3:31)
05. As I Build This House (3:21)
06. Our Love Still Stands (2:40)
07. The Last Songwriter (2:57)
08. I Wanna Be Cool! (4:03)
09. Something We Can Agree On (3:52)
10. Floodwaters Are Risin' Again (3:49)
11. Time To Forgive Herself (3:14)
12. I Take A Minute (3:33)

This roots-music-flavored set is Nashville-based artist Brant Miller’s new collection inspired by artists who performed folk, country, bluegrass & blues. The self-produced In the contains 12 originals recorded primarily in East Nashville, TN.

Originally from upstate NY, Brant (vocals/harmonica/acoustic guitar) sings with a warm folky pastoral tone. “In the Meantime” is delicate, with banjo picking, fiddle sawing & acoustic guitars. He reminds me of folk singer/actor Hamilton Camp. Camp had vigor, varied homegrown material, & sometimes performed/recorded with Bob Gibson.

There are some typical folky light-hearted tunes (“The Great Experiment”) that can be construed or appreciated. The music is fine; the intent is good, so I’d listen with appreciation for the music. “Sometimes You Just Have To Let It Go” is an optimistic song about toleration. A good message song.

More in a Woody Guthrie/Ramblin’ Jack Elliott style is “My Wild Oats Are Sown,” which sounds like it would’ve made a great Peter, Paul & Mary song. Brief but agile harmonica & piano solos lay down nice breaks during a well-recorded session. “As I Build This House” is both Spanish-flavored & vintage in its production ardor with fiddle & harmonica. If Hoagy Carmichael sang these types of songs, this would be what he might sound like. Brant tries to bridge gaps in today’s political friction with a solution in “Something We Can Agree On.” He doesn’t get controversial; instead, he lets the song title say it all. A good effort…a good message & it could become a good singalong too.

Not all tunes will resonate even though Brant avoids preaching & pontificating. The majority have wonderful instrumentation, melodies & despite some clichéd lyrics (“Our Love Still Stands”), it still comes across with good sound. Brant isn’t as smooth as Sinatra, creative as Dylan, or as strong a vocalist as Fred Neil, but he projects a good character in his songs. Nothing too radical, controversial, or campy. Brant keeps a tight rein on his easily agreeable messages.


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