Peter Verhoyen, Ann-Sofie Verhoyen, Nico Couck, Peter Maertens, Stefan De Schepper - Colori della primavera (2026) [Hi-Res]
![Peter Verhoyen, Ann-Sofie Verhoyen, Nico Couck, Peter Maertens, Stefan De Schepper - Colori della primavera (2026) [Hi-Res]](https://www.dibpic.com/uploads/posts/2026-08/1785559833_h5nqn83nmtlcg_600.jpg)
BAND/ARTIST: Peter Verhoyen, Ann-Sofie Verhoyen, Nico Couck, Peter Maertens, Stefan De Schepper
- Title: Colori della primavera
- Year Of Release: 2026
- Label: Etcetera Records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 44.1kHz +Booklet
- Total Time: 00:59:17
- Total Size: 262 / 533 mb
- WebSite: Album Preview
Tracklist
01. Colori della primavera, Op. 142: I. Lento
02. Colori della primavera, Op. 142: II. Vivace
03. Colori della primavera, Op. 142: III. Largo
04. Colori della primavera, Op. 142: IV. Cinico
05. Colori della primavera, Op. 142: V. Largo pastorale
06. Sonatine, Klangstudie 26
07. Lied
08. Reflections on Bruckner
10. Nocturnal Dances: Dancing Mayflies & Fireflies
11. Sonate: I
12. Sonate: II
13. Sonate: III
This selection of works, the relationships between the piccolo and its partners - meeting en petit comite - are anything but straightforward. Sometimes the instruments simply test the waters; in other instances they go on to imitate, challenge, even argue. More often than not, they do all of this at once, in shifting proportions. Throughout the programme, the piccolo reveals a surprising range of identities: it carries melodic weight, but can just as easily turn pointillistic, grate like a grain of sand in a mechanism, crackle with energy, burst with percussive force or disrupt the flow of melody and rhythm. For composers, there is something inherently intriguing about pushing the piccolo beyond its comfort zone. You can hear it in the opening gestures of these works: they rarely begin with a clear-cut statement, but with some kind of exploration. Two or three instruments are feeling their way forward, without consensus, testing how close they can come without losing their individual character.
01. Colori della primavera, Op. 142: I. Lento
02. Colori della primavera, Op. 142: II. Vivace
03. Colori della primavera, Op. 142: III. Largo
04. Colori della primavera, Op. 142: IV. Cinico
05. Colori della primavera, Op. 142: V. Largo pastorale
06. Sonatine, Klangstudie 26
07. Lied
08. Reflections on Bruckner
10. Nocturnal Dances: Dancing Mayflies & Fireflies
11. Sonate: I
12. Sonate: II
13. Sonate: III
This selection of works, the relationships between the piccolo and its partners - meeting en petit comite - are anything but straightforward. Sometimes the instruments simply test the waters; in other instances they go on to imitate, challenge, even argue. More often than not, they do all of this at once, in shifting proportions. Throughout the programme, the piccolo reveals a surprising range of identities: it carries melodic weight, but can just as easily turn pointillistic, grate like a grain of sand in a mechanism, crackle with energy, burst with percussive force or disrupt the flow of melody and rhythm. For composers, there is something inherently intriguing about pushing the piccolo beyond its comfort zone. You can hear it in the opening gestures of these works: they rarely begin with a clear-cut statement, but with some kind of exploration. Two or three instruments are feeling their way forward, without consensus, testing how close they can come without losing their individual character.
| Classical | FLAC / APE | HD & Vinyl
As a ISRA.CLOUD's PREMIUM member you will have the following benefits:
- Unlimited high speed downloads
- Download directly without waiting time
- Unlimited parallel downloads
- Support for download accelerators
- No advertising
- Resume broken downloads