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Christoph Stepp - Lortzing: Der Waffenschmied (1964/2026) [Hi-Res]

Christoph Stepp - Lortzing: Der Waffenschmied (1964/2026) [Hi-Res]
  • Title: Lortzing: Der Waffenschmied
  • Year Of Release: 2026
  • Label: Deutsche Grammophon (DG)
  • Genre: Classical
  • Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks)
  • Total Time: 50:20
  • Total Size: 239 / 980 MB
  • WebSite:
Tracklist:

1. Lortzing: Der Waffenschmied: Ouverture (8:06)
2. Lortzing: Der Waffenschmied, Act I: Sprühe, Flamme! Glühe, Eisen! (1:46)
3. Lortzing: Der Waffenschmied, Act I: Man wird ja einmal nur geboren (3:15)
4. Lortzing: Der Waffenschmied, Act I: Welt, du kannst mir nicht gefallen (3:38)
5. Lortzing: Der Waffenschmied, Act I: Bei nächt'gem Dunkel (10:00)
6. Lortzing: Der Waffenschmied, Act I: Er schläft! Wir alle sind in Angst und Not – Er ist so gut (7:39)
7. Lortzing: Der Waffenschmied, Act II: Wie herrlich ist's im Grünen (1:37)
8. Lortzing: Der Waffenschmied, Act II: War einst ein junger Springinsfeld (4:02)
9. Lortzing: Der Waffenschmied, Act III: Wir armen, armen Mädchen (4:48)
10. Lortzing: Der Waffenschmied, Act III: Auch ich war ein Jüngling (4:28)
11. Lortzing: Der Waffenschmied, Act III: Gern gäb' ich Glanz und Reichtum hin (1:08)

With this upcoming album featuring the first complete digital release of a historic 1963 studio recording of Albert Lortzing’s comic opera Der Waffenschmied, DG celebrates the 225th anniversary of the composer’s birth and the 175th anniversary of his death.

Lortzing’s libretto for Der Waffenschmied (The Armourer, 1846) draws on the play Lovers and Rivals in One and the Same Person, a title that neatly encapsulates the plot while also carrying a finely pointed social observation: the impoverished nobility must ingratiate itself with the bourgeoisie, who in turn prove morally superior.

Count Konrad von Liebenau courts Marie, the daughter of the armourer Stadinger, both disguised as a journeyman smith and in his true identity as the Count himself. Stadinger rejects the nobleman, while Marie has fallen in love with the “journeyman.” After a succession of misunderstandings, jealousies and intrigues, Konrad’s true identity is finally revealed: Count and journeyman are one and the same person. Stadinger relents and gives the union his blessing.

This recording brings together some of the era’s most distinguished singers. Gundula Janowitz, Thomas Stewart and Josef Greindl lead an outstanding cast, while the Radio-Symphonie-Orchester Berlin and the RIAS Kammerchor vividly evoke the bustling atmosphere of the armourer’s workshop.



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