Mojave 3 - Spoon and Rafter (2026 Remaster) (2003)
BAND/ARTIST: Mojave 3
- Title: Spoon and Rafter (2026 Remaster)
- Year Of Release: 2003
- Label: 4AD
- Genre: Dream Pop, Shoegaze, Indie Folk
- Quality: Mp3 320 kbps / FLAC (tracks)
- Total Time: 51:00
- Total Size: 118 / 295 MB
- WebSite: Album Preview
Tracklist:
1. Bluebird of Happiness (2026 Remaster) (9:16)
2. Starlite #1 (2026 Remaster) (4:55)
3. Bill Oddity (2026 Remaster) (4:18)
4. Writing to St Peter (2026 Remaster) (5:58)
5. Battle of the Broken Hearts (2026 Remaster) (6:38)
6. Hard to Miss You (2026 Remaster) (2:50)
7. Tinkers Blues (2026 Remaster) (5:09)
8. She's All Up Above (2026 Remaster) (3:38)
9. Too Many Mornings (2026 Remaster) (3:16)
10. Between the Bars (2026 Remaster) (5:04)
1. Bluebird of Happiness (2026 Remaster) (9:16)
2. Starlite #1 (2026 Remaster) (4:55)
3. Bill Oddity (2026 Remaster) (4:18)
4. Writing to St Peter (2026 Remaster) (5:58)
5. Battle of the Broken Hearts (2026 Remaster) (6:38)
6. Hard to Miss You (2026 Remaster) (2:50)
7. Tinkers Blues (2026 Remaster) (5:09)
8. She's All Up Above (2026 Remaster) (3:38)
9. Too Many Mornings (2026 Remaster) (3:16)
10. Between the Bars (2026 Remaster) (5:04)
Long awaited reissues of all 'Mojave 3' albums, remastered at Abbey Road.
Never ones to sit still, Spoon and Rafter marked another shift for the band. While still containing echoes of singer-songwriters and alt-country, the record represents a Technicolor expansion of Mojave 3’s palette that utilizes electronics, glockenspiels, melodica, and Beatlesque production.
“It’s quite a bonkers album, really,” says Ian McCutcheon. “By that stage we had our own studio again on the north Cornish coast in the UK. We had time to pick up different instruments and just faff around. It was quite a process, but it’s my favourite record we did.”
“We sort of entered our Beach Boys phase of Mojave 3,” says Neil Halstead, “where we became more interested in different instrumentation and a fuller sound. Thanks to Mark Van Hoen it was the first time we used an early Pro Tools system to edit stuff together, so some of the tracks are much longer and more orchestrated, like ‘Bluebird of Happiness,’ which has three different sections that were all recorded separately and then chopped together.”
And while Mojave 3 had few instances of breaking into mainstream culture, album cuts “Bluebird of Happiness” and “Bill Oddity” were poppy enough to both be featured in 2003 episodes of The O.C.
Never ones to sit still, Spoon and Rafter marked another shift for the band. While still containing echoes of singer-songwriters and alt-country, the record represents a Technicolor expansion of Mojave 3’s palette that utilizes electronics, glockenspiels, melodica, and Beatlesque production.
“It’s quite a bonkers album, really,” says Ian McCutcheon. “By that stage we had our own studio again on the north Cornish coast in the UK. We had time to pick up different instruments and just faff around. It was quite a process, but it’s my favourite record we did.”
“We sort of entered our Beach Boys phase of Mojave 3,” says Neil Halstead, “where we became more interested in different instrumentation and a fuller sound. Thanks to Mark Van Hoen it was the first time we used an early Pro Tools system to edit stuff together, so some of the tracks are much longer and more orchestrated, like ‘Bluebird of Happiness,’ which has three different sections that were all recorded separately and then chopped together.”
And while Mojave 3 had few instances of breaking into mainstream culture, album cuts “Bluebird of Happiness” and “Bill Oddity” were poppy enough to both be featured in 2003 episodes of The O.C.
| Folk | Alternative | Indie | FLAC / APE | Mp3
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