Stefan Grossman - How To Play Blues Guitar (1966)
BAND/ARTIST: Stefan Grossman
- Title: How To Play Blues Guitar
- Year Of Release: 1966
- Label: Shanachie
- Genre: Blues
- Quality: flac lossless (tracks)
- Total Time: 01:10:33
- Total Size: 349 mb
- WebSite: Album Preview
Tracklist
01. Yonder Comes The Blues
02. Police Dog Blues
03. Easy Street
04. Ragtime Mama Blues
05. Corrina, Corrina
06. If You Haven't Any Hay, Don't Get On Down The Road
07. Man Of My Own
08. Assassination Of John Fahey
09. Moon Goin' Down
10. Ragged And Dirty
11. Crow Jane
12. Pallet On Your Floor
13. Mississippi Blues #3
14. New Pony Blues
15. You Got The Pocket Book, I Got The Key
16. Someday Baby
17. Juicy Lucy
18. Hard Time Killin' Floor
19. Belzona Blues
20. Oh, Babe Ain't No Lie
21. Special Rider Blues
22. Weeping Willow
23. Wake Up Mama
Released during the peak of the mid/late-'60s folk boom, Stefan Grossman's debut, How to Play Blues Guitar, finds a young guitarist paying his respects to the music that inspired him. A student of Reverend Gary Davis (and later Skip James and Mississippi John Hurt among others), Grossman learned his blues from the source. Here, his fluency is proven through a tour of country-blues melodies and themes from standard fare like "Corrina, Corrina" to three James numbers and Grossman originals rooted in the tradition. He is joined by an amicable cast of instrumentalists and vocalists that share the stage on the majority of the material. The most suited of the group is multi-instrumentalist Sam Mitchell who fleshes out Grossman's effortless, syncopated fingerpicking with ever pertinent melodies from his own mandolin, fiddle, and slide guitar. The vocal tracks that make up the bulk of the performances are fine, though rarely more than reverential, ranging from the authentic replications of Jo Ann Kelly to the dry but steady work of Mike Cooper and Mickey Baker. The notable exceptions are the contributions from Delta blues great Son House on "Yonder Come the Blues" and "New Pony Blues." Essentially a remake of "Walking Blues," the former proves that, over 30 years after he made his first recordings, the singer was still capable of wringing new emotions out of a well-worn theme. Occasional instrumentals represent Grossman's early attempts at incorporating the blues vernacular into a six-string style of his own. Though one might not know what to make of a title like "Assassination of John Fahey," the composition finds Grossman closest to achieving those ends. Though the album's 23 performances may fail to cohere as an album per se, they serve as a document of the guitarist's roots while pointing the way to his future explorations.
01. Yonder Comes The Blues
02. Police Dog Blues
03. Easy Street
04. Ragtime Mama Blues
05. Corrina, Corrina
06. If You Haven't Any Hay, Don't Get On Down The Road
07. Man Of My Own
08. Assassination Of John Fahey
09. Moon Goin' Down
10. Ragged And Dirty
11. Crow Jane
12. Pallet On Your Floor
13. Mississippi Blues #3
14. New Pony Blues
15. You Got The Pocket Book, I Got The Key
16. Someday Baby
17. Juicy Lucy
18. Hard Time Killin' Floor
19. Belzona Blues
20. Oh, Babe Ain't No Lie
21. Special Rider Blues
22. Weeping Willow
23. Wake Up Mama
Released during the peak of the mid/late-'60s folk boom, Stefan Grossman's debut, How to Play Blues Guitar, finds a young guitarist paying his respects to the music that inspired him. A student of Reverend Gary Davis (and later Skip James and Mississippi John Hurt among others), Grossman learned his blues from the source. Here, his fluency is proven through a tour of country-blues melodies and themes from standard fare like "Corrina, Corrina" to three James numbers and Grossman originals rooted in the tradition. He is joined by an amicable cast of instrumentalists and vocalists that share the stage on the majority of the material. The most suited of the group is multi-instrumentalist Sam Mitchell who fleshes out Grossman's effortless, syncopated fingerpicking with ever pertinent melodies from his own mandolin, fiddle, and slide guitar. The vocal tracks that make up the bulk of the performances are fine, though rarely more than reverential, ranging from the authentic replications of Jo Ann Kelly to the dry but steady work of Mike Cooper and Mickey Baker. The notable exceptions are the contributions from Delta blues great Son House on "Yonder Come the Blues" and "New Pony Blues." Essentially a remake of "Walking Blues," the former proves that, over 30 years after he made his first recordings, the singer was still capable of wringing new emotions out of a well-worn theme. Occasional instrumentals represent Grossman's early attempts at incorporating the blues vernacular into a six-string style of his own. Though one might not know what to make of a title like "Assassination of John Fahey," the composition finds Grossman closest to achieving those ends. Though the album's 23 performances may fail to cohere as an album per se, they serve as a document of the guitarist's roots while pointing the way to his future explorations.
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