Yuki Nakagawa - Stills and Remains (2026)

The album is built on a singular concept: every sound is produced from a single cello. While effects pedals are used to
extend and amplify the instrument, no other instruments or field recordings are involved. What remains is the act of
performance itself—an ongoing exchange between body and instrument, where sound emerges as voice.
Yet the resulting sonic landscape resists any sense of limitation. Layered textures of percussive gestures, micro-noise
generated by a self-made bow, and sustained drones unfold into a complex, immersive environment.