Misha Namirovsky - A Prologue (2026) [Hi-Res]
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BAND/ARTIST: Misha Namirovsky
- Title: A Prologue
- Year Of Release: 2026
- Label: TYXArt
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz
- Total Time: 01:04:11
- Total Size: 239 mb / 1.03 gb
- WebSite: Album Preview
Tracklist
01. Piano Sonata No. 13 in C Minor, D. 958: I. Allegro
02. Piano Sonata No. 13 in C Minor, D. 958: II. Adagio
03. Piano Sonata No. 13 in C Minor, D. 958: III. Menuetto. Allegro
04. Piano Sonata No. 13 in C Minor, D. 958: IV. Allegro
05. Nocturnes, Op. 48, B. 142: No. 2 in F-Sharp Minor. Andantino
06. 13 Preludes, Op. 32: No. 12 in G-Sharp Minor. Allegro
07. 13 Preludes, Op. 32: No. 7 in F Major. Moderato
08. 10 Preludes, Op. 23: No. 7 in C Minor. Allegro
09. 13 Preludes, Op. 32: No. 5 in G Major. Moderato
10. 13 Preludes, Op. 32: No. 10 in B Minor. Lento
11. Piano Sonata No. 4 in F-Sharp Major, Op. 30: I. Andante
For those who are used to hearing a standard, coherent repertoire on an album, this program may seem unusual: Russian-American pianist Misha Namirovsky was guided by two artistic principles for this studio concert: On the one hand, the juxtaposition of forms, structural breadth and musical character, as well as aspects of the profound, virtuosic and reflective.
01. Piano Sonata No. 13 in C Minor, D. 958: I. Allegro
02. Piano Sonata No. 13 in C Minor, D. 958: II. Adagio
03. Piano Sonata No. 13 in C Minor, D. 958: III. Menuetto. Allegro
04. Piano Sonata No. 13 in C Minor, D. 958: IV. Allegro
05. Nocturnes, Op. 48, B. 142: No. 2 in F-Sharp Minor. Andantino
06. 13 Preludes, Op. 32: No. 12 in G-Sharp Minor. Allegro
07. 13 Preludes, Op. 32: No. 7 in F Major. Moderato
08. 10 Preludes, Op. 23: No. 7 in C Minor. Allegro
09. 13 Preludes, Op. 32: No. 5 in G Major. Moderato
10. 13 Preludes, Op. 32: No. 10 in B Minor. Lento
11. Piano Sonata No. 4 in F-Sharp Major, Op. 30: I. Andante
For those who are used to hearing a standard, coherent repertoire on an album, this program may seem unusual: Russian-American pianist Misha Namirovsky was guided by two artistic principles for this studio concert: On the one hand, the juxtaposition of forms, structural breadth and musical character, as well as aspects of the profound, virtuosic and reflective.
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