Jean-Baptiste Doulcet, Mathieu Amalric, Bertrand Mandico, Avex Les Voix - Doulcet: A Film by (2026) [Hi-Res]
![Jean-Baptiste Doulcet, Mathieu Amalric, Bertrand Mandico, Avex Les Voix - Doulcet: A Film by (2026) [Hi-Res]](https://www.dibpic.com/uploads/posts/2026-04/1776185838_kbdvw9-doulcetafi-preview-m3_500x500.jpg)
BAND/ARTIST: Jean-Baptiste Doulcet, Mathieu Amalric, Bertrand Mandico, Avex Les Voix
- Title: Doulcet: A Film by
- Year Of Release: 2026
- Label: Mirare
- Genre: Classical Piano
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:11:23
- Total Size: 227 / 986 mb
- WebSite: Album Preview
Tracklist
01. Le Cœur de la princesse (From L'Impératrice Yang Kwei-Fei by Kenji Mizoguchi)
02. Schizophonia (From Clean, Shaven by Lodge Kerrigan)
03. Mathieu Amalric lit An Island…
04. An Island… (From L'Île nue by Kaneto Shindō)
05. Intérieur nuit (From Tiresia by Bertrand Bonello)
06. Trauma History (From Requiem pour un massacre by Elem Klimov)
07. Keaton, grimace (From Film by Samuel Beckett and Alan Schneider)
08. Marguerite Anamorphosis (From Faust by Alexandre Sokourov)
09. Fantômes suédois (From Fanny et Alexandre by Ingmar Bergman)
10. Roll on, Kids! (From Wassup Rockers by Larry Clark)
11. Mathieu Amalric lit Opal Rush
12. Opal Rush (From Uncut Gems by Safdie Brothers)
13. Black Sunflowers (From Le Bonheur by Agnès Varda)
14. Après la guerre (From Quand passent les cigognes by Mikhaïl Kalatozov)
15. Vertige de l'apesanteur (From Paranoid Park by Gus Van Sant)
16. Steel (From Blue Steel by Kathryn Bigelow)
17. Bertrand Mandico lit Mon Inland Empire
18. Dédales (From Inland Empire by David Lynch)
19. Un rêve étrange… (By L'Étrange Affaire Angélica by Manoel de Oliveira)
20. American Women (From Certain Women by Kelly Reichardt)
21. Iconoclastes (From Aguirre, la colère de Dieu by Werner Herzog)
22. Cannibal Fashion (From The Neon Demon by Nicolas Winding Refn)
Whether as a pianist behind the camera or as a film lover at the piano, Jean-Baptiste Doulcet takes the listener on a journey through film history by means of improvisation, an art around which he has successfully built his entire musical career. From Bergman to Varda to Mizoguchi, Lynch or Buster Keaton, his music becomes a new direction, a new creation, a second film intended as homage. Structured like a film library, the pianist's narrative underscores the vitality of cinema. As reciters, two contemporary filmmakers share Doulcet's unconditional love for the seventh art, as the art of film is often called in French.
01. Le Cœur de la princesse (From L'Impératrice Yang Kwei-Fei by Kenji Mizoguchi)
02. Schizophonia (From Clean, Shaven by Lodge Kerrigan)
03. Mathieu Amalric lit An Island…
04. An Island… (From L'Île nue by Kaneto Shindō)
05. Intérieur nuit (From Tiresia by Bertrand Bonello)
06. Trauma History (From Requiem pour un massacre by Elem Klimov)
07. Keaton, grimace (From Film by Samuel Beckett and Alan Schneider)
08. Marguerite Anamorphosis (From Faust by Alexandre Sokourov)
09. Fantômes suédois (From Fanny et Alexandre by Ingmar Bergman)
10. Roll on, Kids! (From Wassup Rockers by Larry Clark)
11. Mathieu Amalric lit Opal Rush
12. Opal Rush (From Uncut Gems by Safdie Brothers)
13. Black Sunflowers (From Le Bonheur by Agnès Varda)
14. Après la guerre (From Quand passent les cigognes by Mikhaïl Kalatozov)
15. Vertige de l'apesanteur (From Paranoid Park by Gus Van Sant)
16. Steel (From Blue Steel by Kathryn Bigelow)
17. Bertrand Mandico lit Mon Inland Empire
18. Dédales (From Inland Empire by David Lynch)
19. Un rêve étrange… (By L'Étrange Affaire Angélica by Manoel de Oliveira)
20. American Women (From Certain Women by Kelly Reichardt)
21. Iconoclastes (From Aguirre, la colère de Dieu by Werner Herzog)
22. Cannibal Fashion (From The Neon Demon by Nicolas Winding Refn)
Whether as a pianist behind the camera or as a film lover at the piano, Jean-Baptiste Doulcet takes the listener on a journey through film history by means of improvisation, an art around which he has successfully built his entire musical career. From Bergman to Varda to Mizoguchi, Lynch or Buster Keaton, his music becomes a new direction, a new creation, a second film intended as homage. Structured like a film library, the pianist's narrative underscores the vitality of cinema. As reciters, two contemporary filmmakers share Doulcet's unconditional love for the seventh art, as the art of film is often called in French.
| Classical | FLAC / APE | HD & Vinyl
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