Pierre Dumoussaud, L'Atelier de musique - O weh! (Live) (2026) [Hi-Res]
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BAND/ARTIST: Pierre Dumoussaud, L'Atelier de musique
- Title: O weh! (Live)
- Year Of Release: 2026
- Label: b•records
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:10:02
- Total Size: 342 / 724 mb
- WebSite: Album Preview
Tracklist
01. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 1, Wenn mein Schatz Hochzeit macht (Live)
02. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 2, Ging heut' morgen über's Feld (Live)
03. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 3, Ich hab' ein glühend Messer (Live)
04. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 4, Die zwei blauen Augen von meinem Schatz (Live)
05. A Romantic Suite, Op. 125 (Arr. for Chamber Ensemble by Arnold Schönberg and Rudolf Kolisch): I. Notturno. Molto sostenuto (Live)
06. A Romantic Suite, Op. 125 (Arr. for Chamber Ensemble by Arnold Schönberg and Rudolf Kolisch): II. Scherzo. Vivace (Live)
07. A Romantic Suite, Op. 125 (Arr. for Chamber Ensemble by Arnold Schönberg and Rudolf Kolisch): III. Finale. Molto sostenuto (Live)
08. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 1, Nun will die Sonn' so hell aufgehn (Live)
09. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 2, Nun seh' ich wohl, warum so dunkle Flammen (Live)
10. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 3, Wenn dein Mütterlein (Live)
11. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 4, Oft denk' ich, sie sind nur ausgegangen (Live)
Following Wendepunkt, Pierre Dumoussaud continues his epic through the twilight of German Romanticism: a seldom-performed three-part work by Max Reger, abundant with nocturnal hues and elfish dances, appears here alongside two of Gustav Mahler’s major poetic cycles, sung by Aude Extrémo and Stéphane Degout. The Deauville Easter Festival Orchestra adopts an intimate chamber-style line-up which is characteristically Viennese, perfect for voices to murmur these tales of love and death into the listener’s ear…
01. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 1, Wenn mein Schatz Hochzeit macht (Live)
02. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 2, Ging heut' morgen über's Feld (Live)
03. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 3, Ich hab' ein glühend Messer (Live)
04. Lieder eines fahrenden Gesellen, GMW 10 (Arr. for Voice and Chamber Ensemble by Arnold Schönberg): No. 4, Die zwei blauen Augen von meinem Schatz (Live)
05. A Romantic Suite, Op. 125 (Arr. for Chamber Ensemble by Arnold Schönberg and Rudolf Kolisch): I. Notturno. Molto sostenuto (Live)
06. A Romantic Suite, Op. 125 (Arr. for Chamber Ensemble by Arnold Schönberg and Rudolf Kolisch): II. Scherzo. Vivace (Live)
07. A Romantic Suite, Op. 125 (Arr. for Chamber Ensemble by Arnold Schönberg and Rudolf Kolisch): III. Finale. Molto sostenuto (Live)
08. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 1, Nun will die Sonn' so hell aufgehn (Live)
09. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 2, Nun seh' ich wohl, warum so dunkle Flammen (Live)
10. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 3, Wenn dein Mütterlein (Live)
11. Kindertotenlieder, GMW 45 (Arr. for Voice and Chamber Ensemble by Eberhard Kloke): No. 4, Oft denk' ich, sie sind nur ausgegangen (Live)
Following Wendepunkt, Pierre Dumoussaud continues his epic through the twilight of German Romanticism: a seldom-performed three-part work by Max Reger, abundant with nocturnal hues and elfish dances, appears here alongside two of Gustav Mahler’s major poetic cycles, sung by Aude Extrémo and Stéphane Degout. The Deauville Easter Festival Orchestra adopts an intimate chamber-style line-up which is characteristically Viennese, perfect for voices to murmur these tales of love and death into the listener’s ear…
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