Five Horse Johnson - The Last Men On Earth (2003)
BAND/ARTIST: Five Horse Johnson
- Title: The Last Men On Earth
- Year Of Release: 2003
- Label: Small Stone Records Co.
- Genre: Stoner Rock, Psychedelic Rock, Hard Rock, Blues Rock
- Quality: flac lossless (tracks)
- Total Time: 00:45:46
- Total Size: 340 mb
- WebSite: Album Preview
Tracklist
01. Cry Rain
02. Cherry Red
03. Soul Digger
04. Three At A Time
05. Blood Don't Pay
06. Love To Lose
07. Sweetwater
08. B.C. Approved
09. Sawhill
10. Yer Mountain
Far too many blues-rock bands sound like Blueshammer, the hackneyed faux-blues band featured in a key scene from the film Ghost World, who serve up lame, uninspired riffs swiped from Jimmy Page, who himself swiped them from Mississippi Fred McDowell. In truth, Five Horse Johnson isn't really that far from this depressing prospect; their relationship to the blues is only slightly firmer than that of the White Stripes, and they sound more like early Black Crowes or '70s ZZ Top than Howlin' Wolf, or even the Eric Clapton-era John Mayall and the Bluesbreakers. On the other hand, ZZ Top and the Black Crowes are fine bands, and Five Horse Johnson have a similarly loose, lubricated sound, and devil-may-care attitude that puts across even the more pedestrian songs. At their best, as on the blistering "Sweetwater," and the more laid-back, -'70s-style choogle "Boogie Coalition Approved," Five Horse Johnson achieve a noisy rock and roll power that's far removed from the sterile "tasty licks" attitude that so many similar bands fall victim to.
01. Cry Rain
02. Cherry Red
03. Soul Digger
04. Three At A Time
05. Blood Don't Pay
06. Love To Lose
07. Sweetwater
08. B.C. Approved
09. Sawhill
10. Yer Mountain
Far too many blues-rock bands sound like Blueshammer, the hackneyed faux-blues band featured in a key scene from the film Ghost World, who serve up lame, uninspired riffs swiped from Jimmy Page, who himself swiped them from Mississippi Fred McDowell. In truth, Five Horse Johnson isn't really that far from this depressing prospect; their relationship to the blues is only slightly firmer than that of the White Stripes, and they sound more like early Black Crowes or '70s ZZ Top than Howlin' Wolf, or even the Eric Clapton-era John Mayall and the Bluesbreakers. On the other hand, ZZ Top and the Black Crowes are fine bands, and Five Horse Johnson have a similarly loose, lubricated sound, and devil-may-care attitude that puts across even the more pedestrian songs. At their best, as on the blistering "Sweetwater," and the more laid-back, -'70s-style choogle "Boogie Coalition Approved," Five Horse Johnson achieve a noisy rock and roll power that's far removed from the sterile "tasty licks" attitude that so many similar bands fall victim to.
Blues | Rock | FLAC / APE
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