Sara Mokrani - Bismillah (2026)
BAND/ARTIST: Sara Mokrani
- Title: Bismillah
- Year Of Release: 2026
- Label: Objects & Sounds – SMOS 01
- Genre: Ambient, Alternative
- Quality: 16bit-44,1kHz FLAC / 24bit-44,1kHz FLAC
- Total Time: 24:17
- Total Size: 131 mb / 254 mb
- WebSite: Album Preview
Tracklist
1. Desintegres (01:16)
2. GDO (02:09)
3. Old Lady's Lover (03:03)
4. Plus Tu Parles (03:34)
5. J'aboie (02:16)
6. Bless You (01:22)
7. Old Lady's Loss (02:16)
8. La Derniere Et La Premiere (01:55)
9. A La Fosse Des Saules (03:16)
10. Des Cordes (03:10)
Bismillah was composed in a small house surrounded by the forest of Montmirail in France. The album is built around modular synths, field recordings, and an old organ discovered in a nearby village.
In Sara’s work, the organ’s sustained tones meet a lyrical introspection, articulated with precision and vulnerability. The slow permutation of patterns creates an atmosphere where time and space melt into a pure, constant present.
Inspired by the pastoral setting, the sequencing used to animate the modules feels almost instinctive. In dialogue with the calls of merle birds, the sound cycles grow more complex over time, with DIY drum-machine loops and distorted field recordings adding an unpredictable counterpoint.
On the cover, bushes, trees, and owl shadows were photographed in the very place where the album was composed. Simple melodies appear and disappear, mirroring the subtle movements and shadows of the surrounding landscape.
1. Desintegres (01:16)
2. GDO (02:09)
3. Old Lady's Lover (03:03)
4. Plus Tu Parles (03:34)
5. J'aboie (02:16)
6. Bless You (01:22)
7. Old Lady's Loss (02:16)
8. La Derniere Et La Premiere (01:55)
9. A La Fosse Des Saules (03:16)
10. Des Cordes (03:10)
Bismillah was composed in a small house surrounded by the forest of Montmirail in France. The album is built around modular synths, field recordings, and an old organ discovered in a nearby village.
In Sara’s work, the organ’s sustained tones meet a lyrical introspection, articulated with precision and vulnerability. The slow permutation of patterns creates an atmosphere where time and space melt into a pure, constant present.
Inspired by the pastoral setting, the sequencing used to animate the modules feels almost instinctive. In dialogue with the calls of merle birds, the sound cycles grow more complex over time, with DIY drum-machine loops and distorted field recordings adding an unpredictable counterpoint.
On the cover, bushes, trees, and owl shadows were photographed in the very place where the album was composed. Simple melodies appear and disappear, mirroring the subtle movements and shadows of the surrounding landscape.
| Alternative | Electronic | Ambient | FLAC / APE | HD & Vinyl
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