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The Grownup Noise - No Straight Line In the Universe (2026)

The Grownup Noise - No Straight Line In the Universe (2026)

BAND/ARTIST: The Grownup Noise

  • Title: No Straight Line In the Universe
  • Year Of Release: 2026
  • Label: Independent
  • Genre: Indie Pop, Alternative
  • Quality: 320 / FLAC (tracks)
  • Total Time: 39:00
  • Total Size: 91 / 241 Mb
  • WebSite:
Tracklist:

1. We Become Roses (4:34)
2. See You in the Hall (2:46)
3. Anxiety (3:51)
4. Get Lost (2:48)
5. Change Your Mind (1:37)
6. Where's K? (5:00)
7. Day Moon (3:38)
8. Plaything (4:59)
9. Back to Me (3:36)
10. Rabbit Hole (3:19)
11. Us Fools (3:02)

While the sound is not new & was popular in the ‘80s with varied groups (Belouis Some, Bourgeois Tagg, James, Prefab Sprout, Prayer Boat & China Crisis), this outfit has a nice touch with the layered vocals, laid back arrangements played with proficiency & even adding the colorful ‘60s stylizations of the Cowsills in “Anxiety.” What sets this unit apart from those other performers is the addition of stringed instruments in a light pop performance with the accent on vocalizations.

A tune like “Get Lost” has grains of the Steely Dan-inspired China Crisis that didn’t have vocals akin to the Dan but their own harmonic approach. But here, on The Grownup Noise selection, there’s a jazz progression that is strung together with enthusiasm. There are 11 explorations into this well-developed musical hothouse on No Straight Line In the Universe produced by Dan Cardinal & the group.

The catchiest tune comes with “Change Your Mind,” which doesn’t seem to go on long enough. Good melody, groove, & excellent vocals. However, for 2026, “Where’s K?” is a little unexciting with its samba beat & French café accordion flavor. Despite this, the song is not boring; it just sounds like it has speed but can’t take off. The most attractive part is the counter-vocal by a female singer. Nice framing around Paul Hansen’s vocals (guitar), which are often superb. The musicianship is marvelous. I guess the bottom line is - it’s going to be for selective tastes.

Much of the vocalization displayed is out of the “middle-of-the-road/easy listening school.” “Day Moon” is all female vocals (cellist Katie Franich) with jazzy jabs of sinewy guitar, determined Kyle Crane drums & all done creatively as well as propulsively. The songs are not drab; each has its own distillation. “Plaything” is a bit funkier with piano, disciplined drums, guitar fusions strumming with imagination applied to the arrangement & a cool vocal polish. This one is quite good. Enjoyable. Again, with the mannerisms of China Crisis & Prayer Boat.




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  • User offline
  • whiskers
  •  wrote in 10:07
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Many thanks
  • User offline
  • mufty77
  •  wrote in 22:59
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Many thanks.