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Dobromir Tsenov - L. Pipkov: Complete Piano Music, Vol. 3 - A. Pipkov: Complete Piano Music (2026) [Hi-Res]

Dobromir Tsenov - L. Pipkov: Complete Piano Music, Vol. 3 - A. Pipkov: Complete Piano Music (2026) [Hi-Res]

BAND/ARTIST: Dobromir Tsenov

  • Title: L. Pipkov: Complete Piano Music, Vol. 3 - A. Pipkov: Complete Piano Music
  • Year Of Release: 2026
  • Label: Toccata Classics
  • Genre: Classical Piano
  • Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
  • Total Time: 01:14:31
  • Total Size: 296 mb / 1.46 gb
  • WebSite:
Tracklist

01. Bulgarian Rhapsody
02. Dimka Planted Basil
03. Guests Came to Radka's
04. Do You Know, Anka, Do You Remember?
05. Samodiva's Dance
06. Last Night Yanka Came Down from the Balkans
07. 3 Variations on a Folk Theme
08. Ratchenitsa (1)
09. Ratchenitsa (2)
10. Maria-Mazurka
11. 22 Variations
12. Youth Collection, Op. 14: No. 1, Tiny Man with Twice-Long Beard
13. Youth Collection, Op. 14: No. 2, Rebel's Song
14. Youth Collection, Op. 14: No. 3, Angry Maiden
15. Youth Collection, Op. 14: No. 4, Heroic Grandfather
16. Youth Collection, Op. 14: No. 5, Fox's Lament
17. Youth Collection, Op. 14: No. 6, Hare's Wedding
18. Youth Collection, Op. 14: No. 7, The Rain Narrates
19. Youth Collection, Op. 14: No. 8, Spring Dance
20. Youth Collection, Op. 14: No. 9, A Peasant Goes to Plough
21. Youth Collection, Op. 14: No. 10, Grandmother's Goat
22. Youth Collection, Op. 14: No. 11, Game
23. Youth Collection, Op. 14: No. 12, Sled
24. Across the Field
25. Folktale
26. Toccata
27. Prelude
28. Shepherd's Song
29. Game
30. Horo
31. Prelude (In memoriam Chopin), Op. 39

With this volume Dobromir Tsenov completes his survey of the solo-piano music of his compatriot Ľubomir Pipkov (1904–74), one of the leading members of the ‘second generation’ of Bulgarian composers who helped establish a national tradition of classical music, blending western forms with the rhythms of local folksong and folk-dances. The first complete recording of the piano music of his father, Panayot Pipkov (1871–1942), one of the ‘first generation’, sets it in context, in its mix of folk roots and Lisztian bravura.



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