Estrovagante Ensemble, Riccardo Doni, Anna Piroli - Riccio: Vocem iucunditatis, Sacred & Instrumental Music (2026) [Hi-Res]
![Estrovagante Ensemble, Riccardo Doni, Anna Piroli - Riccio: Vocem iucunditatis, Sacred & Instrumental Music (2026) [Hi-Res]](https://www.dibpic.com/uploads/posts/2026-01/1768477272_fhq3znlcfy9ra_600.jpg)
BAND/ARTIST: Estrovagante Ensemble, Riccardo Doni, Anna Piroli, Maria Chiara Gallo, Massimo Lombardi, Alessandro Ravasio
- Title: Riccio: Vocem iucunditatis, Sacred & Instrumental Music
- Year Of Release: 2026
- Label: Dynamic
- Genre: Classical
- Quality: flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 00:57:01
- Total Size: 289 mb / 1.03 gb
- WebSite: Album Preview
Tracklist
01. Divine lodi musicali, Book II: No. 19, Canzon a 4 (Reconstr. by G. Taschetti)
02. Divine lodi musicali, Book II: No. 17, Exultat Maria (Reconstr. by G. Taschetti)
03. Divine lodi musicali, Book I: No. 27, Salve Regina (Reconstr. by M. Toffetti)
04. Divine lodi musicali, Book II: No. 24, Canzon a 2 (Reconstr. by G. Taschetti)
05. Divine lodi musicali, Book II: No. 14, Dilectus meus (Reconstr. by G. Taschetti)
06. Divine lodi musicali, Book II: No. 26, Vocem iucunditatis (Reconstr. by G. Taschetti)
07. Divine lodi musicali, Book I: No. 8, Ascensionis (Reconstr. by M. Toffetti) [1]
08. Divine lodi musicali, Book II: No. 20, Canzon a 2 (Reconstr. by G. Taschetti)
09. Divine lodi musicali, Book I: No. 29, In te domine speravi (Reconstr. by M. Toffetti)
10. Divine lodi musicali, Book I: No. 8, Ascensionis (Reconstr. by M. Toffetti) [2]
11. Divine lodi musicali, Book II: No. 7, Deus canticum novum (Reconstr. by G. Taschetti)
12. Divine lodi musicali, Book II: No. 16, Ego sum panis vivus (Reconstr. by G. Taschetti)
13. Divine lodi musicali, Book I: No. 7, Surrexit (Reconstr. by M. Toffetti) [1]
14. Divine lodi musicali, Book I: No. 34, Canzone (Reconstr. by M. Toffetti)
15. Divine lodi musicali, Book I: No. 24, Ego dormio (Reconstr. by M. Toffetti)
16. Divine lodi musicali, Book I: No. 7, Surrexit (Reconstr. by M. Toffetti) [2]
17. Divine lodi musicali, Book I: No. 28, Indica mihi (Reconstr. by M. Toffetti)
18. Divine lodi musicali, Book I: No. 30, Congratulamini mihi (Reconstr. by M. Toffetti)
19. Divine lodi musicali, Book II: No. 13, Ave Domine (Reconstr. by G. Taschetti)
20. Divine lodi musicali, Book II: No. 18, Sonata a 4 (Reconstr. by G. Taschetti)
![Estrovagante Ensemble, Riccardo Doni, Anna Piroli - Riccio: Vocem iucunditatis, Sacred & Instrumental Music (2026) [Hi-Res]](https://www.dibpic.com/uploads/posts/2026-01/1768477329_estrovagante-ensemble-riccio-vocem-iucunditatis-sacred-instrumental-music-2026-back.jpg)
Giovanni Battista Riccio lived in Venice when the city’s music was dominated by illustrious figures such as Monteverdi and Gabrieli. Riccio won aristocratic patrons and his surviving three collections of sacred music, which also contain instrumental compositions, attest to his standing in the city and beyond. His music is flowing and full of variety, not least in the liveliness of motifs, use of binary and triple time, sound painting and employment of echo effects. His Motets setting passages from the Song of Songs, offer unusually expressive and refined depth.
01. Divine lodi musicali, Book II: No. 19, Canzon a 4 (Reconstr. by G. Taschetti)
02. Divine lodi musicali, Book II: No. 17, Exultat Maria (Reconstr. by G. Taschetti)
03. Divine lodi musicali, Book I: No. 27, Salve Regina (Reconstr. by M. Toffetti)
04. Divine lodi musicali, Book II: No. 24, Canzon a 2 (Reconstr. by G. Taschetti)
05. Divine lodi musicali, Book II: No. 14, Dilectus meus (Reconstr. by G. Taschetti)
06. Divine lodi musicali, Book II: No. 26, Vocem iucunditatis (Reconstr. by G. Taschetti)
07. Divine lodi musicali, Book I: No. 8, Ascensionis (Reconstr. by M. Toffetti) [1]
08. Divine lodi musicali, Book II: No. 20, Canzon a 2 (Reconstr. by G. Taschetti)
09. Divine lodi musicali, Book I: No. 29, In te domine speravi (Reconstr. by M. Toffetti)
10. Divine lodi musicali, Book I: No. 8, Ascensionis (Reconstr. by M. Toffetti) [2]
11. Divine lodi musicali, Book II: No. 7, Deus canticum novum (Reconstr. by G. Taschetti)
12. Divine lodi musicali, Book II: No. 16, Ego sum panis vivus (Reconstr. by G. Taschetti)
13. Divine lodi musicali, Book I: No. 7, Surrexit (Reconstr. by M. Toffetti) [1]
14. Divine lodi musicali, Book I: No. 34, Canzone (Reconstr. by M. Toffetti)
15. Divine lodi musicali, Book I: No. 24, Ego dormio (Reconstr. by M. Toffetti)
16. Divine lodi musicali, Book I: No. 7, Surrexit (Reconstr. by M. Toffetti) [2]
17. Divine lodi musicali, Book I: No. 28, Indica mihi (Reconstr. by M. Toffetti)
18. Divine lodi musicali, Book I: No. 30, Congratulamini mihi (Reconstr. by M. Toffetti)
19. Divine lodi musicali, Book II: No. 13, Ave Domine (Reconstr. by G. Taschetti)
20. Divine lodi musicali, Book II: No. 18, Sonata a 4 (Reconstr. by G. Taschetti)
Giovanni Battista Riccio lived in Venice when the city’s music was dominated by illustrious figures such as Monteverdi and Gabrieli. Riccio won aristocratic patrons and his surviving three collections of sacred music, which also contain instrumental compositions, attest to his standing in the city and beyond. His music is flowing and full of variety, not least in the liveliness of motifs, use of binary and triple time, sound painting and employment of echo effects. His Motets setting passages from the Song of Songs, offer unusually expressive and refined depth.
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