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Ben Bekele & Hubert Zemler - Zawsze Coś (2026) Hi Res

Ben Bekele & Hubert Zemler - Zawsze Coś (2026) Hi Res
  • Title: Zawsze Coś
  • Year Of Release: 2026
  • Label: U Jazz Me
  • Genre: Jazz
  • Quality: 320 kbps | FLAC (tracks) | 24Bit/48 kHz FLAC
  • Total Time: 00:41:03
  • Total Size: 95 mb | 220 mb | 457 mb
  • WebSite:
Tracklist:

01 - Ben Bekele, Hubert Zemler, Kamil Piotrowicz, Igor Wiśniewski - La Clave en medio de la nada
02 - Ben Bekele, Hubert Zemler, Kamil Piotrowicz, Igor Wiśniewski - R-4
03 - Ben Bekele, Hubert Zemler, Kamil Piotrowicz, Igor Wiśniewski - Niosą
04 - Ben Bekele, Hubert Zemler, Kamil Piotrowicz, Igor Wiśniewski - Phillip Jeffries
05 - Ben Bekele, Hubert Zemler, Kamil Piotrowicz, Igor Wiśniewski - Zawsze coś
06 - Ben Bekele, Hubert Zemler, Kamil Piotrowicz, Igor Wiśniewski - Linoleum (Shining)

It’s a mix of memories and fantasies from the mid-80s when it was my father who visited Ethiopia, returning with two small drums, a couple of pictures and tons of tales. One of them was a story of a boy named Bekele, who taught him a traditional Ethiopian song.

Father passed this song on to us, as best as he could - now I’m having doubts as to what the message is actually about - but back then I was fascinated. Many years later, when I was preparing a song for a compilation „Portrety” at U Know Me Records, I realized that the bass line that I created resembled a fragment of that exact song. Apparently the melody buried itself somewhere deep in my subconscious and unexpectedly revealed itself at that moment. Therefore I decided to honor the memory of my deceased of 30 years dad (whose friends called him Ben) naming the composition: "The Life and Death of Ben Bekele”. The song turned out to be very happy to me - its success definitely exceeded expectations, while in my head an idea to go further after Ben Bekele began to form.

This time I didn’t want to work alone. I invited Kamil Piotrowicz and Igor Wiśniewski to cooperate with me. Incredibly creative, sensitive artists and wonderful companions on stage as well as off it. The music on this album is similar to a small extent to the "founding” piece.

It has however a couple of common features, with focus on the rhythm as the form-forming factor at the forefront. It’s also organic, emotional, at times trance-like and illustrative.

I sincerely hope that when listening to this record, for these tens of minutes you’ll escape from the surrounding us not-so-pleasant everyday life.


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