Leroy Jones - Props For Pops (1996)
BAND/ARTIST: Leroy Jones
- Title: Props For Pops
- Year Of Release: 1996
- Label: Noptee / Sony Music Entertainment
- Genre: Jazz
- Quality: FLAC (tracks)
- Total Time: 1:01:54
- Total Size: 386 MB
- WebSite: Album Preview
Tracklist:
1. Leroy Jones – Props For Pops (04:16)
2. Leroy Jones – Struttin' With Some Barbecue (05:08)
3. Leroy Jones – West End Blues (03:10)
4. Leroy Jones – Someday You'll Be Sorry (03:54)
5. Leroy Jones – When It's Sleepy Time Down South (04:34)
6. Leroy Jones – Jeepers Creepers (04:50)
7. Leroy Jones – You Must Not Be Hearin' Straight (04:42)
8. Leroy Jones – The Preacher (04:26)
9. Leroy Jones – Ain't Misbehavin' (04:11)
10. Leroy Jones – Baby Won't You Please Come Home (05:44)
11. Leroy Jones – What a Wonderful World (04:54)
12. Leroy Jones – Beale Street Blues (05:08)
13. Leroy Jones – Louie's Lamentation (02:39)
14. Leroy Jones – Armstrong Parade (04:12)
1. Leroy Jones – Props For Pops (04:16)
2. Leroy Jones – Struttin' With Some Barbecue (05:08)
3. Leroy Jones – West End Blues (03:10)
4. Leroy Jones – Someday You'll Be Sorry (03:54)
5. Leroy Jones – When It's Sleepy Time Down South (04:34)
6. Leroy Jones – Jeepers Creepers (04:50)
7. Leroy Jones – You Must Not Be Hearin' Straight (04:42)
8. Leroy Jones – The Preacher (04:26)
9. Leroy Jones – Ain't Misbehavin' (04:11)
10. Leroy Jones – Baby Won't You Please Come Home (05:44)
11. Leroy Jones – What a Wonderful World (04:54)
12. Leroy Jones – Beale Street Blues (05:08)
13. Leroy Jones – Louie's Lamentation (02:39)
14. Leroy Jones – Armstrong Parade (04:12)
Leroy Jones's 1996 album Props For Pops is a heartfelt and swinging tribute to the ultimate "Pops" of jazz, Louis Armstrong. Recorded over two days in New Orleans, the album showcases Jones's masterful trumpet playing—described as a blend of Armstrong's power and the virtuosity of bebop—across a set of Armstrong classics like "West End Blues," "Ain't Misbehavin'," and "What a Wonderful World". It also features the title track and the original composition "You Must Not Be Hearin' Straight," proving Jones is not just a guardian of tradition but a vibrant voice of New Orleans jazz in his own right.
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