Reed Tetzloff, Orchestre Philharmonique Du Luxembourg, Sir John Eliot Gardiner - Schumann, Grieg: Piano Concertos (2025) [Hi-Res] [Dolby Atmos]
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- Title: Schumann, Grieg: Piano Concertos
- Year Of Release: 2025
- Label: Aparté
- Genre: Classical
- Quality: Dolby Atmos (E-AC-3 JOC) / flac lossless (tracks) / flac 24bits - 96.0kHz +Booklet
- Total Time: 01:00:43
- Total Size: 334 / 254 mb / 1.12 gb
- WebSite: Album Preview
Tracklist
01. Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso
02. Piano Concerto in A Minor, Op. 54: II. Intermezzo - Andantino grazioso
03. Piano Concerto in A Minor, Op. 54: III. Allegro vivace
04. Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato
05. Piano Concerto in A Minor, Op. 16: II. Adagio
06. Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato
Schumann and Grieg’s piano concertos, often paired together in concert and on recordings, seem to chart the range of Romantic expression, from the confessional to the triumphant. This iconic repertoire, the meeting ground between pianist Reed Tetzloff and Sir John Eliot Gardiner, still holds a few surprises. The choice to record a rarely-heard intermediate version of the Schumann Concerto offers a glimpse into the work’s evolution and casts new light on Schumann’s compositional process as well as his relationship with Clara, his true artistic collaborator.
Soloist and conductor, driven by a shared desire to challenge and to surprise, reveal here an undeniable artistic affinity through a fresh and deeply engaged interpretation.
01. Piano Concerto in A Minor, Op. 54: I. Allegro affettuoso
02. Piano Concerto in A Minor, Op. 54: II. Intermezzo - Andantino grazioso
03. Piano Concerto in A Minor, Op. 54: III. Allegro vivace
04. Piano Concerto in A Minor, Op. 16: I. Allegro molto moderato
05. Piano Concerto in A Minor, Op. 16: II. Adagio
06. Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato
Schumann and Grieg’s piano concertos, often paired together in concert and on recordings, seem to chart the range of Romantic expression, from the confessional to the triumphant. This iconic repertoire, the meeting ground between pianist Reed Tetzloff and Sir John Eliot Gardiner, still holds a few surprises. The choice to record a rarely-heard intermediate version of the Schumann Concerto offers a glimpse into the work’s evolution and casts new light on Schumann’s compositional process as well as his relationship with Clara, his true artistic collaborator.
Soloist and conductor, driven by a shared desire to challenge and to surprise, reveal here an undeniable artistic affinity through a fresh and deeply engaged interpretation.
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