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pôt-pot - Warsaw 480km (2025) [Hi-Res]

pôt-pot - Warsaw 480km (2025) [Hi-Res]

BAND/ARTIST: pôt-pot

  • Title: Warsaw 480km
  • Year Of Release: 2025
  • Label: felte
  • Genre: Psychedelic Rock, Krautrock, Fuzz
  • Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
  • Total Time: 40:00
  • Total Size: 91.5 / 224 / 435 MB
  • WebSite:
Tracklist:

1. 132 Spring St. (00:32)
2. 22° Halo (04:45)
3. Sextape (04:32)
4. WRSW (06:27)
5. Fake Eyes (02:47)
6. I AM! (06:01)
7. Can't Handle It (03:31)
8. The Lights Are On (03:58)
9. Hot Scene (05:36)
10. Change Your Life (01:51)

Pôt-pot with one of the best psychedelic rock sounds I've heard in a while, doing those Germanic motorik beats and then throwing in some eastern tange and Afro-rhythms and a cloud swelling haziness. If you like your psychedelic on the Spacemen 3 side with some Goat grooves and an edge of garage rock, this is an essential 2025 pick-up.

Warsaw 480km is the debut LP from Irish/Portuguese quintet pôt-pot , who infuse the propulsive grooves of krautrock with a phosphorescent psych-rock radiance, all underscored by harmonium drones, hypnotic male-female vocal harmonies, and deep layers of rough-hewn texture. Evolved primarily from demos by multi-instrumentalist and lead vocalist Mark Waldron-Hyden during a period of grief and personal upheaval, the album came to life through a series of live, full-band studio sessions that document an exceptional array of talents, unified in an embrace of raw catharsis with a sweetly sinister edge.
A defining element of Warsaw 480km is its impressive range of influences and atmospheric topographies. As Waldron-Hyden describes, “ I wrote the first batch of songs while not really living in one place, so I think they have a kind of transient feel to them – developing them with the band helped me process an era in which I was emotionally freewheeling, so they remind me equally of the beautiful experience we shared as a creative unit and the difficult times that inspired them.” Lead single,“WRSW”, exemplifies this complexity, as its rugged rhythmic backbone carries tremolo guitars, woozy harmonium, and a half-spoken, Lou Reed-indebted vocal line in which the verse and chorus beautifully blur together.




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  • User offline
  • whiskers
  •  wrote in 21:59
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Many Thanks
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  • pyxlax
  •  wrote in 10:55
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Thank you so very much!!