Nat Adderley Quintet - On the Move (1983)
BAND/ARTIST: Nat Adderley, Nat Adderley Quintet, Walter Booker, Sonny Fortune, Larry Willis, Jimmy Cobb
- Title: On the Move
- Year Of Release: 1983
- Label: Evidence Music
- Genre: Jazz
- Quality: FLAC (tracks)
- Total Time: 56:31
- Total Size: 387 MB
- WebSite: Album Preview
Tracklist:
1. Malandro (12:11)
2. The Boy With The Sad Eyes (07:57)
3. To Wisdom The Prize (10:14)
4. Naturally (07:00)
5. The Scene (04:34)
6. Come In Out Of The Rain (14:30)
1. Malandro (12:11)
2. The Boy With The Sad Eyes (07:57)
3. To Wisdom The Prize (10:14)
4. Naturally (07:00)
5. The Scene (04:34)
6. Come In Out Of The Rain (14:30)
Review by Ron Wynn
Nat Adderley teamed with alto saxophonist Sonny Fortune on two albums for Theresa in the mid-'80s, including this six-cut outing. Fortune, capable of playing with as much invention, energy, and drive as any contemporary alto player, was uniformly aggressive and intense. He dominated the proceedings, followed closely by the outstanding rhythm section duo of underrated bassist Walter Booker and drummer Jimmy Cobb. But neither Adderley nor pianist Larry Willis, who supplied half the date's songs, were in top form. Willis played some nice melodies but did not offer much during his solos, while Adderley was plagued by sloppy articulation. However, the work of Fortune, who has not recorded nearly often enough, salvages things somewhat.
Nat Adderley teamed with alto saxophonist Sonny Fortune on two albums for Theresa in the mid-'80s, including this six-cut outing. Fortune, capable of playing with as much invention, energy, and drive as any contemporary alto player, was uniformly aggressive and intense. He dominated the proceedings, followed closely by the outstanding rhythm section duo of underrated bassist Walter Booker and drummer Jimmy Cobb. But neither Adderley nor pianist Larry Willis, who supplied half the date's songs, were in top form. Willis played some nice melodies but did not offer much during his solos, while Adderley was plagued by sloppy articulation. However, the work of Fortune, who has not recorded nearly often enough, salvages things somewhat.
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